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IMDbPro

Richard III

  • 1955
  • Not Rated
  • 2h 41min
CALIFICACIÓN DE IMDb
7.3/10
5.7 k
TU CALIFICACIÓN
POPULARIDAD
858
13,658
Laurence Olivier and Claire Bloom in Richard III (1955)
Shakespeare's powerful tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.
Reproducir trailer3:06
1 video
99 fotos
Drama de ÉpocaTragediaBiografíaDramaGuerraHistoria

Agrega una trama en tu idiomaA tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.A tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.A tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.

  • Dirección
    • Laurence Olivier
  • Guionistas
    • William Shakespeare
    • Laurence Olivier
    • David Garrick
  • Elenco
    • Laurence Olivier
    • Cedric Hardwicke
    • Nicholas Hannen
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    5.7 k
    TU CALIFICACIÓN
    POPULARIDAD
    858
    13,658
    • Dirección
      • Laurence Olivier
    • Guionistas
      • William Shakespeare
      • Laurence Olivier
      • David Garrick
    • Elenco
      • Laurence Olivier
      • Cedric Hardwicke
      • Nicholas Hannen
    • 60Opiniones de los usuarios
    • 27Opiniones de los críticos
    • 88Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 9 premios ganados y 3 nominaciones en total

    Videos1

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    Trailer 3:06
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    Fotos99

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    Elenco principal48

    Editar
    Laurence Olivier
    Laurence Olivier
    • Richard III
    Cedric Hardwicke
    Cedric Hardwicke
    • King Edward IV of England
    Nicholas Hannen
    Nicholas Hannen
    • Archbishop
    Ralph Richardson
    Ralph Richardson
    • Duke of Buckingham
    John Gielgud
    John Gielgud
    • George, Duke of Clarence
    Mary Kerridge
    Mary Kerridge
    • Queen Elizabeth
    Pamela Brown
    Pamela Brown
    • Jane Shore
    Paul Huson
    Paul Huson
    • Edward, Prince of Wales
    Stewart Allen
    • Page to Richard
    Claire Bloom
    Claire Bloom
    • The Lady Anne
    Russell Thorndike
    • First Priest
    Wallace Bosco
    • Monk
    • (as Wally Bascoe)
    Norman Fisher
    • Monk
    Andrew Cruickshank
    Andrew Cruickshank
    • Brackenbury
    Clive Morton
    Clive Morton
    • The Lord Rivers
    Terence Greenidge
    • Scrivener
    Norman Wooland
    Norman Wooland
    • Catesby
    Alec Clunes
    Alec Clunes
    • The Lord Hastings
    • Dirección
      • Laurence Olivier
    • Guionistas
      • William Shakespeare
      • Laurence Olivier
      • David Garrick
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios60

    7.35.6K
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    Opiniones destacadas

    8MOscarbradley

    The best Shakespearean performance on film

    It may not be the best film of a Shakespeare play but surely there is no better Shakespearean performance on film than Laurence Olivier's "Richard III". He had already done "Henry V" and "Hamlet" on screen, winning Oscars for both, (an Honorary one for his "Henry V"), but 'Richard ...' was always considered the lesser, more fanciful play with an Elizabethan Godfather in charge yet Olivier made it his own, creating a Richard by which all others would be judged.

    It's less 'cinematic' than either "Henry V" or "Hamlet", (the sets look like sets), but here 'the play's the thing' and Olivier cast it perfectly. Knights Gielgud and Hardwicke are quickly dispatched as Clarence and Edward but Ralph Richardson is a magnificently malevolent Buckingham, Mary Kerridge, a magnificent Queen Elizabeth and Claire Bloom, a sublime Lady Anne. It is also one of the most accessible of all Shakespeare adaptations; Shakespeare for those who don't like Shakespeare and a 'thriller' that genuinely thrills.
    9charliem251

    Excellent , hilarious ,powerfull ,dark .vintage.

    One of Olivier's most notable performances which set a precedent for how the role should be played. The eccentricity of the ambitious, crippled and sadistic, Richard of Gloucester makes for a surprisingly funny yet dark tragedy.

    Olivier's expertise in stage technique, married with an exceptional talent, makes for shots that last for more than a minute before the cut while he delivers the goods to camera.Set mainly in a castle ,simple but true to stage, with powerful monologues from all concerned.The dialect used is easier for the novice Shakespearian to understand than it is in some other such plays.

