El galán audaz

One of my favorite films of the 40's. This mild mannered comedy western hits all the right notes. One might have imagined it made by Bob Hope and a Paramount lovely like Gail Russell or Diana Lynn. But instead it sneaks under the radar with a minor cast of Eddie Albert and Gale Storm who both deliver their best ever film performances. I can't prise this highly enough. It is a must see film for movie lovers. You will thank me. I recall seeing this in 1948 and thinking at the time how good it was and why didn't it make more of an impact. There are just certain films that time treats kindly and this is one of them. Small films that stay with you like THE GREAT DAN PATCH, THE LUCKY STIFF, OUT OF THE BLUE and IVY.

The year is 1880-something, and gunsmith Daniel Bone (just one "o") decides to abandon tame New York for a part of the country where a person in his line of work can expect to be kept a little busier. The thoroughly decent Daniel might be a tenderfoot, but between his professional skill with firearms and his great reader's head full of knowledge, he turns out to be more than a match for the desperados he meets en route to-- and in-- lawless Arsenic City, Nevada. Our boy doesn't do badly with the local Native tribe, either. Now if he could just get past the defenses of Miss Liza, an over-cautious innocent who's come West to find her late father's lost gold mine...

Eddie Albert is quite charming as the titular dude in this slight but enjoyable, gently comic Western. In fact, there's charm to spare here: James Gleason endears as the grizzled prospector-sidekick, Barton McLean (later Gereral Peterson in "I Dream of Jeannie") wins one over as the most sympathetic of a host of black-hatted bandits, and Gale Storm is refreshingly non-cloying as your standard-issue spunky, naive heroine. Things never descend to the cartoonish, allowing Albert to get through a couple of on-the-trail ballads (which he croons in a pleasant tenor while strumming a guitar), a dramatic display of "Indian sign language," and even an idealistic law-and-order speech to an angry mob with his dignity fully intact. Indeed, one's inspired to wonder why the future small-screen star never quite scored as a cinematic leading man-- he certainly seems to have had the potential.

Available on DVD-- think I'll watch it again.

Kind of a cross between "Destry Rides Again" and Bob Hope's "Paleface" series, this little sleeper of a film takes a good-hearted book-learned innocent whose skills with a gun (learned for his job, that of gunsmith) are no more important than his wisdom and mind.

Considering this movie was made in the late 40's it's quite revolutionary in its approach to the Western traditions -- the roles of indians, women and "bad guys" being held up and examined in very interesting ways. In that respect its comedic sensibilities make it a very good time indeed.

Make no mistake about it -- this isn't a very deep film. However it will make for a very enjoyable 90 minutes whether you like Westerns or not. Eddie Albert and all the supporting cast turn in very credible performances. It made me wish they had had made the sequel this was so obviously setup for (they didn't).

Gunsmith Daniel Bone (Eddie Albert) closes his Brooklyn shop to go west to Arsenic City. After all, that's where the guns are and there just isn't enough guns to fix in Brooklyn. It's 1876 and Custer just had his last stand. He saves Liza Crockett (Gale Storm) from purse thief Pecos Kid, but she thinks that he's the one trying to steal. She has a map to her father's lost goldmine.

I like the back and forth between Daniel Bone and Liza Crockett. They have a fun rom-com time. As for the western part, I would like to change some of it. Most of all, I would like to reverse a couple of killings. This movie is better served as a light comedy without deaths.

I strongly recommend you see "The Dude Goes West" for one big reason--it's not like any other western. If you think about it, there really are only about a half dozen different plots for about 99% of the old westerns. Yet, somehow, the studio came up with some novel ideas that invigorate this film and make it quite charming.

Eddie Albert plays a gunsmith (Daniel Bone) who lives in New York. The problem is that with civility reigning there, he decides to move to the West where there will be a lot more business. However, he is pretty naive and folks don't take him very seriously--after all, he's a fancy East Coast dude. Little do they know that despite his naiveté, he is a VERY well-read and resourceful guy...and a guy who turns out to be a crack shot. So, again and again when he comes into a collision course with various baddies (such as a tribe of Indians, Barton MacLane and Gilbert Roland), Daniel is able to somehow come out on top. It's all very charming and enjoyable and actually is somewhat reminiscent of Albert's later TV series, "Green Acres"--where he plays a New Yorker who yearns to move to the country and where he certainly does NOT fit in, either! It also didn't hurt that the film was so well-written and clever. Well worth your time--especially if, like me, you are tired of the same old recycled plots in westerns. This is anything but familiar! I really loved this film.