The Proud and Profane

This movie has been on YouTube for three years but not viewed very frequently considering the stars (William Holden, Deborah Kerr & Thelma Ritter) but perhaps that is because it is a far from perfect print.

The story focuses on how the experiences of war change three of the characters as it attempts to encompass the most important aspects of life: love & faith. War strips away everything that is not important and forces people to confront their true selves, sometimes with devastating results.

This is not a grand passionate romance, and those who criticize it because it lacks these qualities are missing the point of the movie. It is not so much about relationships with others, but about one's understanding of oneself.

None of the characters are particularly likeable but as the movie progresses we gradually come to understand their life experiences and why they are as they are. All are impacted by the destruction of war of which we only see the consequences. This is not a realistic depiction of war but rather how war changes people.

Deborah Kerr is a war widow during the Second World War. Her husband joined the Marines, despite being an architect and thus made for the Engineers, became a paratrooper, and died on Guadalcanal. So she has joined the American Red Cross and is working under Thelma Ritter. Tough-as-nails William Holden sees her, decides he wants her, and they begin an affair preparatory to getting married. It doesn't work out well.

Somehow we are to think that these two manipulative characters matters a hill of beans, when the supporting characters have so little trouble stealing our attention whenever they're onscreen. Thelma Ritter, of course, but also Dewey Martin as a Marine whom Miss Ritter saved from prison by running a settlement house in his terrible neighborhood; Adam Williams, as the man who tells Miss Kerr off; even Michele Montau as a man-hungry widow.

George Seaton had been an auteur since before they coined the term, and this was the 1950s, so there's certainly some bloating here, with almost two hour elapsing from start to finish. He certainly offers the audience enough big shots, with Puerto Rico standing in for New Caledonia. Holden and Miss Kerr play their roles to the hilt, but I kept waiting for Frank Gorshin or Ross Bagdasarian to show up again.

William Holden and Deborah Kerr demonstrate strong acting here about how war changes lives. And, how perhaps we make different decisions in war, then we would in normal life, such as risks to take (we take more in war), relationships (Holden: I don't know what's going to happen next so life is day to day.). Emotional hurt, widowhood, also play into vulnerability from these characters as well as the emotional hurt from lower society status.

The acting from Holden and Kerr was intense and realistic. I think perhaps some people might not like seeing them as imperfect people. Both make mistakes. They aren't always likelable, warm, and you'll only see Holden's radiant smile once. I admire them both for going against type, and they did it very successfully. Very flawed people, going through life -- like us all.

It was fascinating and i would see it again. It became more about the human condition than the romance, which I highly respected. There is no cute bowtie to tie it all up at the end, and it leaves you with life will continue, and how will each character continue on, communicate, make decisions when tough things happen in life.

I recommend this movie and I'll see it again. Different character acting by Kerr and Holden; their fine acting independently and together; make this extraordinarily watchful. Additionally, the key thing is not the romance, but the transformation of each character to a greater self honesty and honesty with the world.

Considering the cast this oddly obscure WWII war drama is nothing special but is ultimately an entertaining drama.

The basic story is a standard one of a clash of values between two people with very different life experiences.

The best performance as usual comes from Thelma Ritter as a no nonsense nurse, whenever she's on screen she cuts right through the somewhat sugary dramatics with astringent fortitude.

Deborah Kerr and William Holden perform their assigned roles well but their characters are both pretty selfish and unsympathetic to involve you in their story.

During WWII, a Red Cross volunteer comes to the South Pacific seeking information about the death of her soldier husband. Kerr is fine as the lonely woman struggling to cope with her loss. This is a strange role for Holden, who usually played characters with integrity. Although the actor is always worth watching, here his character is basically a dishonest heel. It's hard to believe that someone like Kerr, no matter how vulnerable, falls in love with him. Not surprisingly, Ritter steals the film as a tough but caring nurse. The screenplay and direction by Seaton, who worked with Holden on four films, is nothing special, but it's not bad either. The scenery is nice.