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IMDbPro

The Shadow on the Window

  • 1957
  • Approved
  • 1h 16min
CALIFICACIÓN DE IMDb
6.1/10
724
TU CALIFICACIÓN
John Drew Barrymore and Betty Garrett in The Shadow on the Window (1957)
Film NoirCrimeDrama

Agrega una trama en tu idiomaThree young thugs rob a farmhouse, kill the owner and take his stenographer hostage but the woman's estranged husband, a police detective, starts investigating her disappearance.Three young thugs rob a farmhouse, kill the owner and take his stenographer hostage but the woman's estranged husband, a police detective, starts investigating her disappearance.Three young thugs rob a farmhouse, kill the owner and take his stenographer hostage but the woman's estranged husband, a police detective, starts investigating her disappearance.

  • Dirección
    • William Asher
  • Guionistas
    • Leo Townsend
    • David P. Harmon
    • John Hawkins
  • Elenco
    • Philip Carey
    • Betty Garrett
    • John Drew Barrymore
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    724
    TU CALIFICACIÓN
    • Dirección
      • William Asher
    • Guionistas
      • Leo Townsend
      • David P. Harmon
      • John Hawkins
    • Elenco
      • Philip Carey
      • Betty Garrett
      • John Drew Barrymore
    • 21Opiniones de los usuarios
    • 11Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos29

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    Elenco principal44

    Editar
    Philip Carey
    Philip Carey
    • Detective Sgt. Tony Atlas
    • (as Phil Carey)
    Betty Garrett
    Betty Garrett
    • Linda Atlas
    John Drew Barrymore
    John Drew Barrymore
    • Jess Reber
    • (as John Barrymore Jr.)
    Corey Allen
    Corey Allen
    • Gil Ramsey
    Gerald Sarracini
    • Joey Gomez
    Jerry Mathers
    Jerry Mathers
    • Petey Atlas
    Sam Gilman
    Sam Gilman
    • Sgt. Paul Denke
    Rusty Lane
    Rusty Lane
    • Capt. McQuade
    Ainslie Pryor
    Ainslie Pryor
    • Dr. Hodges
    Paul Picerni
    Paul Picerni
    • Bigelow
    William Leslie
    William Leslie
    • Stuart
    Doreen Woodbury
    • Molly
    Ellie Kent
    • Girl
    Dave Barry
    Dave Barry
    • Miller
    • (sin créditos)
    Nesdon Booth
    • Conway - Truck Driver
    • (sin créditos)
    Paul Bryar
    Paul Bryar
    • Bartender
    • (sin créditos)
    Don Carlos
    • Felipe
    • (sin créditos)
    Thom Carney
    Thom Carney
    • Character
    • (sin créditos)
    • Dirección
      • William Asher
    • Guionistas
      • Leo Townsend
      • David P. Harmon
      • John Hawkins
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios21

    6.1724
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    Opiniones destacadas

    4recluse2

    Mostly a Drag

    When it started out it seemed like it could be decent watching. It became tedious and boring because the three robbers/kidnappers were incredibly stupid. Made me uninterested in movie. The acting, overall, is below par. There is nothing much to recommend this movie.
    7planktonrules

    Decent lower-budgeted suspense film

    When the film begins, a group of punks are tormenting some people at a farmhouse. Soon, they kill the old man who lives there and the lady who is visiting (Betty Garrett) is being held captive...and all this is seen by her very young son (Jerry Mathers) who has been playing outside. Naturally, the boy is traumatized and he wanders off in a catatonic haze. Eventually he's found wandering along a highway and the kid is taken to the police. The boy is recognized-- -he's the son of one of the cops! The woman, apparently, is the cop's ex-wife. Can the police figure out where the woman and these sickos are in order to rescue her?

    This is a tense and reasonably well made film. I particularly like the scene where the woman attempts an escape--it's surprisingly brutal. Well worth seeing and currently posted on YouTube.
    dougdoepke

    Decent Suspenser

    Home invasion movies were popular during this period (1950's), maybe as a way of injecting fear into audiences from comfortably expanding suburbs. Here three young hoods invade an old man's home, kill him, while traumatizing the young son with his mother who's there as a stenographer. Unbeknownst to the hoods is that mom's the wife of a cop sergeant, so when the speechless boy is found, a police hunt is launched, led by the agonized husband father. So what will the quarreling hoods do with hostage mom as the cops close in.

    It's an interesting cast with Barrymore Jr. as the murderous hood, Corey Allen from Rebel Without a Cause (1955) as the conflicted gang member, and Jerry Mathers of Leave It To Beaver (1957- 63) as the unfortunate boy. Also, probably shouldn't overlook actress Garrett as the mom, whose budding musical career was stymied by the Hollywood blacklist.

