[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Sangre de héroes

Título original: Fort Apache
  • 1948
  • Approved
  • 2h 8min
CALIFICACIÓN DE IMDb
7.4/10
21 k
TU CALIFICACIÓN
Shirley Temple and John Agar in Sangre de héroes (1948)
Trailer 1 for Fort Apache
Reproducir trailer1:44
1 video
59 fotos
Classical WesternDramaWestern

Un honorable y veterano capitán de guerra se enfrenta a conflictos en el Fuerte Apache cuando lo ponen al mando de un joven teniente coronel hambriento de gloria que no tiene ningún respeto ... Leer todoUn honorable y veterano capitán de guerra se enfrenta a conflictos en el Fuerte Apache cuando lo ponen al mando de un joven teniente coronel hambriento de gloria que no tiene ningún respeto por la tribu indígena local.Un honorable y veterano capitán de guerra se enfrenta a conflictos en el Fuerte Apache cuando lo ponen al mando de un joven teniente coronel hambriento de gloria que no tiene ningún respeto por la tribu indígena local.

  • Dirección
    • John Ford
  • Guionistas
    • Frank S. Nugent
    • James Warner Bellah
  • Elenco
    • John Wayne
    • Henry Fonda
    • Shirley Temple
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    21 k
    TU CALIFICACIÓN
    • Dirección
      • John Ford
    • Guionistas
      • Frank S. Nugent
      • James Warner Bellah
    • Elenco
      • John Wayne
      • Henry Fonda
      • Shirley Temple
    • 124Opiniones de los usuarios
    • 50Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 1 nominación en total

    Videos1

    Fort Apache
    Trailer 1:44
    Fort Apache

    Fotos59

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 53
    Ver el cartel

    Elenco principal43

    Editar
    John Wayne
    John Wayne
    • Capt. Kirby York
    Henry Fonda
    Henry Fonda
    • Lt. Col. Owen Thursday
    Shirley Temple
    Shirley Temple
    • Philadelphia Thursday
    Pedro Armendáriz
    Pedro Armendáriz
    • Sgt. Beaufort
    • (as Pedro Armendariz)
    Ward Bond
    Ward Bond
    • Sgt. Maj. Michael O'Rourke
    George O'Brien
    George O'Brien
    • Capt. Sam Collingwood
    Victor McLaglen
    Victor McLaglen
    • Sgt. Festus Mulcahy
    Anna Lee
    Anna Lee
    • Mrs. Emily Collingwood
    Irene Rich
    Irene Rich
    • Mrs. Mary O'Rourke
    Dick Foran
    Dick Foran
    • Sgt. Quincannon
    Guy Kibbee
    Guy Kibbee
    • Capt. Dr. Wilkens
    Grant Withers
    Grant Withers
    • Silas Meacham
    Jack Pennick
    Jack Pennick
    • Sgt. Daniel Schattuck
    Ray Hyke
    • Recruit
    Movita
    Movita
    • Guadalupe
    Miguel Inclán
    Miguel Inclán
    • Cochise
    • (as Miguel Inclan)
    Mary Gordon
    Mary Gordon
    • Ma (barmaid)
    Philip Kieffer
    • Cavalryman
    • (as Philip Keiffer)
    • Dirección
      • John Ford
    • Guionistas
      • Frank S. Nugent
      • James Warner Bellah
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios124

    7.420.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    cariart

    Most Powerful of Ford's 'Cavalry' Trilogy...

    John Ford's FORT APACHE is the first of a three-film cycle chronicling the exploits of the U.S. Cavalry in the settling of the West, but it is far more than that; as a thinly-disguised reworking of the George Armstrong Custer story, it provides insight about a leader so blinded by his own ambition and ego that his actions nearly wipes out his command, and would have to be 'covered-up' by an Army that always protects its 'own'. Ironically, in whitewashing his actions, he becomes a national hero, giving him, posthumously, the attention he'd craved. The story is a powerful one, and in the hands of a top-notch cast, FORT APACHE is as timely today as when it was first released.

