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Agrega una trama en tu idiomaA beautiful psychology professor tries to hide a self-defense killing.A beautiful psychology professor tries to hide a self-defense killing.A beautiful psychology professor tries to hide a self-defense killing.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Billy Mauch
- Harry Brice
- (as Bill Mauch)
Eric Alden
- Detective
- (sin créditos)
John Bishop
- Detective
- (sin créditos)
Gladys Blake
- Boxing Fan
- (sin créditos)
Barbara Brewster
- Miss Comar - Abe's Mother
- (sin créditos)
Douglas Carter
- Detective
- (sin créditos)
Opiniones destacadas
The twist on what we now call sexual harassment lingers as the most interesting aspect of The Accused, an innocuous suspense story with some effective moments. Another lingering aftertaste is the midcentury stereotype of the female academic that's foisted on star Loretta Young -- and the viewer.
Psychology professor Young (!), guarded and old-maidish (she's even saddled with the glamourproof name Wilma Tuttle), becomes the object of the unhealthy attentions of one of her students (Douglas Dick). On the pretext of diving for abalone shells off Malibu, he spirits her off to a secluded lover's lane one night and forces himself on her. She bashes in his skull and fakes his death to look accidental.
Then she begins to attract more attention -- from Robert Cummings, a lawyer friend of the dead boy's family (he falls for her), and Wendell Corey, a dogged homicide cop. In the acting department, there's no contest; Cummings stays his usual namby-pamby self, while Corey delivers a strong, unsentimental performance, among his best.
Much of William Dieterle's direction shows a practiced hand. Especially well handled are the opening sequence of Young fleeing the crime scene, a boxing match where she suffers a flashback, and the ghoulish reconstructions of the murder by forensic pathologist Sam Jaffe.
But a glaring structural flaw keeps The Accused lukewarm. We know from the outset that Young acted in self-defense, which pretty well leeches all the suspense out of Corey's implacable pursuit; the tightening case against her packs no impact because it's safe to assume she won't be spending any time with those harpies from Caged. Consequently the film focuses more on her emergence from a cocoon of droopy skirts, a bun in her hair, sleeping pills and swooning spells into a seductive butterfly flitting into Cummings' net.
Dick, as the young narcissist, calls to mind such amoral charmers as Robert Walker in Strangers On A Train and John Dall in Rope (a film in which Dick also appeared). It's he -- not young nor Cummings -- who supplies what faint erotic spark this movie, about a sexually-based murder, dares to kindle.
Psychology professor Young (!), guarded and old-maidish (she's even saddled with the glamourproof name Wilma Tuttle), becomes the object of the unhealthy attentions of one of her students (Douglas Dick). On the pretext of diving for abalone shells off Malibu, he spirits her off to a secluded lover's lane one night and forces himself on her. She bashes in his skull and fakes his death to look accidental.
Then she begins to attract more attention -- from Robert Cummings, a lawyer friend of the dead boy's family (he falls for her), and Wendell Corey, a dogged homicide cop. In the acting department, there's no contest; Cummings stays his usual namby-pamby self, while Corey delivers a strong, unsentimental performance, among his best.
Much of William Dieterle's direction shows a practiced hand. Especially well handled are the opening sequence of Young fleeing the crime scene, a boxing match where she suffers a flashback, and the ghoulish reconstructions of the murder by forensic pathologist Sam Jaffe.
But a glaring structural flaw keeps The Accused lukewarm. We know from the outset that Young acted in self-defense, which pretty well leeches all the suspense out of Corey's implacable pursuit; the tightening case against her packs no impact because it's safe to assume she won't be spending any time with those harpies from Caged. Consequently the film focuses more on her emergence from a cocoon of droopy skirts, a bun in her hair, sleeping pills and swooning spells into a seductive butterfly flitting into Cummings' net.
Dick, as the young narcissist, calls to mind such amoral charmers as Robert Walker in Strangers On A Train and John Dall in Rope (a film in which Dick also appeared). It's he -- not young nor Cummings -- who supplies what faint erotic spark this movie, about a sexually-based murder, dares to kindle.
