Déjame solo

The plot is quite simple: Dean Martin is the rodeo riding, singing cowboy, and foreman of a ranch. Jerry Lewis is a rich kid who wants to become a real cowboy, and hence he becomes the clumsy (unwanted) sidekick of Dean Martin. Oh, and for good measure there's some bad guys trying to take over the ranch, as well...

If you expect "Cat Balou", don't watch this. This is no comedy for adults, as its slapstick humour is horrendously outdated, and the set-pieces are all too cliched. This movie is fun for kids, because it is so naive and harmless, and the violence is never serious. Also, the characters are just as simple as Stan and Ollie, just as loveable if you're a kid.

As adult, I'd recommend to grab a "Cat Balou" tape instead, for a good classic western comedy.

Pardners is the 15th of the 16 feature length pictures that Dean Martin & Jerry Lewis made together. It'a a reworking of the 1936 Bing Crosby film, Rhythm On The Range, which just like this remake was directed by Norman Taurog. Plot sees the comedy duo playing sons of one time wild west partners. Brought together by accident 25 years later, the boys head out west and get into all sorts of scrapes; with Jerry even becoming sheriff! It was inevitable that Martin & Lewis would end up out west playing cowboys since all the comedy duos do it. The timing here was perfect since the 50s was the most prolific decade for the genre. On the list of their collaborations Pardners probably sits some where in the middle, it's a safe mix of songs and buffoonery, with pretty girls represented by Jackie Loughery & Lori Nelson. It's a VistaVision/Technicolor production and songs featured are "Me 'n You 'n the Moon," "The Wind! The Wind!" "Buckskin Beauty" and "Pardners," (music by Jimmy Van Heusen, lyrics by Sammy Cahn).

Safe & colourful comedy fare for fans of the successful duo. 7/10

"Pardners" is one of a slew of comedies that Dean Martin and Jerry Lewis made together in the early 1950s. Most had two or more songs for which they get dubbed musicals as well. This one is also a Western. The two starts do quite well on horses, and obviously knew they way around Western lore. Of course, Jerry's the center of the comedy here. The two play Slim Mosely and Wade Kingsley - first as senior "pardners" in the West of 1885, and then as juniors of the former pardners.

And of course with these two there must always be one and sometimes two females in the picture. Here it's Lorri Nelson as Carol Kingsley and Jackie Loughery as Dolly Riley. Others in the supporting cast include Agnes Moorehead as Jerry's mom, Mrs. Matilda Kingsley, Lon Chaney Jr. as Whitey and Lee Van Cleef as Gus.

Watching this film these many years later, I could imagine that I might have enjoyed it more for entertainment as a young teenager when I saw it the first time in a theater. Today, it's just okay for an old-timer, but I think one that grandkids might yet enjoy for some of Jerry's slapstick.

This is the second to last film starring Dean Martin & Jerry Lewis--and so the title does seem a bit ironic! The film begins with Dean and Jerry's fathers (played by them with powdered hair) dying in a shoot out with baddies. However, both men had sons. One was a capable and manly cowboy (Martin) and the other a pampered mama's boy (Lewis) and they grow up not knowing each other. However, when Martin meets with his old partner's widow (Agnes Moorehead) to try to get money for a prize bull, she refuses but her son (Lewis) decides to go west with Martin and learn to be a real he-man. Plus, his mother has plans for him that include marriage to an amazon--and he wants no part of it. The rest of the film consists of Jerry acting wimpy and very goofy (perhaps too much so at times) and Martin being exasperated but loyal to his new friend who makes everyone (including Jerry) think he's a lot more rugged and brave than he really is.

If you think about it, this plot is basically "That's My Boy" (an earlier and better Martin & Lewis film) all over again. The locale is different, but the rest is basically the same formula. It's a pleasant formula, but also shows lazy writing as well and the film could have benefited from more originality. Plus, in a few scenes Jerry really does ham it up too much (even more than normal) and there are just too many "ooooo, oooohs" and "whoo-oooaa" moments in the otherwise pleasant but unremarkable film. And, as a result of so much screen time for Jerry, Martin is mostly relegated to the background--and you can see how films like this ultimately pushed them to their dissolving their pardner-ship.

By the way, this film also bears a strong similarity to the Bob Hope films "The Paleface" and "Son of Paleface". See them all and you'll probably agree.

This is a great Martin and Lewis Comedy from 1956, which is the same year that they broke up as a Comedic Duo, and this film "Pardners," was the second to their last that was made. Jerry's father and Dean's father were the best of friends, and died together in the hopes of saving their land. And of course, the story picks up with the children fully grown and ready to go back get some justice in the western town in which they were both born. Dean has some great singing numbers in this film, and Jerry's special brand of physical comedy is very effective in a number of saloon fight scenes. A very entertaining comedy!