Una rica heredera que trata de escapar de su padre atravesando el país para reunirse con el hombre que ama, conoce durante el viaje a un periodista que se presta a ayudarla a cambio de la ex... Leer todoUna rica heredera que trata de escapar de su padre atravesando el país para reunirse con el hombre que ama, conoce durante el viaje a un periodista que se presta a ayudarla a cambio de la exclusiva de su historia.Una rica heredera que trata de escapar de su padre atravesando el país para reunirse con el hombre que ama, conoce durante el viaje a un periodista que se presta a ayudarla a cambio de la exclusiva de su historia.
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The last review I read at IMDb for this film stated that it starred a "young" June Allyson. Actually, she was 39, seven years older than her co-star, Jack Lemmon, and MUCH too old to play the part of a young heiress fleeing her father. This in a nutshell is what ruins the film (along with it being made into a musical for the 2nd time). Not that she didn't do her best, but that she was simply miscast.
Besides, it was foolish to try to recreate a film when the original was already perfect. They had nowhere to go but down. Apparently, Allyson's husband (director of the film) was trying to bank in on what he thought would be a sure thing. The film did indeed make money, but not one person who ever lived thought it was remotely as good as the original. If you haven't see the 1934 version called It Happened One Night, do yourself a favor and watch that one first. There's a very good chance you won't want to bother watching another version once you see how good Clark Gable and Claudette Colbert were. Incidentally, this film was remade into a musical once before during the 1940s, and again was quite inferior to the original. Perhaps Hollywood should learn to leave a good thing alone.
Besides, it was foolish to try to recreate a film when the original was already perfect. They had nowhere to go but down. Apparently, Allyson's husband (director of the film) was trying to bank in on what he thought would be a sure thing. The film did indeed make money, but not one person who ever lived thought it was remotely as good as the original. If you haven't see the 1934 version called It Happened One Night, do yourself a favor and watch that one first. There's a very good chance you won't want to bother watching another version once you see how good Clark Gable and Claudette Colbert were. Incidentally, this film was remade into a musical once before during the 1940s, and again was quite inferior to the original. Perhaps Hollywood should learn to leave a good thing alone.
I agree with most other reviewers here that this is a pale remake of a great classic film, though I found it mildly pleasant anyway.
Some of the other reviewers said why even try to remake a classic; why bother. What they don't understand is the big difference between our film culture and the pre-home video, pre-TCM, pre-repertory cinema era. Successful films were remade, because producers thought they were a good bet to make a profit. The studios usually already owned the story and had an effective script to base an update on; no need to pay for the rights to a play or novel, and they could probably pay less for an an updated script than for a new one. If the story was well received and made money years before, it had a better chance of being successful than untested material. The great majority of the potential audience for a remake had either never seen the older version, or had seen it many years before, usually just once, so the older version was just a faint memory. And much of the audience would be interested in seeing the story told with current stars, in color, and when it came in, in wide screen.
On another note, as of June 2015, TCM is still showing a poor quality print of the movie, the Cimemascope image cropped to something like 1:66 to 1 (it was not pan and scanned), color washed out (not remotely like what Technicolor print would have looked like when the film was new), mono soundtrack (the original was stereo according to IMDb). I imagine this is because it is not economically viable for Sony (owners of the Columbia film achieve) to do a new transfer.
Some of the other reviewers said why even try to remake a classic; why bother. What they don't understand is the big difference between our film culture and the pre-home video, pre-TCM, pre-repertory cinema era. Successful films were remade, because producers thought they were a good bet to make a profit. The studios usually already owned the story and had an effective script to base an update on; no need to pay for the rights to a play or novel, and they could probably pay less for an an updated script than for a new one. If the story was well received and made money years before, it had a better chance of being successful than untested material. The great majority of the potential audience for a remake had either never seen the older version, or had seen it many years before, usually just once, so the older version was just a faint memory. And much of the audience would be interested in seeing the story told with current stars, in color, and when it came in, in wide screen.
On another note, as of June 2015, TCM is still showing a poor quality print of the movie, the Cimemascope image cropped to something like 1:66 to 1 (it was not pan and scanned), color washed out (not remotely like what Technicolor print would have looked like when the film was new), mono soundtrack (the original was stereo according to IMDb). I imagine this is because it is not economically viable for Sony (owners of the Columbia film achieve) to do a new transfer.
You Can't Run Away From It is a re-make of Frank Capra's It Happened One Night. That being said, one knows already what to expect. Film makers, no matter how hard they try, generally fail at reproducing classic films. This is no exception, not to say that this movie isn't good, but it cannot hold a candle to the original.