In The Accused, Loretta Young plays a psychology professor who kills an amorous male student in self-defense, then spends the rest of the movie covering up her crime. William Dieterle does an excellent job with the familiar material, and Miss Young gives a sympathetic performance. This is one of several crime pictures that Hal Walls produced in the late forties and early fifties, many of which fall into the noir category. Most of these films concern people with conflicted or tortured sexual urges, dysfunctional families, inadequate or just barely adequate men, with the women often hysterical or scheming. At the time this must have seemed daringly modern and contemporary. Now it just seems quaint, a waystation in the breakdown of small-town American values, with the action taking place in a netherworld between Andy Hardy and Tennessee Williams.
The movie is surprisingly sympathetic toward Miss Young, who, though on the cusp of middle age, still looks pretty damn beautiful. Robert Cummings is stronger than usual as her "suitor", while Wendell Corey is his inscrutably poker-faced self, as always, hinting between the lines, that had his character been better written he'd be more than up to the task. If this was so, I believe him. In a smaller role, Sam Jaffe is positively mephistopholean, delivering his lines as tartly as Corey, and in his lab scenes photographed to resemble a Dwight Frye hunchback from the thirties. A nice touch. The Accused is filled with nice touches, as Dieterle and most of his cast are much better than the script, breathing real life into it at times, which makes watching the movie a pleasure. There are no real surprises here, but lots of good scenes.
The movie is surprisingly sympathetic toward Miss Young, who, though on the cusp of middle age, still looks pretty damn beautiful. Robert Cummings is stronger than usual as her "suitor", while Wendell Corey is his inscrutably poker-faced self, as always, hinting between the lines, that had his character been better written he'd be more than up to the task. If this was so, I believe him. In a smaller role, Sam Jaffe is positively mephistopholean, delivering his lines as tartly as Corey, and in his lab scenes photographed to resemble a Dwight Frye hunchback from the thirties. A nice touch. The Accused is filled with nice touches, as Dieterle and most of his cast are much better than the script, breathing real life into it at times, which makes watching the movie a pleasure. There are no real surprises here, but lots of good scenes.
The Accused This is one of those popular story lines in which the killing is shown early on and then the film deals with the police trying to piece things together while the killer tries to look innocent.
In this case, the "accused" is a woman, played by Loretta Young. She plays a college teacher who defends herself against an obnoxious student but then makes the big mistake of trying to cover up the incident, even though it was self- defense, thinking it would look bad if she was discovered being with this student in the first place. (Today, we read true-life stories of worse, sad to say.)
Bob Cummings and Wendell Corey are detectives who know some foul play is involved but then Cummings, who gets increasingly annoying in here, falls in love with Young. He then winds up defending her in the short courtroom finale. Cummings gives a good example how "love is blind."
Corey, meanwhile, plays the determined cop who doesn't care what people think of him so long as he solves the crime. He is by far the most interesting of the characters in this film. Sam Jaffe also entertains in a supporting role as a crime doctor.
In this case, the "accused" is a woman, played by Loretta Young. She plays a college teacher who defends herself against an obnoxious student but then makes the big mistake of trying to cover up the incident, even though it was self- defense, thinking it would look bad if she was discovered being with this student in the first place. (Today, we read true-life stories of worse, sad to say.)
Bob Cummings and Wendell Corey are detectives who know some foul play is involved but then Cummings, who gets increasingly annoying in here, falls in love with Young. He then winds up defending her in the short courtroom finale. Cummings gives a good example how "love is blind."
Corey, meanwhile, plays the determined cop who doesn't care what people think of him so long as he solves the crime. He is by far the most interesting of the characters in this film. Sam Jaffe also entertains in a supporting role as a crime doctor.
"The Accused" is a pretty good movie with some good acting turns by some reliable Hollywood stars. It is not a film noir but primarily a love story with some melodramatic moments. It is also too long and could have used a heavier hand in the cutting room.
Having said all that, I was tempted to stop the DVD player as I didn't think it was my cup of tea (the action is minimal) but the story became more absorbing as it unfolded. Right off the bat, in the opening scene, we find out that Loretta Young kills one of her students while fighting off an attempted rape. The rest of the picture involves a cat-and-mouse game between her and Police Lieutenant Wendell Corey, with lawyer Bob Cummings trying to pick sides.
The picture moves along spasmodically (as I said, it's too long) to its eventual denouement but spiked with some genuinely interesting plot turns.I must say I always felt Wendell Corey was a bit of a stiff but here he shows some depth, and Bob Cummings is the opposite of his usual feckless, irresolute self. But the film is Miss Young's and her legion of fans will not be disappointed - plus, she's beautiful as always. I have to think this was released as an 'A' picture, as they hired Victor Young to write the music - it doesn't get any better than that.