    Henry Fonda's Lt.Col. Owen Thursday is a complex, driven man, a martinet who considers his transfer to the western outpost as a slap in the face by the War Department. Accompanied by his daughter, Philadelphia (a grown-up and vivacious Shirley Temple), he arrives at Fort Apache early, and discovers the welcoming festivities are not for him, but for the return of the son of Sgt.Major O'Rourke (Ward Bond), a new second lieutenant, fresh from West Point. The younger O'Rourke, portrayed by John Agar, and Philadelphia are immediately attracted to one another (they were married, off screen), but, displaying a 'class' snobbery, Col. Thursday nixes any chance of an officer's daughter and an enlisted man's son (even if he is an officer) having a romance.

    As the new commander, Thursday shows an insensitivity to both his own men (he rebukes former commander Capt. Collingwood, played by George O'Brien, in front of the other officers), and the intellectual and tactical skills of the Indians (drawing the ire of John Wayne, as Capt. Kirby York). He does convince York that he is interested in parlaying with Cochise, however, and soon York, whom the chief respects, is on his way to Mexico, to get him to cross the border for a meeting between the two leaders and the corrupt Indian agent (Grant Withers) whose actions had led to the current insurrection.

    Ultimately, Cochise does cross the Rio Grande, and Thursday reveals his true plan; to demand a return to the reservation, or face annihilation. York feels betrayed, and warns Thursday that he's setting himself up for a massacre, especially as the commander intends to bring his entire command to the meeting. Thursday simply sneers at his warning, sarcastically suggesting that York is crediting Cochise as being as brilliant as Napoleon.

    The meeting is brief, with Thursday showing no respect, and, sure enough, ends disastrously. Cochise, prepared for a potential betrayal, has lined the canyon walls beyond the meeting place with hundreds of sharpshooters, and, despite York's warnings (leading to his being branded by Thursday a 'coward', and ordered to remain with a rear guard), the Colonel leads his command in a charge, into the canyon...

    In an unsympathetic role, Henry Fonda is marvelous, actually making Col. Thursday believable, if not likable. John Wayne, despite star billing, is actually secondary, plot-wise, but is excellent as the officer who learns, finally, what it means to command, by watching the wounded Thursday return to his command, and face certain death.

    Major subplots of all three 'Cavalry' films would be devoted to Sergeants, and FORT APACHE offers four truly memorable ones, in Bond, Pedro Armendariz, Victor McLaglen, and Dick Foran.

    FORT APACHE is a film that could easily stand alone as a superb drama; as the first of the trilogy, it set a high standard, and is considered by most critics as the finest of the three films.

    It is unforgettable!
    7sddavis63

    John Wayne And Henry Fonda Cast Against Type

    John Wayne and Henry Fonda are iconic actors, and you have a tendency to know what sort of characters to expect from them. "Fort Apache" is a good movie, but what makes it really interesting to watch is that both Wayne and Fonda are cast a little bit against type in this. That's a bit jarring, and it forces you to watch, because you don't know exactly what to expect from them as the movie goes on. For a western that has surprisingly little action (the requisite "cowboys and Indians scene comes only in the last half hour) the performances from these two alone make this worth watching.

    Fort Apache is a lonely US army outpost in the years after the Civil War. Nothing much happens there, and it's not a particularly prestigious assignment. The officers and men are comfortable and unchallenged under the command of Wayne's Captain York. Things change when Fonda's Col. Thursday shows up to assume command. Thursday is a bitter character. He thinks he's better than Fort Apache, and he resents being assigned to the command. You get the impression that he was a well regarded Union officer in the Civil War who just got overlooked in peacetime. But he's an officer, and Fort Apache is his assignment and he's determined to make it the best outfit in the US Army. No more comfortable outpost. The men wear proper uniforms, they drill, they train. Thursday's awkward in the command. Fort Apache is a close knit post, and he just doesn't fit in. His interactions with the soldiers and other officers are stiff and formal. Wayne's relaxed York and Fonda's by the book Thursday make this an interesting character study more than a western for the most part.

    For all his attention to detail, though, Thursday has a basic problem: he yearns for glory, and he's not especially competent. Given the chance he orders his men to attack a group of Apaches returning from Mexico who've been promised by York that they could negotiate. But Thursday wants to beat them in battle and make his name, over York's protests. Not surprisingly, the end result is not unlike Custer's Last Stand.

