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Jane Russell plays Calamity Jane who is offered pardon on a ten year sentence if she tracks down the culprits who are selling weapons to the Indians. She hitches up with a dim-witted dentist, Bob Hope, so that she can trick the bad guys into thinking that he is the federal agent tracking them down, instead of her. Hope is conned into thinking that he has killed a dozen or so Indians, in one of the funnier scenes. Hope is extremely funny in this comedy western as he struts his stuff through the old west. Most jokes hit their mark, and Russell is as much fun as Calamity Jane as well. The catchy Oscar winning tune "Buttons and Bows" is given a voice by Hope early in the film.

This works pretty well as a showcase for Bob Hope's comedic and other talents. While it's hardly anything to take seriously, it allows the ever-likable Hope to be himself and to make use of the opportunities for one-liners, sight gags, and a song or two, including his "Buttons and Bows". The story is exaggerated enough to render moot most questions of believability or character motivation.

Hope is in good form, delivering his lines well and in a style that keeps things light-hearted while not pushing it too far. His role as 'Painless' Potter suits him well, and he is able to carry much of the movie by himself. That is fortunate, since most of the rest of the movie is rather slight. Jane Russell starts off well enough, but it's not long before she has little new to offer, and her character is left with some unfulfilled potential. The other characters are mostly one-dimensional to begin with.

Then again, this kind of feature is not really meant to be analyzed. It gives Hope a chance to deliver his easygoing style of comedy, and should just be taken as such. It also worked well enough to provide the basis for a pretty good sequel.

Bob Hope is in his element in this type of role, here he plays a dopey dentist named Painless Peter Potter, he is the kind of dentist that pulls the wrong teeth and gets high on his own laughing gas. Here he manages to get involved with Calamity Jane {a positively smouldering Jane Russell} and a caper set around rouge Cowboys selling guns and dynamite to the Indians. After mistakenly being taken for a hero after repelling an Indian attack and killing a number of them during said attack, we are taken on this delightful journey as Potter the coward transforms himself into a bravado gun slinger whilst not realising it's actually Calamity pulling his strings and shooting the pistols. It's a smashing comedy that perfectly showcases Hope's immeasurable talent for delivering one liners, in fact few comedians in history can deliver a quip better than Hope could. The chemistry between Russell and Hope is as sharp as the writing, and to cap it all off we get the delightful song Buttons & Bows to hum along to, smashing uplifting comedy, 8/10.

Gunslinger and criminal Calamity Jane is released from prison by the Governors in exchange for her help with a problem. Someone is selling guns and dynamite to the Indians and other agents have been killed trying to find out who – only someone like Jane can get close. When her partner is killed she has no-one to act as her husband and help her travel incognito. She happens across a cowardly dentist, Painless Peter Potter, and she marries him in order to get a ride to Buffalo. However, can she keep him out of trouble long enough to find the dynamite?

Bob Hope may be 100 years old as I write this but he has been out of movies for quite a few years, also he only tended to make one type of film and play the same part in each one. So the appeal of this film very much depends on whether or not you like that. Personally I love Bob Hope and enjoy him even when he is in a weak film. The Paleface is one of his best films simply because it is a good piece of all round entertainment. It has a good central plot that stops the film just being a vehicle for him to do his stuff and instead is actually going somewhere.

The songs are quite nice but also there's only really two so it doesn't slow the film down too much. I do like the odd musical number but some Hope films had 5 or more songs in a 90 minute film, which was way too many. Hope is on good form, his asides and jokes work better in a good plot and he is very funny throughout. Some routines work better than others but if you are a fan then you'll like his style even when it isn't as funny as you'd hope. Russell is a good leading lady despite being a bit serious and then softening too quickly. The support cast are all in the background and the Native American clichés can be explained by the period and not racism.

Overall this is a very enjoyable film that works well because it allows Hope to run free within a good film instead of simply letting his performance be the film. He wisecracks his way along and it is easy to see why his light comic style has made him an icon even with a generation who have found him on their television and not the big screen.

The Paleface one of the funniest films Bob Hope ever did was a godsend to the career of Jane Russell. Take a look at her film credits and see how few there were during the Forties. She did The Outlaw which kept going in and out of release every time Howard Hughes re-edited it. She did a film called The Young Widow which she hated and was a box office flop and then The Paleface.

Although Howard Hughes kept messing around with The Outlaw and kept Russell off the screen for most of the Forties, the man did know about publicity and certainly kept her name before the public. But a movie star has to make movies. So even Hughes realized that and I'm sure he exacted a good price for Russell's services to Paramount for The Paleface.

Hope of course is his usual character. A recent graduate of a dentistry college, he's gone west to seek fame and fortune, Hope the schnook gets tangled up with the notorious Calamity Jane.

Of course Russell is Calamity Jane, she's being offered a pardon in order to trap some no good outlaws selling weapons to the Indians. When her contact is killed and she nearly is also, she picks up Hope and they get married and join a wagon train.

Of course the some of the funniest stuff in The Paleface when Russell does some fancy shooting and let's Hope take the credit for it, giving him an undeserved reputation for fearlessness. One of my favorite bits is when Iron Eyes Cody gets a hold of some of Hope's laughing gas and Hope thinks he's Russell behind a barrier.

Bob Hope got to introduce his second Oscar winning song in The Paleface, Buttons and Bows by the Paramount contract song writers, Jay Livingston and Ray Evans. He sold a few records of it, but the real big hit was done by Dinah Shore. It's now become identified with Russell as well, but she sings it in Son of Paleface, not here.

This was Bob Hope's first trip to the American west in search of laughs and it was a successful expedition.