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The embellished story of Soviet defector Igor Gouzenko is told here in the documentary style that 20th Century Fox popularized in the post World War II period with such other films as The House On 92nd Street, The Street With No Name and 13 Rue Madeleine. Gouzenko is played here in tightlipped fashion for an uptight man by Dana Andrews with Mrs. Gouzenko played by frequent Andrews co-star Gene Tierney.

Gouzenko was a security code clerk at the Soviet Embassy in Ottawa and was an important conduit for top secret information both in and out of official diplomatic channels. During the Cold War it was a standard practice for the Soviets to use their embassies as places of espionage as well as diplomacy as did we. But this started during World War II when both sides were ostensibly allies.

Canada had its own role in World War II as an ally, an important supplier of troops and even more important guardian of the North Atlantic sea lanes for supplies. Their scientists worked on the Manhattan Project and the development of a super weapon certainly piqued Soviet interest. Just what were allies America and the United Kingdom working on?

When we meet Gouzenko he's a pretty firm true believer in the evangelizing mission of the Soviet state. But what was presented satirically in films like Ninotchka and Comrade X is done seriously here. The material prosperity of the west is something Andrews pretends not to notice, but Tierney isn't quite as self controlled.

The friendliness of neighbor Edna Best to Tierney and her infant son proves to be invaluable in the end. No wonder the Soviets tell Andrews to stand aloof from the ordinary Canadians. Random acts of kindness can sometimes really pay off.

A good cast of villainous types play various Soviet embassy and intelligence officials. Two should be singled out, a female seductress played by June Havoc who tests Andrews discretion and loyalty and comes up short. And Eduard Franz who plays another embassy official who becomes disillusioned with Communism and isn't so discreet about it.

For a Cold War era anti-Communist film, The Iron Curtain holds up well over 60 years later. How convenient of Winston Churchill to provide a title for this film with a famous speech in 1948.

Dana Andrews is Igor Gouzenko, a Russian spy in Canada in "The Iron Curtain," a 1948 film based on a true story. Andrews plays a Russian during and after World War II who is sent to work as a code clerk for a ring in Canada; once the bomb is dropped on Hiroshima, the Communists become particularly interested in documents pertaining to it. Eventually his wife (Gene Tierney) joins him and tells him that she is pregnant. With the birth of his son, and the disillusionment of one of the ring (Eduard Franz), whose father was a great leader, Gouzenko slowly begins to realize that he's on the wrong side and decides that he and his family will not return to Russia. He steals important documents from his office with the idea of handing them over to the Department of Justice before his bosses realize what has happened, but fate plays against him. It becomes a race against time to get the documents into the right hands as well as save his family, even if he can't save himself.

Done in semi-documentary style, this is a pretty good propaganda drama with fine performances from an always attractive couple, Andrews and Tierney, and a great performance by Eduard Franz in a showy role. Andrews is one of the few leading men under contract at 20th Century Fox who was served well, particularly once Fox's biggest star, Tyrone Power, went to war; the hard-bitten roles Andrews played in many film noirs have given him a place in film history. Like both Power and John Payne, he was versatile, appearing in every type of film. Not realizing he was trained as an opera singer, the studio dubbed him in "State Fair" - they'd thrown so many non-singers into musicals, it never occurred to them he actually might be one. Alcoholism cut his star years short though he continued to work and speak on behalf of facing up to alcoholism. Tierney's career had its ups and downs due to her personal life as well, but in three films, they made a wonderful couple.

Toward the end, "The Iron Curtain" becomes quite intense and exciting. Well directed by William Wellman, it's worth watching though some may not like its definite propaganda bent.

Excellent film dealing with Soviet spies operating in Canada during World War 11 and afterward.

The spying was done out of the Soviet embassy in Canada. There were plenty of non-Canadians involved in the spy ring as well.

This film was a true story. Dana Andrews gives a subdued performance as a Soviet decoder who comes to appreciate democracy. He is soon joined in Canada by his wife who is played by Gene Tierney. She brings a simplicity to the role as the Soviet wife who also comes to respect a democratic way of life.

There is an excellent performance by Eduard Franz, who plays an disenchanted alcoholic Soviet official, whose disdain for Soviet life will lead him back to the Soviet Union.

