Agrega una trama en tu idiomaA newspaper publisher sends his future son-in-law to handle a job that ends up with unexpected trouble.A newspaper publisher sends his future son-in-law to handle a job that ends up with unexpected trouble.A newspaper publisher sends his future son-in-law to handle a job that ends up with unexpected trouble.
- Dirección
- Guionistas
- Elenco
Fotos
Beverly Lloyd
- Penny Blake
- (as Beverly Loyd)
Thomas E. Jackson
- Chief McClure
- (as Thomas Jackson)
Fred Aldrich
- Hood at Burlesque House
- (sin créditos)
Gertrude Astor
- Woman with Dog
- (sin créditos)
Eddie Bartell
- Bagsy - Burlesque Clown
- (sin créditos)
Arthur Berkeley
- Stagehand
- (sin créditos)
Mimi Berry
- Ginger
- (sin créditos)
Phil Bloom
- Audience Member
- (sin créditos)
George Bruggeman
- Pedestrian
- (sin créditos)
Harry Cheshire
- Judge J.J. Bellinger
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10nabor7
I just happened to be off and alone at home when I found this on Turner Classic Movies. It is the first time I've seen the characters of Ames and Doubleday and now I want more. Seeing that it was a Hal Roach Production meant that I was in for a good comedic movie and I wasn't disappointed. We will never see comedies such as this again and now I am searching for more of the Ames and Doubleday movies. We get so caught up in modern movies that are called comedies, but rely on foul language and noisy bodily functions for the laughs rather than on the actors ability to make us laugh. This is a really refreshing movies to relax and enjoy and the fact that it is almost 59 years old, only shows the timelessness of real comedy.
In the sixth of eight Dodo Doubleday streamliners, William Tracy is released from the army and goes back to his job on Emory Parnell's newspaper. Parnell has been trying to clean up organized crime, and the gangsters have run off four crime reporters in the last sixth months. His daughter, Penny Blake, is im love with Tracy, and lobbies for a promotion for him. So he gets promoted from copy boy to crime reporter. Maybe, Parnell reasons, he'll be killed.
It's pretty mild comedy, even if we get Joan Woodbury as a dancer in a burlesque house, and the other interesting performers that Hal Roach could get after a third of a century in Hollywood. Joe Sawyer is back as Tracy's ex-sergeant and now cop on the beat; Betty Compson has her last film role as Parnell's wife. But the small roles and uncredited bits are taken by newer names; Roach's old comics were dead or retired.
Turner Classic Movies has taken to running this in its original Cinecolor hues, and frankly, they don't help. There's a monotony to the color design of the movie, and I never saw so many men wearing orange ties!
It's pretty mild comedy, even if we get Joan Woodbury as a dancer in a burlesque house, and the other interesting performers that Hal Roach could get after a third of a century in Hollywood. Joe Sawyer is back as Tracy's ex-sergeant and now cop on the beat; Betty Compson has her last film role as Parnell's wife. But the small roles and uncredited bits are taken by newer names; Roach's old comics were dead or retired.
Turner Classic Movies has taken to running this in its original Cinecolor hues, and frankly, they don't help. There's a monotony to the color design of the movie, and I never saw so many men wearing orange ties!
William Tracy played Sergeant Doubleday in a cute series of films made during both WWII and the Korean War. I especially liked TANKS A MILLION, though they were all very good for B-pictures with very modest budgets. In this case, though, the war is over and Doubleday and his annoying friend, Sergeant Ames have found domestic jobs--Doubleday as a crime reporter and Ames as a cop. The only reason Doubleday got the job is that his future father-in-law hates him and wants to either see him get beaten up or chased away by local mobsters. Ames is, quite frankly, an idiot and makes a real mess of it as a cop. Both men work together at times to try to uncover who the mob leaders are, but almost get themselves killed in the process. There is a lot of slapstick, but apart from the overlong ending, it is handled expertly and the film is quite engaging. In fact, if the end hadn't just degenerated into a way too long fight sequence, the film could have easily earned a score of 8. Likable characters, good writing and a breezy script make this a fun little film that is well worth seeing.
