CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Un relato biográfico del boxeador Rocky Graziano, basada en su autobiografía, desde la infancia hasta su título mundial de peso medio a los 28 años en 1947.Un relato biográfico del boxeador Rocky Graziano, basada en su autobiografía, desde la infancia hasta su título mundial de peso medio a los 28 años en 1947.Un relato biográfico del boxeador Rocky Graziano, basada en su autobiografía, desde la infancia hasta su título mundial de peso medio a los 28 años en 1947.
- Dirección
- Guionistas
- Elenco
- Ganó 2 premios Óscar
- 4 premios ganados y 5 nominaciones en total
Robert P. Lieb
- District Attorney Hogan
- (as Robert Lieb)
Caswell Adams
- Sam
- (sin créditos)
Stanley Adams
- Romolo's Attorney
- (sin créditos)
John Albright
- Reporter
- (sin créditos)
Fred Aldrich
- Ringside Photographer - Zale Fight
- (sin créditos)
Leon Alton
- Military Fight Spectator
- (sin créditos)
Don Anderson
- Reporter
- (sin créditos)
Harry Arnie
- Spectator
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Robert Wise was a film editor before he became a director. Having edited some of Orson Welles films when he was starting out, made him a natural director. After all, Mr. Wise knows how to move his camera and how to capture great moments in film. "Somebody Up There Likes Me" is a rarity these days, in that it's seldom seen.
This is also a film that has a rich texture. The story, photographed using New York as a backdrop offers a rare view of how it looked in those years. We are taken to Brooklyn, downtown Manhattan and other natural locations that were an asset in the film. It helps that Mr. Wise had the inspiration to engage Joseph Ruttenberg as his cinematographer because of the excellence of his work in the films he photographed.
This is a story of Rocky Graziano, a boxing champion, who came from a poor family. The father, Nick Barbella, is seen at the beginning trying to show young Rocco to box. When he doesn't get the response he wants, he punches the boy squarely on his nose, making him bleed. Rocco would grow up to become a hoodlum doing petty crime and being sent to jail.
Rocco's story could have ended in tragedy, but didn't. It helped to have met good friends along the way like Irving Cohen who helped him with his boxing career. The love of Nora is another of the blessings this man was blessed with. In fact, yes, somebody up there must have liked Rocco Barbella, a man who is a legend in boxing circles.
The young Paul Newman was lucky to land this part. James Dean had been selected to play the role, but it went to Mr. Newman who took it and ran away with the film. This was his big break through in films. Paul Newman was formed at the famous Actor Studio. His technique is in sharp contrast with other, formally trained actors, but in a way, by making Rocky's character so complex, we get a detailed account of the man by an inspired young actor that went to become a legend in his own right.
The supporting cast was excellent. Eileen Heckart is the suffering Ida Barbella, a woman who has been cheated out of everything by a husband that is a brute. Harold Stone is also good as Nick Barbella. Pier Angeli is sweet as Norma and Sal Mineo makes the best out of Romolo, the childhood friend. Everett Sloan plays the pivotal role of Irving Cohen.
In the film we see a lot of interesting young actors who went to have their own distinguished careers later on. Steve McQueen, Robert Loggia, George C. Scott, Frank Campanella, and other New York based theater actors are seen in the background without any credit.
This is a boxing film that was way ahead of the others because of the tight direction of Robert Wise.
This is also a film that has a rich texture. The story, photographed using New York as a backdrop offers a rare view of how it looked in those years. We are taken to Brooklyn, downtown Manhattan and other natural locations that were an asset in the film. It helps that Mr. Wise had the inspiration to engage Joseph Ruttenberg as his cinematographer because of the excellence of his work in the films he photographed.
This is a story of Rocky Graziano, a boxing champion, who came from a poor family. The father, Nick Barbella, is seen at the beginning trying to show young Rocco to box. When he doesn't get the response he wants, he punches the boy squarely on his nose, making him bleed. Rocco would grow up to become a hoodlum doing petty crime and being sent to jail.
Rocco's story could have ended in tragedy, but didn't. It helped to have met good friends along the way like Irving Cohen who helped him with his boxing career. The love of Nora is another of the blessings this man was blessed with. In fact, yes, somebody up there must have liked Rocco Barbella, a man who is a legend in boxing circles.
The young Paul Newman was lucky to land this part. James Dean had been selected to play the role, but it went to Mr. Newman who took it and ran away with the film. This was his big break through in films. Paul Newman was formed at the famous Actor Studio. His technique is in sharp contrast with other, formally trained actors, but in a way, by making Rocky's character so complex, we get a detailed account of the man by an inspired young actor that went to become a legend in his own right.
The supporting cast was excellent. Eileen Heckart is the suffering Ida Barbella, a woman who has been cheated out of everything by a husband that is a brute. Harold Stone is also good as Nick Barbella. Pier Angeli is sweet as Norma and Sal Mineo makes the best out of Romolo, the childhood friend. Everett Sloan plays the pivotal role of Irving Cohen.