    The ultimate treacherer who can,"add colours to the camelian and set the murderous Machiavelli to school".He makes no secret to the audience of his villainous disposition.Likewise the role makes no secret of Sir Larry's brilliance. Filled with classic lines such as,"a horse ..my kingdom for a horse!" and ,"Now is the winter of our discontent made glorious summer..." . this film ,true to Shakespeare's other work has the mixture of tragedy and comedy, historic fact meets convenient fiction with a splash of romantic betrayal.. Utterly outrageous !
    7Doc-57

    A bravura vehicle for Olivier

    Many great actors made their names with this Richard, and it turns out to be Olivier's greatest Shakepearean role as well. He captures the whole production coiling his way around the Crown of England: his asides to us through the camera are lovely. They say all actors love to play a villain. Well, it works for me.

    The movie is beautiful, rich; the costumes are awesome; and the dialogue, of course, is wonderful. He patches in that great speech from Henry VI, part 3: "Why, I can smile, and murder whiles I smile . . .": and the movie wouldn't be right without it.

    The other actors, Britain's elite of the time, seem to be tyrannized by the boss; and the text should have been edited better, because if you don't know the play and practically the whole history you'll get lost. Not to worry, though; the subplots here aren't really important (but they should be), and the thundering battle at the end will leave you satisfied. Special mention of Sir William Walton's music, the vibrant colors, and of course, England itself.
    10o_levina

    The best Shakespearean film ever! Unparalleled!

    I just can't find words to describe how I like this film. It is the most magnificent film I've ever seen. And it is certainly the best work of Laurence Olivier. I came to learn about this film quite accidentally. I was watching on TV some program about Shakespeare's plays and their adaptations. There were a number of fragments from different films and from this one too… It was the moment where Richard is offered a crown, he refuses at first and then accepts. I was stunned when Buckingham approached Richard to congratulate and Richard suddenly made him kneel down and kiss his hand. The gesture was so majestic, imperative and full of evil triumph. I understood at once that it was a great film. I've bought VHS tape as soon as I've found it and I've already seen it about dozen times. It's superb. Everything is splendid – screenplay, costumes, scenery and acting. I like John Gielgud as noble Clarence and Ralf Richardson as cunning Buckingham, and especially Claire Bloom as gentle and unhappy Lady Anne. However I still admire Laurence Olivier more than anybody else. I just can't forget his terrific voice and acting at the scene of first Richard's monologue that reveals malicious ambitious, mercilessness and devilish ingenuity of the Duke of Gloucester. Another scene I adore is his wooing Lady Anne. Both actors are great. Olivier is so convincing and moving that I believe any woman could surrender. Olivier maintains high standards of these impressive scenes through the whole film until the final battle. Richard is desperate and courageous at the end, he is killed but his spirit is not broken (he can be afraid of ghosts, not real enemies). Shakespearean play is brilliant and the film is worthy of the original. It's the most glorious historical movie of all times. I recommend everyone to see it.
    8slokes

    Sportive Tricks With Sir Larry's Tricky Dick

    That "Richard III" is one of the all-time great acting performances is hard to argue with. In the title role, Sir Laurence Olivier manages to be rousing and hate-inducing, menacing and amusing, often all at once. He was the world's greatest stage actor of his time, and Shakespeare was the world's greatest stage writer. So how do they do on the movie screen?

    Quite well. Because "Richard III," like "Patton" or "Scarface," is essentially a one-man show, and Olivier was the best Shakespearean actor of his time or since, we are in good hands. As a director (and uncredited co-writer), Olivier telescopes the action on screen in such a way as to negate the necessary stageiness of Shakespeare's text. He moves us the audience from one scene to another by pulling back a curtain and nodding to us to come closer, as if we were an old friend. He yells some lines, then coos others, his vocal dynamics challenging even seasoned readers of the play in terms of what he chooses to accent and what he does not. Finally, he finds the ample stores of humor Shakespeare gave this, one of his darker plays.