This appears to be a very, very low-budget production. It is a comic treatment of crime. It is a comic treatment of ex-GIs who have returned from WWII. The acting is generally not only slapstick but also slapdash.
A GI returns to his job on a newspaper. He is in love with the editor's daughter. She wants him to get a better job. Light bulb goes off: Dad needs a new crime reporter, because it is so dangerous. Gives it to ex-GI. Ex-GI encounters friend from the war who has been booted up to a job in the police. The laughs proceed on this premise.
Joan Woodbury is actually very entertaining as a burlesque star called Bubbles LaRue. She wears shoes with ankle straps that reminded me of the first girlie magazine I ever saw. I couldn't figure it out, because it had photos from the 1940s -- ankle straps and all -- and I was a child in the sixties.
Though the movie is not very good, it is fun to see. One really tires of the same old things when it comes to vintage movies. My cap is off to whoever unearthed this.
A GI returns to his job on a newspaper. He is in love with the editor's daughter. She wants him to get a better job. Light bulb goes off: Dad needs a new crime reporter, because it is so dangerous. Gives it to ex-GI. Ex-GI encounters friend from the war who has been booted up to a job in the police. The laughs proceed on this premise.
Joan Woodbury is actually very entertaining as a burlesque star called Bubbles LaRue. She wears shoes with ankle straps that reminded me of the first girlie magazine I ever saw. I couldn't figure it out, because it had photos from the 1940s -- ankle straps and all -- and I was a child in the sixties.
Though the movie is not very good, it is fun to see. One really tires of the same old things when it comes to vintage movies. My cap is off to whoever unearthed this.
Here Comes Trouble (1948)
** (out of 4)
Another in the Hal Roach series featuring Doubleday (William Tracy) and Ames (Joe Sawyer). This time out the two are out of the Army and Doubleday, thanks to his soon to be father in law, is working as a reporter and he tries to crack a big case against a gangster. Ames, working as a policeman, gets in and tries to help but of course chaos follows. I believe this is the fifth film I've seen with the duo and there's no doubt that this one here is the weakest. The previous films were always going for laughs but this one here really seems a tad bit lazy because it seems not much of an effort was given in the screenplay to try and get any laughs. For the most part you get a lot of dialogue and none of its funny. Not because the material bad but because the material doesn't even go for laughs. Tracy is his usual self here but Sawyer seems really bored because his comic flair is never seen, although, to his credit, the screenplay doesn't offer him too much. Another problem is that most of the film's in the series ran from 40-45 minutes but this one here clocks in at 55-minutes and it really feels like 55-hours.
** (out of 4)
Another in the Hal Roach series featuring Doubleday (William Tracy) and Ames (Joe Sawyer). This time out the two are out of the Army and Doubleday, thanks to his soon to be father in law, is working as a reporter and he tries to crack a big case against a gangster. Ames, working as a policeman, gets in and tries to help but of course chaos follows. I believe this is the fifth film I've seen with the duo and there's no doubt that this one here is the weakest. The previous films were always going for laughs but this one here really seems a tad bit lazy because it seems not much of an effort was given in the screenplay to try and get any laughs. For the most part you get a lot of dialogue and none of its funny. Not because the material bad but because the material doesn't even go for laughs. Tracy is his usual self here but Sawyer seems really bored because his comic flair is never seen, although, to his credit, the screenplay doesn't offer him too much. Another problem is that most of the film's in the series ran from 40-45 minutes but this one here clocks in at 55-minutes and it really feels like 55-hours.
¿Sabías que…?
- TriviaFilmed in 1946, including two sessions of retakes and additional scenes, but not released until 1948.
- ConexionesFollowed by As You Were (1951)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Laff-Time Part 1
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 55min
- Color
- Color(Cinecolor, original 35 mm prints)
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta