Pasión de odio

As others have mentioned the new psychology era and traumatic war experiences had been analyzed to death even by 1948. However the performances make this well worth watching this seldom televised film.

William Holden is very believable as a tormented gangster. He hijacks a dinner party in the doctor's (Lee J. Cobb) hunting lodge. Basically the theme is routine, we have seen "Suddenly" and other similar films with people held hostage. Lee J. Cobb is again excellent as a psychiatrist probing the past of the criminal (Holden) why, what causes this behavior?.

My generation is just re-discovering actors such as Holden. It is unfortunate some cable companies STILL do not broadcast these films (Turner Classics is a must, for me anyway).

Nina Foch is also very good as Holden's girlfriend, attempting to help. Her fine performance contrasts with the two women servants tied in the basement,one screaming shrilly and seeming ridiculous.

I liked this better than "Spellbound"; this is a bit more pedestrian but true to life. It is easier to believe Lee J. Cobb as a psychiatrist (he was also the redeeming performance in the film "The Three Faces of Eve" also starring Joanne Woodward). Recommended for anyone who likes suspense and psychological drama. 8/10.

This film caught me by surprise to find out that William Holden starred in this film along with Lee J. Cobb in 1948, and found it quite interesting from the very beginning to the very end. Holden plays the role as a criminal named Al Walker who really enjoys killing people and is loved and adored by Betty played by Nina Foch who was very young and attractive. Lee J. Cobb, ( Dr. Andrew Collins) works for the police department as a psychiatrist and tries to help men from continually living in their world of crime. Al Walker has taken over Andrew Collins Summer home and all his guests and there is plenty of tension going on with guns firing all the time. There is a great scene between Al Walker and Dr. Andrew Collins where the doctor is trying to understand nightmares that keep Al Walker from going to sleep and at the same time try to teach him how to play the game of Chess. This is a very unusual film that seems to have been forgotten and put on the shelf.

On a night I couldn't sleep, I came across this movie on the TV set by chance. The house of a psychiatrist is held hostage by an escaped prisoner and his entourage. The prisoner (william holden) battles his mental demons throughout the night while the psychiatrist is intrigued to discover why this man has become the "bad egg" he is today. The dialogue between them both is intriguing, with the psychiatrist trying to enter the escaped prisoner's mind and explain the dream this man has had since childhood. A good movie to watch on a rainy day. One particularly for the crime/noir buffs.

Lee J. Cobb is a psychiatrist who works to discover "The Dark Past" of convict William Holden in this 1948 drama that also stars Nina Foch and Adele Jurgens. Two of Hollywood's favorite subject matters are part of the film plot: The post-war obsession with psychiatry and a hostage situation, of which there have been many in films over the years. Like Bogart in "The Desperate Hours," Holden's an escaped convict with a gang that holes up in someone's home while waiting for a ride that doesn't arrive when it's supposed to. And, like the later "Desperate Hours," the couple has a child that tries to escape. In "The Desperate Hours," you wanted to kill the kid; at least here, he doesn't cause as much trouble.

Psychiatry in America was really just being explored in film, and it was as a result of the trauma soldiers suffered in World War II and the problems they had when they came home. The script is simplistic and dated, but the performances are good. Holden is terrific as the on-the-edge convict tortured by partial hand paralysis and a recurring nightmare from an incident in his childhood; young, pretty Nina Foch is his girlfriend who loves him but is terribly hurt by his actions. When I was growing up, the striking Foch was in her forties and a constant presence in television, usually playing a neurotic mess. She still acts and is a very prominent drama teacher in Los Angeles. It was wonderful to see her in these early days - she made a fine ingénue. Cobb is convincing as a psychiatrist who keeps his cool as he tries to help the young man.

After William Holden's big splash at the age of 21 in "Golden Boy" in 1939, his career settled into a series of light leading man roles that took him nowhere. Superstardom didn't hit until 1950's Sunset Boulevard. One of the comments on IMDb remarked that in "Golden Boy," he looked like Tom Hanks, which stuck in my mind as I was watching "The Dark Past." Well, it's the strangest version of separated at birth that I've ever seen, but there is the oddest resemblance between these two stars. Here, with his hairline exposed, you can really see the similarity in the shape of Holden's face to Hanks', and there's even a similarity in profile and around the eyes. You'd never catch it unless someone mentioned it to you or you've seen "Golden Boy" where Holden is nearly unrecognizable - and then once you pick it up, it's totally distracting.

The other odd thing about this film which says something about our society today is that these people were getting together for a casual evening in a country home and they were all dressed to the nines - even the criminals were wearing suits and ties! Times sure have changed. Despite this and other dated elements of "The Dark Past," William Holden, a tremendous star, is always worth a look.

The Dark Past may very well have been a turning point in the career of William Holden. As you remember Holden had a dual contract with Columbia and Paramount and I'm sure Billy Wilder at Paramount must have seen The Dark Past before casting Holden in Sunset Boulevard. This B film for Columbia was unlike any of the 'smiling jim' roles that Holden had played up to now.

The Dark Past has only a 75 minute running time and was playing the bottom end of Columbia double bills when it first came out. It's a remake of another Columbia film Dark Past with Chester Morris in Holden's part as the escaped killer. The part of the psychiatrist played by Lee J. Cobb here was played by Ralph Bellamy in the previous production.

Cobb is now a police psychiatrist, but wasn't always; in fact as he relates in flashback he was a professor when he ran into Holden who was escaping from jail with his mob and his moll. They take refuge in Cobb's summer house where Cobb and family are entertaining guests.

Lee is as cool as he would be emerging from a refrigerator. He starts getting under Holden's skin with his training exposing the real cause of his killer personality. Most disarming in every sense of the word.

If it were only that easy. Still the film in its short run does keep one in suspense. A lot like the duel of minds between Humphrey Bogart and Fredric March in The Desperate Hours. Also look for a very good performance by Nina Foch as Holden's moll who unwittingly leads to her man's downfall when she asks Cobb to find out about a recurrent nightmare Holden has.

If a dose of Freud could only cure all bad behavior.