CALIFICACIÓN DE IMDb
7.0/10
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Los detectives de Scotland Yard intentan resolver una serie de robos.Los detectives de Scotland Yard intentan resolver una serie de robos.Los detectives de Scotland Yard intentan resolver una serie de robos.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 1 premio ganado y 1 nominación en total
Opiniones destacadas
Agree with all previous comments. I first saw this film on TV 20 years ago on a wet Sunday afternoon and loved it. I recorded it on VHS the next time it was shown on telly, bought it when it came out on commercial VHS and have just placed an advance order on Amazon for the DVD version which is due out in February 2008.
It's a glimpse into a lost world - 1950s Britain - and all the more charming for it. A surprising amount of location shooting adds to the authenticity. Facsinating to see the Royal Festival Hall, for example, standing alone before the South Bank was developed. I even went on a pilgrimage to Long Acre to check out Stone & Company Ltd - it's still there and looks exactly the same (the building that is)! The detective work is logical, methodical and low-tech. Scraping some clothes fibres of a car radiator is about the height of the forensic work.
Some nice touches of humour too. Example: Jack Hawkins complaining that his Sergeant is running off to a payphone to call his girlfriend. "You haven't seen her," comes the reply, "she's worth three shillings for three minutes." That must have had them blushing in the 50s.
Things only slow a bit when we're dealing with the Hawkins domestic front but that's a small complaint and was no doubt intended to inject a little social realism.
Find yourself a quiet afternoon, make yourself a cup of tea, crack open the custard creams and enjoy.
It's a glimpse into a lost world - 1950s Britain - and all the more charming for it. A surprising amount of location shooting adds to the authenticity. Facsinating to see the Royal Festival Hall, for example, standing alone before the South Bank was developed. I even went on a pilgrimage to Long Acre to check out Stone & Company Ltd - it's still there and looks exactly the same (the building that is)! The detective work is logical, methodical and low-tech. Scraping some clothes fibres of a car radiator is about the height of the forensic work.
Some nice touches of humour too. Example: Jack Hawkins complaining that his Sergeant is running off to a payphone to call his girlfriend. "You haven't seen her," comes the reply, "she's worth three shillings for three minutes." That must have had them blushing in the 50s.
Things only slow a bit when we're dealing with the Hawkins domestic front but that's a small complaint and was no doubt intended to inject a little social realism.
Find yourself a quiet afternoon, make yourself a cup of tea, crack open the custard creams and enjoy.
Apart from the unique acting style of Jack Hawkins (before his so sad illness), one thing which marks this film out from modern detective yarns is that the detective work follows logical sequences - little depends on chance and nothing on fantastic coincidences.
It is a rattling good yarn - I only wish the same could be said of todays films.
And the supporting cast!!! Ian Bannen gets run over and killed and (Sir) Alec McCowan is an unimportant doctor. But everyone has to start somewhere.
Those were the days
Gerald (aged 72)
It is a rattling good yarn - I only wish the same could be said of todays films.
And the supporting cast!!! Ian Bannen gets run over and killed and (Sir) Alec McCowan is an unimportant doctor. But everyone has to start somewhere.
Those were the days
Gerald (aged 72)
Very solid brit crime drama. Fine performance from Jack Hawkins. Thankfully, not so much stiff upper lip as we were used, the humour between Hawkins and his sidekick the John Stratton bubbles along and the mechanics of the plot is nicely constructed and presented. A veritable glut of fine British actors both future stars like Ian Bannon and Stratford Johns and small part favourites like Sam Kydd and Harold Goodwin. Also keep an eye out for a young Nicholas Parsons playing a copper. If you're a resident of London it will be fascinating looking at the sites of our capital and seeing how much it has changed. An undiscovered gem worth digging out
The Long Arm is directed by Charles Frend and written by Janet Green and Robert Barr. It stars Jack Hawkins, John Stratton, Dorothy Alison and Michael Brooke. Music is by Gerard Schurmann and cinematography by Gordon Dines.
Detective-Superintendent Tom Halliday (Hawkins) heads up an investigation into a number of safe cracking robberies. Which in turn turns into a murder investigation.
Out of Ealing Studios, this is a little cracker of a police procedural detective mystery. The flow of the investigation is natural, not given over to wild implausibilities, and always the air of mystery is potent. On the outskirts of the investigation there's a running thread about how policemen's wives/girlfriends suffer in their own ways, their men are married to the force, and this is delicately handled by the makers. While the moments of wry levity are not misplaced. Production is spiffing, with a number of London locations vibrantly used and given a film noir sheen by Dines (The Blue Lamp), while Frend (Scott of the Antarctic) keeps it tight and interesting whilst getting grand perfs from the cast - notably a wonderfully regal Hawkins.
So if you are looking for an old time British policer that doesn't insult your intelligence, then you need look no further. 8/10
Detective-Superintendent Tom Halliday (Hawkins) heads up an investigation into a number of safe cracking robberies. Which in turn turns into a murder investigation.
Out of Ealing Studios, this is a little cracker of a police procedural detective mystery. The flow of the investigation is natural, not given over to wild implausibilities, and always the air of mystery is potent. On the outskirts of the investigation there's a running thread about how policemen's wives/girlfriends suffer in their own ways, their men are married to the force, and this is delicately handled by the makers. While the moments of wry levity are not misplaced. Production is spiffing, with a number of London locations vibrantly used and given a film noir sheen by Dines (The Blue Lamp), while Frend (Scott of the Antarctic) keeps it tight and interesting whilst getting grand perfs from the cast - notably a wonderfully regal Hawkins.
So if you are looking for an old time British policer that doesn't insult your intelligence, then you need look no further. 8/10
8cb49
I echo Mike Wilson's views on this film, it is the classic British crime drama. Jack Hawkins is superb (and I feel that John Gregson's TV portrayal of Gideon was based on this). It even has little touches of humour which succeed in making the movie real. I would also agree with Mike that the later Gideon of Scotland Yard is poor in comparison, if Jack Hawkins had played the character in the same manner as he played Supt. Halliday, it could have been perfect. The movie has just been re-issued in the UK (Feb. 2003) on VHS.
¿Sabías que…?
- TriviaThe last film made at Ealing Studios, London.
- ErroresWhen a kid try to sell a new car's lamp, the policeman took him back to the junk yard and the lamp is still in car.
Sorry, not a goof. The two lamps on the front of the damaged car are the headlights, or lamps if you prefer. The boy had taken the fog lamp off the car. The fog lamp was a third lamp as may be seen at 34 mins when the collision occurs. The fog lamp is clearly seen on the nearside just above the bumper. When the car is on on the dump, the fog lamp is not there.
- Citas
[during the final chase, Halliday leaps onto the bonnet of the getaway car and stops it by smashing its windscreen with his truncheon; as it lurches to a halt, he falls off the bonnet onto the ground. Ward helps him up]
Detective-Sergeant Ward: Are you all right, sir?
Detective-Superintendent Tom Halliday: I'll live, I think.
Detective-Sergeant Ward: Nothing broken?
[Halliday pauses and looks mortified]
Detective-Superintendent Tom Halliday: Yes - a promise I made to let *other* people take the risks!
- Créditos curiososSPOILER: In the end credits Ursula Howells is credited twice: first as her fake character Mrs. Elliot, and then at the end as Mrs. Gilson, the wife of Gilson the criminal.
- ConexionesReferenced in The Kiss (1958)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Third Key
- Locaciones de filmación
- Pen-Y-Gwryd, Gwynedd, Gales, Reino Unido(Mr Thomas's garage where the newspaper was delivered)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of The Long Arm (1956) in Australia?
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