    This is a character study, and the characters are strong. It's not only Wayne and Fonda. There are other good performances in this as well. I was quite taken with the very pretty 20 year old Shirley Temple as Thursday's daughter. Interestingly, her love interest in the movie is played by John Agar, her real life husband at the time. Ward Bond was also very good as Sgt. Maj. O' Rourke. The battle scenes are restricted to the last half hour or so, and they serve primarily to show Thursday making blunders and rejecting the advice of those who know the Apache better than he does. The last scene of the movie is the classic example of a manufactured hero. Killed by the Apache after his own incompetence doomed him, Thursday is turned into a gallant national hero. York assumes command of Fort Apache, but the portrait of Thursday hangs over him. Those we recognize as heroes aren't always the real heroes apparently.

    It's a well done movie. If you're expecting a traditional cowboy and Indian shoot out, you won't find it here. BUt it has a few humorous moments, and if you're looking for a solid, character driven western featuring two very good actors, Fort Apache will definitely satisfy. (7/10)
    8stryker-5

    Fonda And Wayne Clash In John Ford Cavalry Pic

    Lieutenant-Colonel Owen Thursday arrives at a frontier fort to take up his new command. His harsh, unbending philosophy of soldiering creates something of a stir in the regiment. His pretty daughter Philadelphia causes a rather different commotion.

    The headstrong commander refuses to listen to the advice of his loyal captain, Kirby York, who knows frontier life and enjoys a rapport with the indian chiefs. The two officers are both strong characters, and their differing ideas inevitably lead to a clash.

    Cochise and his braves are willing to accommodate the white man so long as their concerns are handled with diplomacy. Unfortunately, the high-handed approach of Lieutenant-Colonel Thursday cause relations to deteriorate, and conflict ensues.

    In the course of the 1940's and 50's, director John Ford returned repeatedly to this subject-matter, John Wayne in Monument Valley with the US cavalry, fighting redskins and singing Irish folksongs. The stirring anthem in this movie is "The Girl I Left Behind Me", sung as the regiment rides out in full panoply to meet Cochise - although "She Wore A Yellow Ribbon" gets an airing, too.

    The cavalry regiment itself is a protagonist in the story, regarded as a living entity by its members. When Captain York is promoted to Colonel and commands the regiment, he makes a powerful speech stressing the continuity and tradition which have made the regiment great. The sense of hierarchy is strong. This is a world of order in which army regulations govern even the way an officer presents his calling-card. Soldiers can quote the regulations by heart. This well-regulated military force will, we feel, impose civilisation on this wild frontier.

    Examples of the regiment's rigid code keep recurring. The NCOs' dance has its own elaborate protocol, which not even Colonel Thursday dares to flout. Feelings over the O'Rourke marriage reach boiling-point, but everyone adheres to the rules of military courtesy. Washington's Birthday is celebrated as a regimental occasion. The Irish sergeants are all related by blood and marriage, and as their exuberant fraternal greetings subside, military discipline asserts itself effortlessly.

    "I'm not a martinet," protests Colonel Thursday, the most extreme martinet imaginable. He is inflexible in his enforcement of the military code, and too stubborn and wrongheaded to listen to the advice of his officers, who are experienced frontier campaigners. He completely misses the presence of Cochise's war party because he has no combat experience and doesn't know to watch the skyline for dust clouds. In addition, Thursday is a terrible snob. He calls young Michael O'Rourke a 'savage' for a perceived laxity of discipline, and sets his face against the marriage of Michael and Philadelphia because of "the barrier between your class and mine". He is dismayed that the son of a sergeant should have passed through West Point, and needlessly offends Cochise by talking down to him.

    And yet even Owen Thursday has a human side. We gather that there is some personal secret between him and Captain Collingwood, and we almost smile when the armchair collapses under him. Most tellingly, Thursday returns to the beleaguered redoubt after he has been rescued. He redeems himself by rejoining his soldiers in the thick of the fighting.