This movie really is worth watching but don't go out of your way - unless you're a Loretta Young fan.
Having said all that, I was tempted to stop the DVD player as I didn't think it was my cup of tea (the action is minimal) but the story became more absorbing as it unfolded. Right off the bat, in the opening scene, we find out that Loretta Young kills one of her students while fighting off an attempted rape. The rest of the picture involves a cat-and-mouse game between her and Police Lieutenant Wendell Corey, with lawyer Bob Cummings trying to pick sides.
The picture moves along spasmodically (as I said, it's too long) to its eventual denouement but spiked with some genuinely interesting plot turns.I must say I always felt Wendell Corey was a bit of a stiff but here he shows some depth, and Bob Cummings is the opposite of his usual feckless, irresolute self. But the film is Miss Young's and her legion of fans will not be disappointed - plus, she's beautiful as always. I have to think this was released as an 'A' picture, as they hired Victor Young to write the music - it doesn't get any better than that.
This movie really is worth watching but don't go out of your way - unless you're a Loretta Young fan.
It's hard deglamorize Loretta Young, and in fact, even the tailored outfits and the upswept hair don't do it in "The Accused" from 1949, also starring Robert Cummings and Wendell Corey. She's still considered quite a dish by anyone who meets her, including an amorous student (Douglas Dick).
Young plays a psychology professor who, about to be assaulted by a student, kills him and attempts to cover it up. At first it looks like a drowning, but later, it's discovered to be homicide. The young man's guardian (Cummings) arrives as the detective in charge of the case (Corey) zeroes in on Young.
Good movie with effective performances. Douglas Dick is appropriately smarmy.
My only objection would be, looking at it in light of today, the Young character made a bunch of mistakes with this guy that only a really foolish teacher would make today - or possibly back then. He is so obviously sexually aggressive, it's hard to believe she would have allowed herself to be alone with him.
Young and Cummings for me are always watchable, so I liked it.
Young plays a psychology professor who, about to be assaulted by a student, kills him and attempts to cover it up. At first it looks like a drowning, but later, it's discovered to be homicide. The young man's guardian (Cummings) arrives as the detective in charge of the case (Corey) zeroes in on Young.
Good movie with effective performances. Douglas Dick is appropriately smarmy.
My only objection would be, looking at it in light of today, the Young character made a bunch of mistakes with this guy that only a really foolish teacher would make today - or possibly back then. He is so obviously sexually aggressive, it's hard to believe she would have allowed herself to be alone with him.
Young and Cummings for me are always watchable, so I liked it.
¿Sabías que…?
- TriviaOne of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Seattle Friday 24 October 1958 on KIRO (Channel 7); it first aired in Phoenix Friday 13 March 1959 on KVAR (Channel 12), and it soon became a popular local film favorite as it was first aired in Denver 9 April 1959 on KBTV (Channel 9), by both Chicago and Milwaukee 25 April 1959 on WBBM (Channel 2) and WITI (Channel 6), by Boston 10 May 1959 on WBZ (Channel 4), by Asheville 17 May 1959 on WLOS (Channel 13), by Grand Rapids 5 September 1959 on WOOD (Channel 8), by Detroit 22 September 1959 on WJBK (Channel 2), by Philadelphia 26 September 1959 on WCAU (Channel 10), by Los Angeles 3 October 1959 on KNXT (Channel 2), by Johnstown 30 October 1959 on WJAC (Channel 6), by Minneapolis 4 November 1959 on WTCN (Channel 11), by Toledo 20 November 1959 on WTOL (Channel 11), by Omaha 21 November 1959 on KETV (Channel 7), and by Pittsburgh 16 January 1960 on KDKA (Channel 2). It was released on DVD 28 September 2016 as part of the Universal Vault Series.
- ErroresWarren Ford invites Dr. Tuttle for breakfast, even though it is twelve noon, when lunch would be more appropriate.
- Citas
[Wilma is dressed for a date.]
Warren Ford: It's remarkable! Your brains don't show a bit.
- ConexionesFeatured in Frances Farmer Presents: The Accused (1960)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Accused
- Locaciones de filmación
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- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 41 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was La acusada (1949) officially released in India in English?
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