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6.1/10
389
TU CALIFICACIÓN
Los artistas de vodevil Joe y June "Two Tymes" necesitan renovar su gastado espectáculo. Su hijo Buster huye del internado para unirse a ellos, y su baile los lleva al estrellato, pero la fa... Leer todoLos artistas de vodevil Joe y June "Two Tymes" necesitan renovar su gastado espectáculo. Su hijo Buster huye del internado para unirse a ellos, y su baile los lleva al estrellato, pero la fama trae problemas.Los artistas de vodevil Joe y June "Two Tymes" necesitan renovar su gastado espectáculo. Su hijo Buster huye del internado para unirse a ellos, y su baile los lleva al estrellato, pero la fama trae problemas.
- Premios
- 2 premios ganados en total
Ed Agresti
- Audience Member
- (sin créditos)
John Alban
- Audience Member
- (sin créditos)
Barbara Bates
- Barnes' Secretary
- (sin créditos)
Joseph E. Bernard
- Hotel Guest
- (sin créditos)
Mel Blanc
- Buster's Midget Impersonation
- (voz)
- (sin créditos)
Chet Brandenburg
- Pedestrian
- (sin créditos)
Leonard Bremen
- Mug in Audience
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The 1948 Warner Brothers film April Showers is a satisfying little picture about show biz troupers. Jack Carson and Ann Sothern make the best of their roles however it is Robert Ellis as their son Buster who steals the show. With his "little man" antics and show biz talents he also steals your heart. Ann Sothern is lovely to look at in most of her numbers. With a little melodramatics sprinkled in the film remains wholesome family entertainment. This film is usually shown on Turner Classic Movies.
I am an inveterate movie fan and am astonished that this little gem of a flick managed to escape my attention. I only saw it today (10/26/03) for the first time. Although Warner's Forties period musicals ("Shine On, Harvest Moon," "Daughter of Rosie O'Grady," et alia) couldn't quite match those of 20th Century-Fox's, especially those of Grable and Faye, this was a a valiant effort and totally watchable. The 15-year-old Billy Ellis' portrayal of the 12-year-old Small Tyme was a stretch, but he was such winning presence and so talented that one can forgive the producers for not making the character closer to the actor's true age. Sothern was wonderful. Even Jack Carson, an actor whose screen personality can often be grating, performed winningly in a starring role. Robert Alda rounded out the cast in a not very sympathetic part. This film gets my thumbs up.
Came across movie by chance on Turner Classics. Joe Tyme takes to drink. Man loses wife, man, etc. etc. etc. Could have been a better story if more focus on Joe Tyme and his inability to cope with his problems. However, entertaining, light musical is really the genre of this picture despite the dark side.
Jack Carson's performance of an alcoholic vaudevillian who gets a few bad breaks highlights April Showers. Roles like this made Carson's studio Warner Brothers and others start taking him seriously as an actor as opposed to a funny man who specialized in blowhards.
Carson and Ann Sothern are a vaudeville team during the first score of years in the 20th century. They're doing all right, but when they add their kid Robert Ellis to the act they start getting better bookings and even dream of the Palace in New York.
But that dream gets shattered when the blue noses start insisting on child labor laws being enforced. They no longer get the billings and Carson turns to drink. And another performer Robert Alda starts throwing his intentions Ann's way.
Including the title song the score is interpolated from a variety of sources of music from the period. Young Mr. Ellis proves to be quite the terpsichorean, no wonder he made the act for them.
Sothern lends good support and a good singing voice. But April Showers is really Jack Carson's picture.
Carson and Ann Sothern are a vaudeville team during the first score of years in the 20th century. They're doing all right, but when they add their kid Robert Ellis to the act they start getting better bookings and even dream of the Palace in New York.
But that dream gets shattered when the blue noses start insisting on child labor laws being enforced. They no longer get the billings and Carson turns to drink. And another performer Robert Alda starts throwing his intentions Ann's way.
Including the title song the score is interpolated from a variety of sources of music from the period. Young Mr. Ellis proves to be quite the terpsichorean, no wonder he made the act for them.
Sothern lends good support and a good singing voice. But April Showers is really Jack Carson's picture.
"April Showers" is a film that supposedly is based on the life of Buster Keaton and his family during Vaudeville. However, despite the studio paying Keaton for rights to the story, the story is, essentially INSPIRED (kinda) by the Keatons. It is NOT a biographical film and is pretty sanitized. I don't know the full extent of it, but the REAL Keatons used Buster from a very, very young age (not 12 like in the movie) and the act was filled with violent slapstick (such as tossing the young Buster about the stage)! I think the sensitization, in part, was because 1940s audiences probably would have been horrified with how Buster's family treated (and mistreated) him. As for the family, they repeatedly told authorities Buster was a midget (which is mentioned once in the film)...hence no need to send him to school or protect his safety!
Joe and June Tyme are down and nearly out Vaudevillians. Their son is off somewhere in a boarding school while his parents work...but Buster wants to join them and runs away from school. He happens to arrive at the right time...as his parents are out of work. But Buster is so talented he immediately helps them get jobs. And, from then on, the act gains popularity and prestige. Unfortunately, Joe becomes a drunk and ruins the act...and June and Buster are forced to go on without him. This part of the film is rather unpleasant to say the least.
The odd thing about this film is that it is trying to get you to root for the Tymes to fool the authorities in New York into thinking Buster is a midget. It really is an example of horrible parenting!
This movie is entertaining because of young Robert Ellis (as Buster) is an amazingly talented young man--with great athleticism. His dancing scenes are pretty incredible to watch and it's a real shame the actor died when he was only 40. As for the rest of it, it's a bit too maudlin and downbeat to me anything more than a time-passer..that is until the rousing fist fight ending! Overall, it's not a bad film...just not a particularly enjoyable one during much of the time.
Joe and June Tyme are down and nearly out Vaudevillians. Their son is off somewhere in a boarding school while his parents work...but Buster wants to join them and runs away from school. He happens to arrive at the right time...as his parents are out of work. But Buster is so talented he immediately helps them get jobs. And, from then on, the act gains popularity and prestige. Unfortunately, Joe becomes a drunk and ruins the act...and June and Buster are forced to go on without him. This part of the film is rather unpleasant to say the least.
The odd thing about this film is that it is trying to get you to root for the Tymes to fool the authorities in New York into thinking Buster is a midget. It really is an example of horrible parenting!
This movie is entertaining because of young Robert Ellis (as Buster) is an amazingly talented young man--with great athleticism. His dancing scenes are pretty incredible to watch and it's a real shame the actor died when he was only 40. As for the rest of it, it's a bit too maudlin and downbeat to me anything more than a time-passer..that is until the rousing fist fight ending! Overall, it's not a bad film...just not a particularly enjoyable one during much of the time.
¿Sabías que…?
- TriviaBuster's "adult midget voice" is a voiceover from the incomparable Mel Blanc - the voice of Bugs Bunny.
- ErroresAt about the 0:06:45 mark the boom mic shadow can be seen moving above and to the right of Jack Carson and Ann Sothern.
- ConexionesReferenced in This Theatre and You (1949)
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Detalles
- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Relación de aspecto
- 1.37 : 1
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