    When young Philadelphia Thursday (Shirley Temple) studies Michael O'Rourke in her purse mirror, we know that these two will be the love interest. Also, as this incident illustrates, the womenfolk of Fort Apache tend to run the show in this masculine enclave. The Thursday residence is somewhat joyless, especially when compared with Aunt Emily's cosy quarters. The women brush aside the colonel's seniority and call in Mrs. O'Rourke to refurnish the place. In one of the film's good jokes, no fewer than eight Mrs. O'Rourkes answer the call. There is a touching scene when the regiment moves out and the women are left together. Mrs. Collingwood is torn, because her husband has his safe posting back east and needn't go into battle, but she knows how important it is for him to prove his courage. The womenfolk urge her to call him back, but she reluctantly allows him to ride out.

    John Ford laced many of his films with Irish humour, and "Fort Apache" is no exception. The ubiquitous Victor McLaglen plays Sergeant Festus Mulcahy, and he and the O'Rourkes run the fort - that is, whenever they are not in the jailhouse on charges of drinking and brawling. Outrageously, Mulcahy promotes a raw recruit to corporal, simply because he's Irish. Quincannon virtually lives in the jailhouse, but he has a fine tenor voice, so he is released from custody in order to serenade the young lovers with his rendition of "Genevieve". When the dishonest trader Meacham has his whisky stock confiscated and marked for destruction, the sad faces of the sergeants make a comical picture, and the subsequent 'destruction' is even funnier.

    Ford is a master of composition. York rides out to parley with Cochise and is engrossed in dialogue, leaving Thursday stranded and excluded. We hear the thunder of hooves offscreen before we see the charge, and its impact is magnified accordingly. In the sequence where York and Beaufort ride to negotiate with Cochise, the screen is filled with stunning images of rock and sky. The charging cavalry are cleverly 'lost' in their own dust, which closes behind them like a curtain, ending the scene.

    Wayne is curiously subdued in this film. This is partly because he plays a conscientious subordinate, and partly because the confrontation with Fonda is eclipsed by other plot developments.
    7SnoopyStyle

    western epic

    Lieutenant Colonel Owen Thursday (Henry Fonda) travels to Fort Apache with his daughter Philadelphia (Shirley Temple) to take over command. Captain Kirby York (John Wayne) is disappointed as he expected to be the new commander. Philadelphia falls for young soldier Shannon O'Rourke despite the disapproval of her class-obsessed father. The Apache are on the war path five years after the peace treaty signed by Cochise. Due to alcoholism and starvation, Cochise had broken the treaty and left the reservation for Mexico.

    This is an old style western from legendary director John Ford. Henry Fonda is somewhat miscast as the hard-headed, arrogant commander. John Wayne is the heroic one with the moral high ground. It may be better to switch the two leads. While John Wayne can be either, I don't see Fonda that way. As for the Apache, at least Cochise is played by a Mexican and the natives are shown as proud people. The first half is a bit slow. It has the old western humor and the first battle happens only at the halfway point. The most notable aspect is that the final battle has the sides switched from their standard roles. There is an obvious allusion to a historical event. It has something to say about the glorification of war. This is a western epic.
    bob the moo

    An entertaining western with plenty of value in the characters, writing and commentary

    Owen Thursday is hardly impressed when his new command is the desolate Fort Apache, but resolves to make the best of it. When a group of Indians strike out from the local reserve led by warrior Cochise, Thursday sees the challenge as being key in winning back the military honour he feels has been denied him to date. However Captain York persuades him to allow York to go into Mexico to talk peace and convincing him to return to the US to broker a resolution – but will Thursday's obsession with honour and glory cause a bloodier ending? Interweaving this central plot with romantic and comic subplots makes a standard western into a much better one, even if it sometimes causes it to feel a bit slow. The story concerns an outlying post and the first half of the film lays down the characters, their relationships and who they are in ways that are interesting and produces a mix of funny moments and rather slower dramatic moments – all of them work as well as one another and it enriches the final section of the film. It is in this final third of the film where the action starts and it is rather dramatic and exciting; it also brings out a lot more of the subtext about the arrogant leadership of Thursday, based on the character traits that we have already had developed in him in regards his men and his daughter. It is made to look easy but the script does it well and even finishes with Ford's oft-touched assertion that the legend was often printed in favour of the less impressive truth – although it still has a salute to the serving men.

