CALIFICACIÓN DE IMDb
7.0/10
3.7 k
TU CALIFICACIÓN
Después de empañar el honor de España con sus escándalos amorosos, el aventurero Don Juan tendrá que salvar a la monarquía de la conspiración política orquestada por un ministro ambicioso.Después de empañar el honor de España con sus escándalos amorosos, el aventurero Don Juan tendrá que salvar a la monarquía de la conspiración política orquestada por un ministro ambicioso.Después de empañar el honor de España con sus escándalos amorosos, el aventurero Don Juan tendrá que salvar a la monarquía de la conspiración política orquestada por un ministro ambicioso.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 2 premios ganados y 2 nominaciones en total
Jean Shepherd
- Donna Carlotta
- (as Jeanne Shepherd)
Abdullah Abbas
- Townsman
- (sin créditos)
Rama Bai
- Girl at Inn
- (sin créditos)
Opiniones destacadas
Very good color filming, great costuming, a terrific music score are some plus factors for this swashbuckling movie. The highlight (pretty much the only one) is a magnificent sword fight- I can recommend the movie based on this highlight alone, as well all the sword work generally.
The film is competently but not spectacularly directed by Vincent Sherman. The characters in this film are fairly routine, the script is average, and except for the climactic sword fight the action mostly consists of characters running around briskly.
The fictional tale of 16th Century Spain is unremarkable, but the acting is good. Viveca Lindfors is a beautiful leading lady portraying the Queen of Spain, but is mostly required to react, breathlessly and with restrained emotion, to Don Juan's romantic verbal (verbal only) approaches. It is really not much of a role for a fine actress. Robert Douglas is as good a villain as you might find in any swashbuckler and gives a great performance as the evil Count. At this point in his career, an exceedingly obese Raymond Burr is just OK as a standard thug palace guard. Movie perennial Robert Warwick gives one of his best performances as the good Ambassador and friend of Don Juan; he makes his role more human and less cardboard than some of the other roles in this movie.
Errol Flynn is carefully filmed to appear strong and handsome, but heavy make-up and no shirtless scenes are some of the techniques used to disguise the sad fact that that Flynn was forty-ish and not physically well. He seems to realize that he is too debilitated for the part, and while his acting is good (he was a competent actor always), he is a more mature man than his once swashbuckling self. He clearly knows this fact and admirably tries to portray more "Don Juan" than "swashbuckler", and as a result he is utterly charming and watchable. Battling full blown alcoholism, serious heart problems, malaria and according to his then wife and others, a morphine issue, its remarkable that he is able to complete a film at this point in his life, although he did manage to keep his fading career limping along in increasingly poorer films for a few more years before dying at age 50.
Viewing this film I wonder why someone felt it necessary to put it together at all, but I guess swashbucklers were popular then. It seems unnecessary and basically just a retread with a fading and ill star. It is beautiful and well made technically but offers nothing at all that you could say was original.
The film is competently but not spectacularly directed by Vincent Sherman. The characters in this film are fairly routine, the script is average, and except for the climactic sword fight the action mostly consists of characters running around briskly.
The fictional tale of 16th Century Spain is unremarkable, but the acting is good. Viveca Lindfors is a beautiful leading lady portraying the Queen of Spain, but is mostly required to react, breathlessly and with restrained emotion, to Don Juan's romantic verbal (verbal only) approaches. It is really not much of a role for a fine actress. Robert Douglas is as good a villain as you might find in any swashbuckler and gives a great performance as the evil Count. At this point in his career, an exceedingly obese Raymond Burr is just OK as a standard thug palace guard. Movie perennial Robert Warwick gives one of his best performances as the good Ambassador and friend of Don Juan; he makes his role more human and less cardboard than some of the other roles in this movie.
Errol Flynn is carefully filmed to appear strong and handsome, but heavy make-up and no shirtless scenes are some of the techniques used to disguise the sad fact that that Flynn was forty-ish and not physically well. He seems to realize that he is too debilitated for the part, and while his acting is good (he was a competent actor always), he is a more mature man than his once swashbuckling self. He clearly knows this fact and admirably tries to portray more "Don Juan" than "swashbuckler", and as a result he is utterly charming and watchable. Battling full blown alcoholism, serious heart problems, malaria and according to his then wife and others, a morphine issue, its remarkable that he is able to complete a film at this point in his life, although he did manage to keep his fading career limping along in increasingly poorer films for a few more years before dying at age 50.
