Counterblast

I've always like Mervyn Johns, especially his portrayal of Bob Cratchit in the Alistair Sim "A Christmas Carol." Here's an about face where he plays a ruthless post war Nazi, attempting to find a cure for the plague. His motive is to find a cure so that this horrible disease can be unleashed on the enemy, but his people will continue to prosper. He kills a famous biologist and assumes his identity. He holes up in a small English town, though he is wanted throughout England. The problem is that he is so lacking in people skills that he draws all kinds of suspicion from his co-workers. A little kindness, a little compassion, and he could have pulled it off. He, of course, would take on the typical view of the Nazi hierarchy, humorless, godless, vicious. Johns is fantastic in his role. He tempers his anger by covering things up, but he becomes emotionally attached to what he can't have, the young woman who is his lab assistant. Still, he comes across as a humanitarian and is able to move around, doing noble work. He is forgiven for his eccentricities because of this. Watch this for some nice acting and a world that has just stepped out of a horrible war.

I first became aware of Nova Pilbeam in Hitchcock's "Young & Innocent" with Derrick de Marnay and in "The Man Who Knew Too Much" with Peter Lorre, both filmed in the 30s.Intrigued by her performance in these two films, I sought out this film from 1948.She is older by say 10 years or so and more mature but still attractive and adroitly plays the heroine as in the afore stated films.The other reviewers have covered the basic plot, so I will not risk giving out "spoilers" but confine myself to a few chosen words.Canadian Robert Beatty effectively plays the handsome hero while Nova shows misplaced loyalty to her boss.I noticed Alan Wheatley in the cast as a Nazi dentist (did he ever play a sympathetic role?).I first became aware of him playing the Sheriff of Nottingham in the 1950s ITV children's TV series of "Robin Hood" starring Richard Greene.

My copy was a little bit muddy which I put down to the age of the original print but sound quality was fine.Another cameo of the nursing sister was played by Margareta Scott.She never seemed to get to play the lead.I saw Margareta in two Margaret Lockwood films playing supporting roles: "Girl in the News (1940) and "Quiet Wedding" (1941).

Mervyn Johns of course played the lead role as the bacterial scientist and I agree with a previous reviewer, he played a sort of latter day anti-hero.I also agree that much more tension could have been injected into the plot by the director Stein but of course Hitchcock was firmly established in Hollywood at the time.The result is a slightly above average thriller and I therefore rated it 6/10.

I have to admit that one of my greatest cinematic guilty pleasures is the horror of the Nazi film (unfortunately, certain political trends recently in my neighbour to the south, the United States, make me unfortunately feel that similar ways of thinking have yet to be eradicated). Thankfully, being born as I was in the late 60's, I didn't have to experience such terror firsthand, but it's fascinating to see, through the wonders of cinema, examples of that fascist type of thinking, carried out to its fruition (some of my favourites in this area are quite controversial films, like 'Salo, or the 120 Days of Sodom', 'The Night Porter' and 'Dr. Strangelove'). At least in my estimation, I have no idea how I would have acted in either polarity of the situation: either being a German and told to act accordingly, or being a concentration camp inmate. I am simply thankful I didn't have to experience either horrific scenario.

This film was an unexpected pleasure. Though no star power is behind it, or budget to speak of, and though there is suspense and a good script, it could have been a lot better handled, both in terms of direction and cinematography (it has 'British 40's B-picture' written all over it, while it's crying out for a capable helmer such as Sir Carol Reed, Sir Alfred Hitchcock, or The Archers, each of which would have made a minor masterpiece out of it). I am very thankful that it was included in my Mill Creek 'Nightmare Worlds' 50-film pack, or honestly I would have never heard of it. Now my main ambition is to get all of their sets, and see what other cinematic hidden treasures I can discover!

A Nazi war criminal on the run after the end of World War II, assumes an Australian scientist's identity and sets up shop in England where he develops germ warfare experiments which he and his masters hope will return the Nazi regime to prominence. His plans are complicated though when he develops feelings for his pretty lab assistant.

This British dramatic thriller was made very close to the end of the war, so its story revolving around an ex concentration camp commander who was notorious for carrying out sadistic experiments on inmates is one which must have been touching on a grim subject which was extremely recent at the time. The Nazi is played by Mervyn Johns who was familiar to me from the brilliant Ealing anthology horror film Dead of Night (1945) and he is once again very good in a character who is not presented as one dimensionally evil as you might expect. His feelings for his lab assistant bring out the humanity within him, which most probably is his downfall ultimately too. The story perhaps could have had more suspense in it and it is also maybe slightly over-long but I thought it was definitely an interesting one nevertheless. It ends on a blackly ironic ending, which finished things off on an appropriate note.

"A Nazi scientist escapes Germany prior to its surrender at the end of World War II and sets up a lab in England using the identity of an Australian scientist he murdered. Hoping to complete his germ-warfare experiment, in the hopes of its use by Nazis in a future war, the scientist's agenda becomes complicated when he falls in love with his lab assistant," according to the DVD sleeve's synopsis.

Mervyn Johns is terrific, deftly playing "Dr. Bruckner", who poses as "Dr. Anderson", to kill and take the place of "Dr. Forrester". Still, Paul L. Stein's "Counterblast" is unnecessarily slow moving, and simply refuses to get mileage out of suspenseful situations. For starters, the film should have begun with Mr. Johns' murder of "Dr. Forrester". Previous events are easily filled in during subsequent scenes; and, an air of mystery would be added to the unfolding events.