    "A sweeter and a lovelier gentleman...the spacious world cannot again afford," Richard says of one man he killed, and Olivier invests moments like this with a firm tongue in cheek. While wooing that man's wife (strictly for political gain), he actually draws a sword when presenting himself as the widow's new suitor, telling her to plunge it into him if she won't be his bride. She tells him he's a liar. "Then never man was true!" Richard shouts, and Olivier as he says this rolls his eyes shamelessly, like a silent-screen matinée idol. I can't watch that scene without laughing; it's a Mel Brooks moment.

    The film does move slowly, despite Olivier's trims. Entire scenes get cut out, yet the first act is drawn on for nearly an hour with the help of some dialogue brought in from another Shakespeare play. Surely Olivier could have set more up as part of the opening text narrative, and gotten down to business with that famous opening soliloquy.

    A worse fault is the woodenness of some of the actors, like the ones who play Catesby, Brackenbury, and especially Lord Hastings. It doesn't help that they don't get the same chance to address the viewer that Olivier avails himself. Sir John Gielgud even seems lost playing a naive victim of Richard's complots. Seen to better advantage are Claire Bloom as the woman Richard woos, Michael Gough as a murderer, and Patrick Troughton as the nasty child-killing nobleman Tyrell.

    Ralph Richardson gives the second-best performance in the play as the Duke of Buckingham, a half-step behind Richard in guile and cruelty, but trying to catch up in his own cold-blooded way. It's funny to read here that Olivier wanted Orson Welles in the role. Welles would have seemed too crafty. Richardson makes a believable victim as well as conspirator. Also, you have to mention Pamela Brown's Mistress Shore, who has no lines (because Shakespeare wrote none for her) but manages in Olivier's direction to play a central role by currying the bedside favor of King Edward and of Hastings.

    But Olivier of course is the only reason this movie is still watched. And he's worth watching as long as movies are seen. Yes, he may have won World War II making his movie version of "Henry V," and his "Hamlet" was when he became Hollywood's favorite emissary of high culture, but "Richard III" is still the thing to catch the conscienceless of the king, his moment of highest dungeon and merriest perversity. It's movies like this one that remind us why acting can be a noble profession, even for those who aren't knighted for their excellence in it.

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    • Trivia
      Michael Gough got his part (Dighton, the first murderer) by making a fuss to his fellow actor friends about only established stars getting cameo parts and leaving nothing for struggling actors like him. One night he got a phone call, and a voice said "You've been stirring it, haven't you? Right little shit." Gough demanded to know, "Who is this?" only to be stunned by the response, "It's Larry", which of course was Sir Laurence Olivier. Olivier was just having some fun at Gough's expense, had taken on-board his criticisms and was ringing to offer him the part of one of the murderers in this movie. When asked which one he wanted to play, Gough quickly said "Whichever one has the most lines", and he got his wish. Olivier arranged matters so that Gough's scenes were split over several days, instead of all being done in one day, so that Gough would maximize his per diem fee.
    • Errores
      In the scene when Richard tells King Edward of Clarence's supposed treason, two monks are singing hymns from a large book: their lips are not only out of sync with their singing, but with each other.
    • Citas

      Richard III: I'll drown more sailors than the mermaid shall,/ I'll play the orator as well as Nestor,/ Deceive more slyly than Ulysses could,/ And, like a Sinon, take another Troy./ I can add colours to the chameleon, /Change shapes with Proteus for advantages, /And set the murderous Machiavel to school./ Can I do this,and cannot get a crown?/Tut, were it farther off,/ I'll pluck it down.

    • Créditos curiosos
      Most of the film's credits are shown at the end. The opening credits show only the title of the film, William Shakespeare's name, and the names of the main actors.
    • Versiones alternativas
      Released in Great Britain at 155 minutes; some of the prints released in the USA are 139 minutes.
    • Conexiones
      Featured in Great Acting: Laurence Olivier (1966)

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    Preguntas Frecuentes17

    • How long is Richard III?Con tecnología de Alexa
    • What is the band shown on Richard's leg during the conclusion of the film?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de marzo de 1956 (Estados Unidos)
    • País de origen
      • Reino Unido
    • Idiomas
      • Inglés
      • Latín
    • También se conoce como
      • 3. Richard
    • Locaciones de filmación
      • La Mancha, Castilla-La Mancha, España(Bosworth Field scenes)
    • Productoras
      • London Film Productions
      • L.O.P.
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 41min(161 min)
    • Color
      • Color

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