Viewing this film I wonder why someone felt it necessary to put it together at all, but I guess swashbucklers were popular then. It seems unnecessary and basically just a retread with a fading and ill star. It is beautiful and well made technically but offers nothing at all that you could say was original.
Errol Flynn, at 38, was not exactly as dashingly handsome as he was in his earliest triumph ('The Adventures of Robin Hood') for his life style had begun taking a physical toll on his health. But he looks in good shape (for the most part, except for some tell-tale closeups) and carries off the role with his usual zest, good humor and athletic grace.
He still has a good sidekick in Alan Hale who gets some witty banter with Flynn throughout the fast-moving film. Victor Sherman directs the tongue-in-cheek adventure tale with great style. All of the court intrigue and swashbuckling derring-do is photographed in gorgeous technicolor and accented by a lush pseudo-Spanish Max Steiner score. Fine bits of villainy supplied by Robert Douglas and Raymond Burr and some high spirited romance from women like Viveca Lindfors (at the peak of her physical beauty) and Ann Rutherford.
For fans of Flynn films, this is one of his best. None of it can be taken seriously, but that's part of the fun. From the wry opening to the sly closing scene, this is a pure delight if you're seeking escapist adventure photographed in some of the best color cinematography ever seen.
He still has a good sidekick in Alan Hale who gets some witty banter with Flynn throughout the fast-moving film. Victor Sherman directs the tongue-in-cheek adventure tale with great style. All of the court intrigue and swashbuckling derring-do is photographed in gorgeous technicolor and accented by a lush pseudo-Spanish Max Steiner score. Fine bits of villainy supplied by Robert Douglas and Raymond Burr and some high spirited romance from women like Viveca Lindfors (at the peak of her physical beauty) and Ann Rutherford.
For fans of Flynn films, this is one of his best. None of it can be taken seriously, but that's part of the fun. From the wry opening to the sly closing scene, this is a pure delight if you're seeking escapist adventure photographed in some of the best color cinematography ever seen.
Amusing and entertaining swashbuckler has Don Juán (Errol Flynn in his self-mocking best) saving Queen Margarita (Viveca Lindfords) who secretly loves her champion from her evil First Minister , (the British Robert Douglas) . He , then swashbuckles his way across England and Spain in effort to win her heart . At the end Don Juan finds a worthy fencing adversary in the treacherous Duc of Lorca (actually , Duke of Lerma , favorite of King Felipe III) at an exciting final duel .
Errol's last spectacular and overwhelming epic features impressive duels , elegant costuming , impressive production design , marvelous gowns , and loads of action . It is so crammed with fights and action , there hardly seems to be a set-piece that doesn't start or end with a duel , fencing or brawl . This was the major ¨Sword and Swagger¨ film mounted by First National Pictures and Warner Brothers for its superstar of swashbucklers , Errol Flynn . Errol is still nearly at his most agile and deft style . Errol Flynn was 38 when he made this movie , but his wild lifestyle had diminished his health and made him less able to perform his own stunts, as he had in earlier films . Previously , Flynn made his best swashbucklers and played successes as ¨Captain Blood¨ , ¨Adventures of Robin Hood¨, ¨The prince and the pauper¨ , ¨Sea Hawk¨, ¨The private lives of Elizabeth and Essex¨ , ¨Gentleman Jim¨ . Flynn performed splendidly the mass battle royal at the ending and the ultimate romantic gesture for the queen , he certainly gave his enthusiasts something to remember him by . It was all downhill for Errol after this , as he followed his successive flops as ¨The warriors¨, ¨Against all flags¨, ¨The Master of Ballantree¨ and ¨Adventures captain Fabian . Support cast is pretty well , such as Alan Hale Jr as his squire , Rommy Brent playing the silly King Felipe III and Robert Douglas is too good for his baddie role . And other notorious secondaries in brief apparitions as Robert Warwick , Douglas Kennedy , Barbara Bates , Monte Blue , Raymond Burr , Helen Westcott , Fortunio Bonanova and forthright as well as sympathetic Una O'Connor , as usual .
Richly costumed , including luxurious gowns and in glamorous Technicolor by cameraman Elwood Bredell . Breathtaking and luxury set design and art design by Edward Carrere and Harry Platt , though mostly interiors . Thrilling and evocative musical score by the great maestro and prolific Max Steiner . The picture is not a masterpiece , but being made with huge confidence and fair play by Vincent Sherman . Vincent directed all kinds of genres : drama , suspense , Western , biography , such as ¨Cervantes¨, ¨Lone Star¨, ¨Affair in Trinidad¨, ¨The Young Philadelphians , ¨Ice palace¨, ¨All through the night¨ , ¨Underground¨. Being his best films : ¨Mr Skeffington¨and this ¨Adventures of Don Juan¨.