June Allyson stars as Ellie Andrews, a wealthy society dame rebelling against her father's strict command. She has eloped with a wealthy gigolo type, but has been kidnapped away from him by her family in hopes of being granted an annulment. Before the papers can be signed, Ellie runs away again, this time on a bus to find her new husband. On the way she meets Peter Warne (Jack Lemmon), a news reporter out for a good story. He agrees to help Ellie in exchange for the exclusive story, but the two develop a relationship while on the road.
Allyson is not quite elegant enough to pass as a member of the elite upper class and Lemmon lacks the charm of Clark Gable, so each fall short in their parts. However, it is always nice to see them, whether they excel or not.
All of the classic moments are here from the group song in the bus, the search for raw carrots, the hitch hiking scene, and the "walls of Jericho" bit. These inclusions should have been done like a proud tribute to the original, but they're played like they've never been done before, and fall very flat. It's like they found a stunning old gown in a trunk thats become threadbare and moth eaten over time and tried to pass it off as new. Who were they kidding? Part of the problem is comparing this version to the original film. If one has never seen It Happened One Night, this movie might fare better. It has its moments, and once they get going, the musical numbers aren't all that bad. The color is quite striking too. This version is perfect for younger audiences who refuse to watch black and white, but adults will prefer the wit of the original.
It it worth noting that the TCM print is a pan-and-scan version, so we lose some of the original splendor. Shame on you TCM for denouncing pan-and-scan and then showing it!
June Allyson stars as Ellie Andrews, a wealthy society dame rebelling against her father's strict command. She has eloped with a wealthy gigolo type, but has been kidnapped away from him by her family in hopes of being granted an annulment. Before the papers can be signed, Ellie runs away again, this time on a bus to find her new husband. On the way she meets Peter Warne (Jack Lemmon), a news reporter out for a good story. He agrees to help Ellie in exchange for the exclusive story, but the two develop a relationship while on the road.
Allyson is not quite elegant enough to pass as a member of the elite upper class and Lemmon lacks the charm of Clark Gable, so each fall short in their parts. However, it is always nice to see them, whether they excel or not.
All of the classic moments are here from the group song in the bus, the search for raw carrots, the hitch hiking scene, and the "walls of Jericho" bit. These inclusions should have been done like a proud tribute to the original, but they're played like they've never been done before, and fall very flat. It's like they found a stunning old gown in a trunk thats become threadbare and moth eaten over time and tried to pass it off as new. Who were they kidding? Part of the problem is comparing this version to the original film. If one has never seen It Happened One Night, this movie might fare better. It has its moments, and once they get going, the musical numbers aren't all that bad. The color is quite striking too. This version is perfect for younger audiences who refuse to watch black and white, but adults will prefer the wit of the original.
It it worth noting that the TCM print is a pan-and-scan version, so we lose some of the original splendor. Shame on you TCM for denouncing pan-and-scan and then showing it!
June allyson, jack lemmon. This seems to be a musical version of "it happened one night". And every film where the girl's father does not approve of the groom ! In this one, the young couple is already married, so ellen's father kidnaps her and tries to drag her home. Lots of singing. And in this one, the reporter tells the bride he's onto her. But promises he won't spill the beans. Some fun co-stars too. Jim backus and charles bickford. Howard mcnear. Jack albertson. Even a quick bit by henny youngman (the first bus driver). It's okay. Some over the top acting, and the songs are a big waste of time. Were they short on script?? Directed by dick powell....one of the seven that he directed! And he was married to the star here, june allyson. Of course powell died so young at 58. He sure acted in some great films. This one is okay. Would have been better with less singer and a stronger script. They had all these great comedians, but didn't give them much to do!
This was one of Jack Lemmon's first films. He is cast in the role of Peter Warren, a free-lance journalist who takes on the challenge of escorting spoiled rich girl Ellie Andrews (played by June Allyson) back to her Father (Charles Bickford) and husband. Peter and Ellie didn't plan on falling in love during their bus trip, but it happened ... just as in "It Happened One Night" starring Clark Gable and Claudette Colbert. This re-make is remarkably faithful to the original in plot and content. I would classify it as a charming, very tame movie worth the 80 minutes or so to watch it.
¿Sabías que…?
- TriviaWhile filming at the Lewis Douglas ranch near Sonoita Arizona, Jack Lemmon had to spend long periods of time in the freezing water for a dunking scene on an extremely cold day in November 1955. He almost came down with hypothermia.
- ErroresNo mountains near Houston, at railroad crossing when her father is bringing her home with the police escort.
- ConexionesFeatured in The Lady with the Torch (1999)
- Bandas sonorasYou Can't Run Away From It
(1956)
Lyrics by Johnny Mercer
Music by Gene de Paul
Performed by The Four Aces
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- How long is You Can't Run Away from It?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 3,161,000
- Tiempo de ejecución1 hora 35 minutos
- Relación de aspecto
- 2.35 : 1
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By what name was You Can't Run Away from It (1956) officially released in India in English?
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