Agrega una trama en tu idiomaLouis XI of France drafts Paris's popular king of criminals as Provost Marshal in his fight against usurper Charles of Burgundy and the traitorous nobles who rally around him.Louis XI of France drafts Paris's popular king of criminals as Provost Marshal in his fight against usurper Charles of Burgundy and the traitorous nobles who rally around him.Louis XI of France drafts Paris's popular king of criminals as Provost Marshal in his fight against usurper Charles of Burgundy and the traitorous nobles who rally around him.
- Dirección
- Guionistas
- Elenco
Oreste Kirkop
- François Villon
- (as Oreste)
Cedric Hardwicke
- Tristan
- (as Sir Cedric Hardwicke)
Tom Duggan
- Burgundy
- (as G. Thomas Duggan)
Joel Ashley
- Duke of Normandy
- (sin créditos)
Opiniones destacadas
I saw this during its neighborhood run in the year of its release and remember that it made glorious use of Paramount's "high-fidelity" VistaVision process, with some very ripe Technicolor liberally applied to everything about the production (courtesy of the wonderful cinematographer, Robert Burks, who did so much outstanding work for Alfred Hitchcock.)
I'd love to revisit this one, despite its very studio-bound aura. It was a feast for the eyes and also for the ears. The handsome tenor, Oreste, had the misfortune to make his screen debut as the Hollywood movie musical was about to be consigned to the fond mists of memory. He and Kathryn Grayson made a great team singing that melodic Friml music.
I'd love to revisit this one, despite its very studio-bound aura. It was a feast for the eyes and also for the ears. The handsome tenor, Oreste, had the misfortune to make his screen debut as the Hollywood movie musical was about to be consigned to the fond mists of memory. He and Kathryn Grayson made a great team singing that melodic Friml music.
I'd love to have been a fly on the wall at the production meeting when Michael Curtiz and Pat Duggan came up with this concept - a sort of "Camelot" meets "Quentin Durward" musical effort that is not as bad as you might think! We have here a lavish looking historical melodrama featuring Maltese tenor Oreste Kirkop as "Villon", a popular fellow amongst the people who is elected "King of the Vagabonds". Meantime the real King, Louis XI (Walter Hampden), advised by his sagely counsellor "Tristan" (Sir Cedric Hardwicke with hair!) must battle the potential usurper Duke of Burgundy (Tom Duggan) and his rather foppish sidekick "Thibault" (Leslie Nielsen). The action is interspersed by quite frequent little arias that demonstrate that our street-wise hero most certainly has a great voice; limited only by a rather poor libretto - there are only so many things that rhyme with Burgundy. The action scenes provide for plenty of colourful costumes, swash and buckle and it's decently paced with plenty of familiar faces - Jack Lord, Rita Moreno and a rather under-utilised Kathryn Grayson to prop it up nicely. Though it isn't anywhere near as good as "If I Were KIng" (1938) upon which it appears to be based, money has been spent here and it looks good even if the writing and dialogue are poor and many of the scenes pretty heavily staged. Don't write it off, though - if you like the genre then it is still worth a watch, and there's no sign of Howard Keel!
Enjoyable version of Rudolph Friml's operetta.Beautiful score song by Oreste and Kathryn Grayson.This was Oreste's only film.I read somewhere that the moviegoing public did not take to him .I think this because younger movie goers did not have the exposure to this music.If Nelson and Jeanette had startd in the fifties,I doubt they would have enjoyed the success they had in the thirties.Personally ,I considered Oreste a fine tenor and I still enjoy his recording of The Vagabond King.I wish they would show a marathon of operettas, so that the older viewers,such as myself ,could relive the pleasant movie going memories of yesteryear
Leslie Nielson said on a talk show that the film was a flop before they started to even film. His trouble was that he was under contract and was assigned to the film being told that he would be wearing tights. Nielsen had Rickets as a child and was very self-conscious of what he thought were very bowed legs, but he said he never thought of his legs again after they told him he would be wearing a dancers belt under the tights and then showed what it was. The first time he wore the tights he said he got so many cat whistles from the woman that he stopped wearing the belt until the director told him if he didn't wear it, he would only film him from the neck up.
The Vagabond King is an old operetta from 1925, adapted first into a film in 1930 with Jeanette MacDonald, and again in 1956 with Kathryn Grayson. I haven't seen the 1930 version, but I did see the 1938 film If I Were King, the story of which-written first in 1901-was the inspiration for the musical.
As much as I like Kathryn Grayson, there's just no comparison to the nonmusical version from 1938. The stories and characters are the same, but the added songs are terrible, the lead actor Oreste Kirkop is ridiculous, and the sets and costumes seemed to have been borrowed from The Court Jester. I didn't last the first five minutes without bursting into laughter, seeing all the ways in which The Court Jester had spoofed the movie. As it was, that comedy was released in 1955, so it wasn't intended to be a spoof of The Vagabond King. Still, it seems to be an incredibly funny coincidence.
In case you don't know the story, Oreste plays a Robin Hood type who scorns King Louis XI and is the hero of the poor citizens of France. King Louis, played by Cedric Hardwicke, overhears a conversation of how Oreste would be a better ruler, so to humor him, he lets Oreste be "king for a day". Of course, Oreste falls for Kathryn, a noble lady, even though he has the common Rita Moreno back home.
Rita Moreno sings the ridiculous song "Vive La You" and the chorus haphazardly dances behind her. Oreste's voice is much too boisterous, and his ego is even funnier than it is annoying. Kathryn is beautiful and has a lovely voice, but she isn't enough to save this terrible musical. If I Were King is a very good movie, so if you like Robin Hood stories, I highly recommend you rent that one. Leave The Vagabond King on the shelf; stick to The Court Jester instead.
As much as I like Kathryn Grayson, there's just no comparison to the nonmusical version from 1938. The stories and characters are the same, but the added songs are terrible, the lead actor Oreste Kirkop is ridiculous, and the sets and costumes seemed to have been borrowed from The Court Jester. I didn't last the first five minutes without bursting into laughter, seeing all the ways in which The Court Jester had spoofed the movie. As it was, that comedy was released in 1955, so it wasn't intended to be a spoof of The Vagabond King. Still, it seems to be an incredibly funny coincidence.
In case you don't know the story, Oreste plays a Robin Hood type who scorns King Louis XI and is the hero of the poor citizens of France. King Louis, played by Cedric Hardwicke, overhears a conversation of how Oreste would be a better ruler, so to humor him, he lets Oreste be "king for a day". Of course, Oreste falls for Kathryn, a noble lady, even though he has the common Rita Moreno back home.
Rita Moreno sings the ridiculous song "Vive La You" and the chorus haphazardly dances behind her. Oreste's voice is much too boisterous, and his ego is even funnier than it is annoying. Kathryn is beautiful and has a lovely voice, but she isn't enough to save this terrible musical. If I Were King is a very good movie, so if you like Robin Hood stories, I highly recommend you rent that one. Leave The Vagabond King on the shelf; stick to The Court Jester instead.
¿Sabías que…?
- TriviaKathryn Grayson's final feature film.
- Citas
François Villon: To skin your fox, first catch him.
- ConexionesReferenced in Skullduggery (1983)
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- How long is The Vagabond King?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- König der Vagabunden
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 26min(86 min)
- Relación de aspecto
- 1.85 : 1
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