The film is exciting since it shows how no one wanted to listen to Andrews unraveling of the spy ring.

Wedged between the famous Otto Preminger Film Noir LAURA and WHERE THE SIDEWALK ENDS and almost a decade past TOBACCO ROAD is the sublime pair-up of Dana Andrews and Gene Tierney under the direction of William A. Wellman in a Cold War Thriller at the rudimentary stages of that very thing: the movie takes place during and right after WWII and was released only three years after the war ended...

Based on the true story of "Soviet cypher-clerk Igor Gouzenko who was posted to the Soviet Embassy in Ottawa, Canada in 1943... to reveal the extent of Soviet espionage activities directed against Canada," Dana Andrews takes a sort of reverse risk since nothing's worse than an American actor caught doing a bad-hammy foreign accent, especially one as thick as Russian... And so, Dana basically speaks exactly like Dana. Meanwhile, Tierney slips in a very subtle accent and either way, both do a good enough job, making an otherwise passable programmer worth viewing: Although the real scene-stealer is Texas-born Berry Kroeger as "Paul," taking that risk and succeeding with flying colors, seeming and sounding like a Russian Orson Welles type of classy, distinguished yet nefarious thug with a scowl that's genuine, menacing and lethal...

He's the person to truly fear, for both the audience and our hero, who will eventually attempt to defect with information about Canadian spies for the Soviets. "Paul" also keeps a narrowed eye on those spies who might have lost their tight grip on the dream of communism. Berry's scenes without either Dana or Gene are beyond-effective, and provide a dark Noirish vibe when needed - as does the initial setup concerning Andrews when Russian Femme Fatale-like secretary June Havoc tests his loyalty with vodka and attempted passion.

The suspense that's supposed to occur as Andrews and Tierney, with their newborn baby in her arms and secret documents stuffed into his clothing, just isn't there as he tries locating any form of authority willing to listen to what seems like a nutcase conspiracy involving the Russian Embassy. Before that, Igor's transition is much too quick and easy; after listening to quirky, vulnerable comrade Stefan Schnabel's drunken speech against their country, he's converted as a loyal Canadian with defecting on the brain. During his most effect scenes, Dana remains the most square-jawed as a true Russian who believes in something that we, and not yet he, know will eventually change.

In reviewing this movie, I have to admit my personal bias as a Canadian living in Ottawa where the movie was shot. I had seen it many years ago and liked it so I was excited when it was shown on TCM on Easter eve. I had forgotten many of the scenes, although I know the story well. I appreciated the crisp cutaway shots of Ottawa with Gothic public buildings and brick houses shown against the stark winter backgrounds. I also liked the way the movie was shot in darkness and shadows evoking the Cold War atmosphere. Director Wm. Wellman got the details correct with his script and the visual references to Ottawa landmarks. The Justice Building is the actual Confederation Building still used by the Dept.of Justice. The railway shown running along the Rideau Canal is no longer there but that was the location used by trains in and out of Union Station in downtown Ottawa. The actual apartment where Gouzenko lived is shown. It still stands along with the park across the street where there is signage indicating the historical significance of the site nearby. We also see Somerset St. with a streetcar passing the building where he resided. The Parliament Buildings, the Château Laurier and the National Research Council are all shown and all were pivotal locations for the story. There is a reference to the child of Igor and Anna Gouzenko born at St. Vincent's Hospital, which still stands in the neighbourhood where Gouzenko lived. I like the documentary style also used effectively in other films from that era, such as The House on 92nd Street, Naked City and the Wrong Man. The film noir look is typical of the era and suits the espionage story. Where the movie falls short, however, is in the characters of Igor and Anna Gouzenko as performed by Dana Andrews and Jean Tierney. I can certainly respect the choice of two accomplished actors for the roles; however, these Hollywood icons are a stretch for the Russian couple in the story, especially for a movie that pays such close attention to other details. Nevertheless, I can see that two acting stars would attract attention to the movie and the story. For example, a Cold War museum outside Ottawa, built as a bunker for government leaders in the 1950's, features photos from the movie to highlight the story. As someone with a passion for Canadian history and movies, I have great affection for The Iron Curtain. I was very grateful for TCM bringing this little known movie to its viewers.