Errol's last spectacular and overwhelming epic features impressive duels , elegant costuming , impressive production design , marvelous gowns , and loads of action . It is so crammed with fights and action , there hardly seems to be a set-piece that doesn't start or end with a duel , fencing or brawl . This was the major ¨Sword and Swagger¨ film mounted by First National Pictures and Warner Brothers for its superstar of swashbucklers , Errol Flynn . Errol is still nearly at his most agile and deft style . Errol Flynn was 38 when he made this movie , but his wild lifestyle had diminished his health and made him less able to perform his own stunts, as he had in earlier films . Previously , Flynn made his best swashbucklers and played successes as ¨Captain Blood¨ , ¨Adventures of Robin Hood¨, ¨The prince and the pauper¨ , ¨Sea Hawk¨, ¨The private lives of Elizabeth and Essex¨ , ¨Gentleman Jim¨ . Flynn performed splendidly the mass battle royal at the ending and the ultimate romantic gesture for the queen , he certainly gave his enthusiasts something to remember him by . It was all downhill for Errol after this , as he followed his successive flops as ¨The warriors¨, ¨Against all flags¨, ¨The Master of Ballantree¨ and ¨Adventures captain Fabian . Support cast is pretty well , such as Alan Hale Jr as his squire , Rommy Brent playing the silly King Felipe III and Robert Douglas is too good for his baddie role . And other notorious secondaries in brief apparitions as Robert Warwick , Douglas Kennedy , Barbara Bates , Monte Blue , Raymond Burr , Helen Westcott , Fortunio Bonanova and forthright as well as sympathetic Una O'Connor , as usual .
Richly costumed , including luxurious gowns and in glamorous Technicolor by cameraman Elwood Bredell . Breathtaking and luxury set design and art design by Edward Carrere and Harry Platt , though mostly interiors . Thrilling and evocative musical score by the great maestro and prolific Max Steiner . The picture is not a masterpiece , but being made with huge confidence and fair play by Vincent Sherman . Vincent directed all kinds of genres : drama , suspense , Western , biography , such as ¨Cervantes¨, ¨Lone Star¨, ¨Affair in Trinidad¨, ¨The Young Philadelphians , ¨Ice palace¨, ¨All through the night¨ , ¨Underground¨. Being his best films : ¨Mr Skeffington¨and this ¨Adventures of Don Juan¨.
The most eagerly awaited Flynn movie has at last made it to DVD! Unavailable for some years except on a VHS tape and an obscure over priced Korean disc it, thankfully, is back in the Warner Bros. stable where it belongs. The wait was worth it for the disc is simply pluperfect! With rich vibrant three-strip Technicolor and sharply defined images it is a joy to behold! Flynn is terrific in the title role of the great lover and roue. Not withstanding perhaps a nod to the actor's own lifestyle the part was nevertheless taylor made for him. And although it was said at the time that he was slowing down and that he hit the booze while filming there is no evidence of it on screen. The great swashbuckler cuts a fine figure in his many fabulous costume changes throughout the picture. These costumes - designed by the great Travilla - won the 1948 Acadamy Award for best costume design.
The supporting cast were well chosen too! Robert Douglas is great as Flynn's adversary - the evil Duke DeLorca. His dark eyes blackened even more to make him look that bit extra villainous. Alan Hale is once again Flynn's faithful sidekick but after 12 movies this was to be their final picture together. He died the following year. The female lead is taken by the beautiful Swedish actress Vivica Lindfors. Here she plays Margaret Queen of Spain and the one true love of Juan. Lindfors' final film was "Stargate" in 1994! She died in 1995 at the age of 75.
"The Adventures of Don Juan" is well directed by Vincent Sherman and is probably his best remembered movie. The atmosphere, the colour and the sets in the court scenes are really very impressive. But now and then the film gets a little bogged down with some palace intrigue until the picture's famous set piece - the brilliantly staged sword-fight on the magnificent palace staircase. It ranks as one of the cinema's finest duels and Flynn will always be remembered for it even though that amazing leap with the knife was performed by stuntman and B picture actor Jock Mahoney.
