Mr. Peabody y la sirena

Some postmodernists have suggested this is a dramatic film. It is a satire--the sort of film where the hero cannot fail because of his/her values, ideas and ethical self-command. The central character in this well-loved feature is an man (William Powell) who has reached the age of fifty. He has a lovely wife (Irene Hervey) but he is restless; he has lost the sense of adventure in his life, and his wife is treating him as if he were "old". Then on a fishing trip, he catches a mermaid (Ann Blyth). She cannot talk, she has a tale and lives beneath the sea; but she does not think he is old, she finds him kind, fascinating and absorbing. Of course this fabulous find upsets his staid routine and disrupts all his relationships. He has to keep the lovely young mermaid a secret; He takes her home, where she takes a bubble bath. Andrea King all-but-steals the film; she is gorgeous, on the make for him, and suspicious that he is hiding something. A highlight of the film comes when she dons a bathing suit (she is a champion swimmer and gorgeous) and investigates the mermaid tale underwater, where Blyth bites her on the leg. Clinton Sundberg, one of the best line-readers on planet, plays a man who is giving up smoking with whom Powell has droll conversations. Art Smith plays the psychiatrist to whom he confesses his find; he is also older, and has had a fantasy of his own. Ever the practical sort, Powell tries to buy half a bathing suit, with hilarious results; he also eventually has to explain the goings on to his wife; this is a character-based adult script by Nunnally Johnson adapted from Guy and Constance Jones' novel "Peabody's Mermaid"; and it makes, by my lights, an unforgettable, charming and beautiful made film. Irving Pichel directed with verve and intelligence. others in the cast include Lumsden Hare, Fred Clark, James Logan, Mary Field, Beatrice Roberts, Mary Sommerville and many more in smaller roles. The film boasts fine underwater cinematography by David Horsley and Russell Mettey's usual very fine work. Original music was composed by Robert Emmet Dolan with art direction supplied by Bernard Herzbrun and Boris Leven; the difficult set decorations were supplied by talented Russell A. Gausman and Ruby R. Leavitt with costumes designed by Grace Houston. Carmen Dirigo is credited with the film's challenging hair stylings and Bud Westmore with the makeup for Lenore the mermaid and the rest of this talented and beautifully-chosen cast (a hallmark, I suggest of Nunnally Johnsons' films, since he co-produced as well as writing the script). This is not a film about someone being old; it is a wistful and intelligent look at being human, using the fantasy of a mermaid who is decidedly real as a symbol of youth itself--Mr. Peabody's youth--in which others believe or do not depending on their attitude to selfhood and individual desert. I find this film a touching and memorable screen achievement, thanks to all concerned.

Slightly bizarre little '40's comedy about a middle-aged married man's mid-life crisis solved by the discovery of a young mermaid while fishing in the Caribbean.

William Powell (The Thin Man series) carries the picture on his charm alone and Ann Blyth (Veda in Mildred Pierce) makes a very cute and seductive sea creature. Some droll set pieces -Peabody's attempt to purchase a swim top for his catch, the various encounters with the busy-body's who come to snoop- work quite nicely and Powell actually creates some genuine moments of heartfelt desire but it runs out of steam before long, turns dark, then ends with a thud.

Regardless, the film is a harmless little buried treasure and more than worth a look.

Mr. Peabody and the Mermaid (1948)

There could have been some real pathos here in the device of a man facing his mid-life crisis also happening upon a beautiful and very young mermaid. But instead the movie is just plain funny and fun. It's a good movie, and a deliberately limited one, the events taking place mostly in a little resort-seeming set where the lead man, Mr. Peabody (the wonderful William Powell), fights with the meaning of a mermaid who has fallen in love with him.

I say pathos right away because what the movie needs is some edge, and it's almost there. It's not at all as silly as it sounds. The mermaid, played by Ann Blyth (who was nineteen when it was filmed, next to Powell's 56), is certainly a coy and apparently enticing thing. Peabody is both taken with her, but (if you know Powell at all from the "Thin Man" or "My Man Godfrey") Peabody plays it cool and never quite falls for her, even if he would like to. He does however seem to abandon his wife at one point (or she abandons him, and he lets her), so the complications are echoes of the most ordinary situations in post-war America: an older man finds a younger woman and makes a mistake, or what the movie portrays as a mistake.

There are psychological and social depths here that are only hinted at, as would be the mode of the era, but in a way that's enough to make it a "delight," which is no demeaning word. Powell is great, finally done with his Thin Man series (the last was 1945), and he still has that elegant but odd charm about him that is utterly unique. The rest of the cast is played by types--the beautiful good wife with a little spunk, the beautiful temptress woman at the resort with a little too much spunk for the wife's taste, and a host of less characters. And the mermaid? None other than the daughter from "Mildred Pierce."

Scuba fans and underwater types will love all the really good footage of Blyth (the mermaid) doing a great job swimming and being a bit randy, as any good mermaid would who hadn't met a man for who knows how long. A highlight? When Powell shows her how to kiss. Check it out!

I'm not normally a fan of old movies, especially the B&W variety, but being a lover and collector of mermaids, I decided to check this movie out on AMC.

I found the story absolutely delightful. Wm. Powell is so gentle and earnest in the role of Mr. Peabody, and almost as sweet as the lovely young mermaid, Lenore.

I found the set at the Peabody home with the fish pond and underwater grotoe where the mermaid lived to be much like the enchanted world I'd love to live in as my mermaid alter-ego, Sirena.

I found myself wishing for a colorized version of the movie.

I've only seen this movie a couple of times as it seems it was hardly ever shown on television and I don't know why it was so overlooked. It's not a big film and is a typical escapism fantasy fun film that were so popular in the 1940's but it's well done and deserves a look. William Powell whose days as a leading man were waning plays a man who is turning 50 and going into a mid-life crisis (Powell was in reality 56) so while on a seaside vacation with his wife away, he snags a mermaid while out fishing. A beautiful mermaid, played by the 20 year old Ann Blyth who in 1948 was breaking away from teen roles with this film and two others released that year, A Woman's Vengeance and Another Part of the Forest. This is adapted from the Constance and Guy Jones novel Peabody's Mermaid by noted screenplay writer Nunnaly Johnson who wrote The Grapes of Wrath, Tobacco Road and The Three Faces of Eve. Versitle director Irving Pichel who worked in comedy, drama, film noir, westerns and sci-fi and did such films as The Most Dangerous Game, Tomorrow is Forever, They Won't Believe Me and had just come off the sentimental The Miracle of the Bells, directs. Proliffic cinematographer Russell Metty photographs with underwater sequences filmed by respected visual effects photographer David S. Horsley. Irene Hervey and Andrea King are also in the cast. Ann Blyth looks beautiful and makes one of the best on screen mermaids ever in an unusual role. I would give this an 8.0 out of 10.