In the film we see a lot of interesting young actors who went to have their own distinguished careers later on. Steve McQueen, Robert Loggia, George C. Scott, Frank Campanella, and other New York based theater actors are seen in the background without any credit.
This is a boxing film that was way ahead of the others because of the tight direction of Robert Wise.
How many chances do we get to watch Paul Newman overact? His over-the-top performance as an Italian-American boxing champ from New York City is lots of fun to watch. He turn Graziano into a poor man's Terry Malloy. Nice, albeit brief, performance by Sal Mineo as well, as Rocky's running buddy. Worth a look!
Paul Newman stars as Rocky Graziano in the middleweight champion's life story, "Somebody Up There Likes Me," directed with spirit by Robert Wise.
The film covers Rocky Barbella's young life on the mean streets of New York, made all the meaner by his juvenile delinquent presence and that of his friends. Totally out of control, Barbella steals, runs, and punches his way through his home life, reform school, and prison, including his army stint where he knocks out a corporal and goes AWOL, then assuming the name Graziano.
It's not long before his talent is put to good use in the ring. The respectability and success he gains is short-lived, however, when he refuses to take a dive but then fails to report it to the boxing commission or identify the criminals.
The film covers Graziano's marriage to his wife of 47 years, Norma, and his historic fight with Tony Zale. Pier Angeli plays the petite but tough Norma, who knows just how to handle her husband; Eileen Heckert is marvelous as Rocky's mother.
Harold Stone, as Rocky's disillusioned father, is very good in the difficult role of an unlikeable man with an uneasy relationship with his son. Sal Mineo is effective as Romolo, Rocky's friend from the neighborhood.
James Dean was to play Graziano but after his death, the role went to Paul Newman. Words are not really adequate to describe the young Newman's work in this film. He totally inhabits the character of Graziano and loses what one thinks of as "Paul Newman" in the bargain.
One of the hardest accents to do without making it sound phony is a New York one, yet Newman pulls it off with no problem. Though Dean would have been excellent, Newman's portrayal is a treasure. He's angry, sympathetic, scrappy, vulnerable and caring - in short, a flawed human being. It's one of the finest performances on film.
The film covers Rocky Barbella's young life on the mean streets of New York, made all the meaner by his juvenile delinquent presence and that of his friends. Totally out of control, Barbella steals, runs, and punches his way through his home life, reform school, and prison, including his army stint where he knocks out a corporal and goes AWOL, then assuming the name Graziano.
It's not long before his talent is put to good use in the ring. The respectability and success he gains is short-lived, however, when he refuses to take a dive but then fails to report it to the boxing commission or identify the criminals.
The film covers Graziano's marriage to his wife of 47 years, Norma, and his historic fight with Tony Zale. Pier Angeli plays the petite but tough Norma, who knows just how to handle her husband; Eileen Heckert is marvelous as Rocky's mother.
Harold Stone, as Rocky's disillusioned father, is very good in the difficult role of an unlikeable man with an uneasy relationship with his son. Sal Mineo is effective as Romolo, Rocky's friend from the neighborhood.
James Dean was to play Graziano but after his death, the role went to Paul Newman. Words are not really adequate to describe the young Newman's work in this film. He totally inhabits the character of Graziano and loses what one thinks of as "Paul Newman" in the bargain.
One of the hardest accents to do without making it sound phony is a New York one, yet Newman pulls it off with no problem. Though Dean would have been excellent, Newman's portrayal is a treasure. He's angry, sympathetic, scrappy, vulnerable and caring - in short, a flawed human being. It's one of the finest performances on film.
This is the movie that made Paul Newman a star. And with good reason. Although James Dean was signed to play the great Rocky Graziano, his death in a car crash made the role available for Paul Newman to step into. Newman who up to this point had made only a handful of forgettable pictures,turns in a marvelous portrayal of a man who is so filled with rage that everything he touches turns into trouble.
Newman's performance is layered with anger, humor, and fear. Rocky Graziano was by means the brightest guy in the world, and Newman to his credit does not try to make this an endearing quality of Rocky's.
The story does a nice job of not glossing over Rocky's troublesome youth. It shows a lot of the trouble and bad decision's that he made that led to being thrown out of schools, reformatories, and later into prison. This is not a sanitized bio-style film that you would have seen in the thirties or forties.
The rest of the acting is also first rate. Especially from Eileen Heckart and Everett Sloane as his mother and trainer, respectively. Lots of actors making their film debuts in this movie also. Look for Robert Loggia, Steve McQueen, George C. Scott and Dean Jones.
Robert Wise has done a wonderful job of bringing NYC to life in this picture. Watching Newman walk down the street with all of the people jeering him at first, and then rooting for him as he starts to gain some fame is the work of a top notch director. Wise would later exploit the scenery of New York to better use a few years later in "West Side Story". He also did an excellent job with the fight sequences.