    All in all, the flick's a pretty good suspenser of the sort that would soon transfer to TV, maybe The Alfred Hitchcock Hour. Barrymore makes a convincingly nasty hood, while Garrett bears up as the terrified mom, even as Mathers manages a frozen face as the traumatized boy. In fact, I wouldn't be surprised his performance helped get him the defining Beaver role. There're also some good action sequences like the chase over rooftops that help pick up the indoor menace scenes. Also, battling among the three hoods offers interesting personality clashes, especially the woman-protecting Joey. Is he really stupid or just quietly enigmatic. On the whole, however, the 76-minutes is nothing special, but should keep watchers entertained as the crime drama plays out in fairly suspenseful fashion.
    6blanche-2

    Lots of recognizable faces

    What a cast - Drew Barrymore's father, Edith Bunker's neighbor, the Beave, and Asa Buchanan on One Life to Live: John Drew Barrymore, Betty Garrett, Jerry Mathers, and Phil Carey.

    Garrett plays a stenographer who is working for an elderly man at his house when intruders kill him and take the stenographer hostage.

    Her little boy playing outside sees the violence, goes into shock, and runs away. When finally reunited with his police detective dad, he's catatonic and can't tell them anything.

    My mom loved Phil Carey, a handsome, well built actor who later had success in TV. Betty Garrett, a Broadway actress and singer, has an emotional role and does it well.

    John Drew Barrymore was handsome and menacing, but I gather his role as a ruthless killer wasn't much of a stretch.

    Jerry Mathers I think had two lines.

    I actually kind of liked this film's tension, and the fact that you really cared about Garrett. This home invasion type film is routine but involving.
    Poseidon-3

    "My wife is missing and my son's traumatized. Quick! Hand me a doughnut!"

    Curiosity value concerning the appearance and acting skill of Barrymore (John's son and Drew's dad) will likely draw several viewers to this minor crime drama, a sort of "Despondent Hours". Garrett, separated from her policeman hubby (Carey), takes a job steno-graphing for an elderly man with her young son in tow. When three toughs break in to rob the man, but accidentally kill him, Garrett's son (Mathers) slips into a degree of catatonia and wanders off along the highway. Eventually, Carey, Garrett's husband, is reunited with the mute boy and it's a race against time to find Garrett before the punks have their way with her or kill her. The hoods are played by Barrymore, Allen and Sarracini. Carey reacts to his estranged wife's disappearance with all the concern and terror that he might have if, say, his shirt were ironed too long and got a triangle-shaped stain on the pocket. Though impossibly big and reasonably handsome, he lets his stoicism as a police officer take too much precedence over any human emotion. Garrett (pushing forty, but playing 27 and referred to as "girl"!) does a decent enough acting job, but, in keeping with the times of the film, behaves pretty foolishly more often than not. She does try to come up with a few futile attempts at escape, though. Mathers is in over his head in his tiny part and would do much better later that year in "Leave it to Beaver" where murder wasn't a part of the storyline. Barrymore is very animated and quite handsome. He leans toward the hammy aspects of acting that so many James Dean imitators were going for at the time, but his portrayal is surprisingly polished (and this isn't exactly a strong screenplay he's dealing with!) Allen (who worked with James Dean in "Rebel Without a Cause") gives the most believable and natural performance of the hoods and is very attractive in a boy-next-door way. In fact, these two "vicious criminals" do their dirty work in pullover knit sweaters and cardigans!!! They are quite a contrast to Marlon Brando in "The Wild One". The third boy is played by hulking Sarracini and he is more authentic-looking (ironically, this actor died the year this film was made from the results of a fight!!) There are so many hilariously bad bit players in the film whose dialogue and performances are side-splitting. One lady mutters that her husband doesn't like anything as much as corned beef while he is shown romancing a blonde tart in a bar. Still, the direction is surprisingly adept and there is a memorable rooftop shootout that continues into the subway which is quite impressive. A little more enthusiasm/fret from Carey might have kicked it up a notch.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Phil Carey's deep voice, tall stature and sexy bearing made him one of the most ubiquitous actors in Hollywood's B-film stock company. He played occasional second leads in top-line pictures such as Calamity Jane (1953), but is perhaps best remembered for his perfectly nuanced turn on TV's "All in the Family" as an old war buddy who turns the tables on Archie Bunker's notions of masculinity by coming out as homosexual in the midst of their climactic arm wrestle.
    • Errores
      The Sargent says that Petey was found at "12th and Central", but road signs seen on film of the event show the crossroads to be Valley Blvd. at Nogales St.
    • Citas

      Sgt. Paul Denke: 12th and Central.

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    Preguntas Frecuentes13

    • How long is The Shadow on the Window?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 6 de marzo de 1957 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Streaming on "247 Movies" YouTube Channel
      • Streaming on "Donald P. Borchers" YouTube Channel
    • Idioma
      • Inglés
    • También se conoce como
      • The Missing Witness
    • Locaciones de filmación
      • La Puente, California, Estados Unidos(Canfield house and surrounding citrus groves)
    • Productora
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 16 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.85 : 1

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