Then, of course there is the music by Max Steiner - one of his very best scores! Particularly splendid is his music for Juan's Parade into London with its masterful use of bells and chimes. Also the wistful Ballade which accompanies Juan on his many and various balcony climbings, the driving action music for the fight in the palace and the gorgeous love theme for the scenes with Juan and the Queen especially for the sequence near the end. Here the theme is heard in full bloom as the lovers say farewell to each other forever ("I shall be the only one who knew, for just a little while, that there was no Queen"). Interestingly Flynn's usual swashbuckling composer Erich Wolfgang Korngold - who had served him brilliantly on past successes such as "Captain Blood", "The Adventures Of Robin Hood" and "The Sea Hawk" -was originally slated to score "The Adventures Of Don Juan" as far back as 1945, but by the time the picture went into production the esteemed composer had left Hollywood and returned to his birthplace Vienna. As brilliant a composer as Korngold was it's difficult to imagine he would have topped Steiner's exceptional score. But alas we will never know!
So quite a wonderful disc all round with good extras consisting of a commentary by director the late Vincent Sherman and Flynn authority Rudy Behlmer, a trailer and some instantly forgettable old fashioned shorts but the movie is all, so enjoy. En Garde!
The supporting cast were well chosen too! Robert Douglas is great as Flynn's adversary - the evil Duke DeLorca. His dark eyes blackened even more to make him look that bit extra villainous. Alan Hale is once again Flynn's faithful sidekick but after 12 movies this was to be their final picture together. He died the following year. The female lead is taken by the beautiful Swedish actress Vivica Lindfors. Here she plays Margaret Queen of Spain and the one true love of Juan. Lindfors' final film was "Stargate" in 1994! She died in 1995 at the age of 75.
"The Adventures of Don Juan" is well directed by Vincent Sherman and is probably his best remembered movie. The atmosphere, the colour and the sets in the court scenes are really very impressive. But now and then the film gets a little bogged down with some palace intrigue until the picture's famous set piece - the brilliantly staged sword-fight on the magnificent palace staircase. It ranks as one of the cinema's finest duels and Flynn will always be remembered for it even though that amazing leap with the knife was performed by stuntman and B picture actor Jock Mahoney.
Then, of course there is the music by Max Steiner - one of his very best scores! Particularly splendid is his music for Juan's Parade into London with its masterful use of bells and chimes. Also the wistful Ballade which accompanies Juan on his many and various balcony climbings, the driving action music for the fight in the palace and the gorgeous love theme for the scenes with Juan and the Queen especially for the sequence near the end. Here the theme is heard in full bloom as the lovers say farewell to each other forever ("I shall be the only one who knew, for just a little while, that there was no Queen"). Interestingly Flynn's usual swashbuckling composer Erich Wolfgang Korngold - who had served him brilliantly on past successes such as "Captain Blood", "The Adventures Of Robin Hood" and "The Sea Hawk" -was originally slated to score "The Adventures Of Don Juan" as far back as 1945, but by the time the picture went into production the esteemed composer had left Hollywood and returned to his birthplace Vienna. As brilliant a composer as Korngold was it's difficult to imagine he would have topped Steiner's exceptional score. But alas we will never know!
So quite a wonderful disc all round with good extras consisting of a commentary by director the late Vincent Sherman and Flynn authority Rudy Behlmer, a trailer and some instantly forgettable old fashioned shorts but the movie is all, so enjoy. En Garde!
I expected to see Flynn looking out of shape, trying to relive his past glories in this 1948 film. Instead it turns out that in The Adventures of Don Juan, not only is our hero still swashbuckling up a storm and almost as handsome as ever -- let's not forget, ten years and many events have now elapsed since Robin Hood -- but he is also man enough to laugh at himself along with the audience. The role of Don Juan could not be carried off by many actors, and casting Flynn in this role could easily end up being farcical. Instead, he pulls off the role with humour and grace.
And he still looks excellent in tights! More than good enough for me.
And he still looks excellent in tights! More than good enough for me.
¿Sabías que…?
- TriviaThe dramatic leap which Don Juan did from the 17th step of the grand staircase during the climactic sword fight with Robert Douglas was done by stuntman/actor Jock Mahoney, the only stuntman who would agree to do it. Mahoney was paid $350 for the stunt.
- ErroresThere are several references to the city of St. Petersburg, Russia, in this film set during the reign of Queen Elizabeth I. The said city was not founded until a century AFTER that queen's death in 1603.
- ConexionesEdited from Las aventuras de Robin Hood (1938)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Adventures of Don Juan
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,500,000 (estimado)
- Tiempo de ejecución1 hora 50 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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