It's easy to see where Sylvester Stallone got his inspiration for his "Rocky". In fact, you might say that he not only borrowed the development of his character, but that of Adrian, as well.
"Somebody Up There Likes Me" is well worth a look.
9 out of 10
Newman's performance is layered with anger, humor, and fear. Rocky Graziano was by means the brightest guy in the world, and Newman to his credit does not try to make this an endearing quality of Rocky's.
The story does a nice job of not glossing over Rocky's troublesome youth. It shows a lot of the trouble and bad decision's that he made that led to being thrown out of schools, reformatories, and later into prison. This is not a sanitized bio-style film that you would have seen in the thirties or forties.
The rest of the acting is also first rate. Especially from Eileen Heckart and Everett Sloane as his mother and trainer, respectively. Lots of actors making their film debuts in this movie also. Look for Robert Loggia, Steve McQueen, George C. Scott and Dean Jones.
Robert Wise has done a wonderful job of bringing NYC to life in this picture. Watching Newman walk down the street with all of the people jeering him at first, and then rooting for him as he starts to gain some fame is the work of a top notch director. Wise would later exploit the scenery of New York to better use a few years later in "West Side Story". He also did an excellent job with the fight sequences.
It's easy to see where Sylvester Stallone got his inspiration for his "Rocky". In fact, you might say that he not only borrowed the development of his character, but that of Adrian, as well.
"Somebody Up There Likes Me" is well worth a look.
9 out of 10
Up until now I've only seen Paul Newman in 1990's and later movies - but he's never been the actor that called me into a movie theater or made me change the channel. He always seemed to play the same type of part: easy going, calm, aware, well contained. Or maybe that's the way he made each part seem.
After seeing this movie, now I know why he's considered such a great actor. I only watched boxing when it was part of the Olympics - just don't enjoy the sport itself that much - and only know about Rocky Graziano from the newspapers. But Paul Newman was riveting. He made this character of a complete underdog, who apparently had no hope, no charm, and nothing to live for, into someone I cared about enough to stick with the movie for two hours.
I don't know how true-to-life the story was; Hollywood generally creates composite characters, cleans up reality and changes or outright ignores major events. Certainly the many fights Graziano had were a bit of a blur in the film and I'm sure several critical steps in his advancement towards middleweight championship were neglected. The reason for the violent relationship between Rocky and his father was unexplained. And his mother's mental state (the film alludes to her time in the hospital) is not fully developed.
These gaps do not overshadow in any way Paul Newman's performance. I always thought it was longevity, charitable works, and a long-lasting marriage to another actor (not to mention darn good spaghetti sauce) that gave him the aura he has - now I understand.
After seeing this movie, now I know why he's considered such a great actor. I only watched boxing when it was part of the Olympics - just don't enjoy the sport itself that much - and only know about Rocky Graziano from the newspapers. But Paul Newman was riveting. He made this character of a complete underdog, who apparently had no hope, no charm, and nothing to live for, into someone I cared about enough to stick with the movie for two hours.
I don't know how true-to-life the story was; Hollywood generally creates composite characters, cleans up reality and changes or outright ignores major events. Certainly the many fights Graziano had were a bit of a blur in the film and I'm sure several critical steps in his advancement towards middleweight championship were neglected. The reason for the violent relationship between Rocky and his father was unexplained. And his mother's mental state (the film alludes to her time in the hospital) is not fully developed.
These gaps do not overshadow in any way Paul Newman's performance. I always thought it was longevity, charitable works, and a long-lasting marriage to another actor (not to mention darn good spaghetti sauce) that gave him the aura he has - now I understand.
¿Sabías que…?
- TriviaThe movie was originally to be filmed on location in New York City in Technicolor with James Dean in the lead role. However, after Dean's sudden death and replacement by Paul Newman, it was decided the film should be in black and white, and filmed on studio sets. Director Robert Wise felt the sets looked fake, and only used them for night scenes, while filming the daytime scenes on location.
- ErroresWhen Norma asks Benny for directions how to get home after meeting Rocky in the early 1940s, he tells her to take a Subway route that did not exist until 1954.
- Citas
Irving Cohen: I never should have left the lingerie business. I was the happiest man in women's underwear.
- Créditos curiososThe film opens with the following on-screen quote before the title and opening credits: This is the way I remember it... _definitely_. -Rocky Graziano.
- ConexionesFeatured in Steve McQueen: Man on the Edge (1989)
- Bandas sonorasSomebody Up There Likes Me
(1956)
Music by Bronislau Kaper
Lyrics By Sammy Cahn
Sung by Perry Como during the opening and closing credits
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- How long is Somebody Up There Likes Me?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Somebody Up There Likes Me
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,920,000 (estimado)
- Total a nivel mundial
- USD 9,528
- Tiempo de ejecución1 hora 53 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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What is the German language plot outline for El estigma del arroyo (1956)?
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