    The cast are all pretty strong, although naturally the script favours the men, although having said that Temple is quite good if you can get past her "precious princess" performance. Fonda has the main role and manages to make his character convincing and arrogant at the same time – we never hate him so much as just see his failings. Wayne has a straighter role to play and he is as good as ever with it, although it is hardly the most challenging character I've seen him play. Agar is a bit stilted and unsure of himself – unsurprisingly his chemistry is good with Temple (they were married at the time) but it is the other parts where he appears overshadowed by the stronger male actors. Support is roundly good, particularly in the comic roles as filled by Bond, McLagen and some of the other NCO's. Direction is good, although I felt that the landscapes were "there" rather than being integrated into the fabric of the film.

    Overall this is a worthy film. Perhaps not the best of the ford films but still an intelligent film that delivers the goods just like a standard western would, while also having good writing in the characters and subtexts. The cast are mainly good and the whole film feels professional and entertaining.

    Más como esto

    La legión invencible
    7.2
    La legión invencible
    Río Grande
    7.0
    Río Grande
    Marcha de valientes
    7.1
    Marcha de valientes
    Río Rojo
    7.7
    Río Rojo
    La diligencia
    7.8
    La diligencia
    Tres hijos del diablo
    7.0
    Tres hijos del diablo
    La pasión de los fuertes
    7.7
    La pasión de los fuertes
    Hondo
    7.0
    Hondo
    El hombre quieto
    7.7
    El hombre quieto
    Río Bravo
    8.0
    Río Bravo
    El Dorado
    7.5
    El Dorado
    Más corazón que odio
    7.8
    Más corazón que odio

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The cast member who had the hardest time with John Ford was John Agar, making his film debut. Whether it was because Agar was newly married to Ford's beloved Shirley Temple or because he wanted to test him, the director rode him mercilessly, calling him "Mr. Temple" in front of everyone, criticizing the way he delivered lines, chastising him for his lack of expert horsemanship. One day Agar stormed off, vowing to quit the picture, but John Wayne took him aside and helped him with some of the more difficult aspects of his job.
    • Errores
      At 01:00:20 a small truck is seen on a road in the background, behind and to the right of the row of Apaches who are about to attack the repair wagon.
    • Citas

      Lt. Col. Thursday: This Lt. O'Rourke - are you by chance related?

      RSM Michael O'Rourke: Not by chance, sir, by blood. He's my son.

      Lt. Col. Thursday: I see. How did he happen to get into West Point?

      RSM Michael O'Rourke: It happened by presidential appointment, sir

      Lt. Col. Thursday: Are you a former officer, O'Rourke?

      RSM Michael O'Rourke: During the war, I was a major in the 69th New York regiment... The Irish Brigade, sir.

      Lt. Col. Thursday: Still, it's been my impression that presidential appointments were restricted to sons of holders of the Medal of Honor.

      RSM Michael O'Rourke: That is my impression, too, sir. Will that be all, sir?

    • Versiones alternativas
      German version is cut to 92 minutes. It is not not known why the film was cut for the German market in 1948.
    • Conexiones
      Edited into John Ford, l'homme qui inventa l'Amérique (2019)
    • Bandas sonoras
      Sweet Genevieve
      (uncredited)

      Music by Henry Tucker

      Lyrics by George Cooper

      Performed by Dick Foran

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes19

    • How long is Fort Apache?Con tecnología de Alexa
    • What is the name of the backround music when riding to meet the Apaches?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de julio de 1948 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Fort Apache
    • Locaciones de filmación
      • Arches National Park, Utah, Estados Unidos
    • Productora
      • Argosy Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 2,500,000 (estimado)
    • Total a nivel mundial
      • USD 11,928
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 8 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Shirley Temple and John Agar in Sangre de héroes (1948)
    Principales brechas de datos
    By what name was Sangre de héroes (1948) officially released in India in Hindi?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.