Estirpe maldita

I wasn't aware that this prequel had even been made. It helps to be familiar with the later story (filmed 7 years earlier-so Hollywood) and I'm glad I came across it. It has the same general feel as 'Little Foxes', so if you want to see how the older Regina and her slithery brothers got to be the way they were, see this very well acted and written flick.

Another Part of the Forest tells the story of a patriarch of a very wealthy southern family & the constant powers struggles he endures within his own family.

There are some very interesting elements of this story that keeps one guessing. For starters, how did the family make their money is one. Two: why does the matriarch of the family keep herself locked away not only from the rest of the world but her family, too.

Another interesting plot is the relationship between the father & his only daughter. There are some incestuous overtones there.

I love this film. Screen writer Lillian Hellman was very good at dealing with human emotion, interaction & confrontation. For those of you that enjoyed "Little Foxes", you will enjoy this film because its the prequel to it.

This film has a very strong cast which is headed by Fredric March. All the cast members hold their own very well. Even though this film is play, it translates to the screen very well.

Now for the bummer:This film never made it to video for some odd reason. I only have it because I recorded it on cable one night. For those of you that have cable, I would check with your local listings.

If you love good drama, you won't regret it.

"Another Part of the Forest" is a prequel to "The Little Foxes" but made seven years later and it feels like an attempt to do a reprise of Wyler's classic with Ann Blyth, Edmond O'Brien and Dan Duryea trying to fill the shoes of Miss Davis, Charles Dingle and Carl Benton Reid. Actually O'Brien is very good and Duryea, who played the son of the character he's playing here in Wylers film, isn't bad. Only Blyth lets the side down. Their parents are a gruff Fredric March and a dotty (and excellent) Florence Eldridge.

The movie purports to show how the nasty Hubbards got to be so nasty but there really isn't anything here we haven't seen before. This is more like a remake than a prequel and under Michael Gordon's limp direction it's hard to tell if this would have been any good on the stage. What's fairly clear is that this is second-rate Hellman and Gordon does nothing to make it cinematic. Still, in its fevered bad movie kind of way it's actually quite entertaining. No family ever had so many skeletons rattling around in the cupboard and letting skeletons loose can be good fun. Of course, perhaps Hellman intented it all as a joke or maybe the humour was simply unintentional.

If you think that the Hubbard's of "The Little Foxes" were decadent , then you will see that they have mellowed , compared to this fantastic prequel , also written by the wonderful Lillian Hellman. The cast works extremely well together . This is the only movie that i know of where Fredrich March plays a villain (Jekyll and Hyde doesn't count) and does he do it to the limit . During a night of musical entertainment in is home, he cruelly insults and humiliates one of his guests, his son's (Duryea) girlfriend, by insinuating that her father played Mozart on a little drum. The girl had said that her father played a little drum and at Duryea's insistence drew attention to Mozart in an attempt to please patriarch Hubbard. The humiliation comes complete with facial disdain and tone of voice that only the cruelest of men could provide . The rest of the family with the exception of Hubbard's wife played by the real Mrs.March (Florence Eldridge) is each in their own way a monster . Edmond O'Brien is wonderful as the "chip off the old block" son , and Dan Dureyea is a great contrast as the half fool and half idiot other son. Ann Blyth who plays daughter Regina is captivating as the only one in the world to whom patriarch Hubbard shows any affection . To state any more of this father daughter relationship would reveal to much of the story in the event you are privileged to see this magnificent film . This film is just one of those cases when a chemistry between the cast was achieved , and the result is riveting . This chemistry is in no small way attributable to the great March , who was able to weave a similar magic in "The Best Years Of Our Lives" . Unfortunately my attempts at seeing this movie again , have failed . It seems as though it has disappeared and if it has , it is a shame . This film is a horror story , where the monsters are human beings . They wear no gruesome masks (exept in one Klu Klux Clan scene) or torment anyone Freddy Kruger style . Their horror and ours , is in men and women's souls .

Avarice, backstabbing and conniving under a thin layer of gentility.

What an undiscovered jewel. A perfectly executed prequel to The Little Foxes. A grade A cast at the top of their game, well written and directed.