Moby Dick

This is a film that becomes part of you. I used to watch it over and over again on TV when it was shown during my childhood in the 1960's, and I never tire of watching it. And whenever I find myself living somewhere away from the ocean, the longing is intense to find water again. "Call me Ishmael".

The screenplay was written by Ray Bradbury, and it was his first. In his lectures and interviews, Bradbury always seems to tell the story of how John Huston contacted him out of the blue for this assignment. Evidently, he flew Bradbury and his wife to Ireland, where the science fiction writer was holed up in a hotel for a few weeks, in a wonderful agony of creation.

Bradbury has always been enamoured with classic novels. His book "Fahrenheit 451" told us how great literature somehow becomes subversive, in a controlled society. Under fascism, individuals are not encouraged to understand what it is to be truly human. Life becomes flat, and it is a deliberate process.

Before I had a VCR, I taped this movie on an audio cassette. It was an amazing experience to see it unfold in my mind's eye.

Bradbury put his whole heart into this screenplay, and the result can never be matched.

I red Herman Melville's book "Moby Dick" some years ago and though the story was really captivating and I enjoyed it very much but somehow it seemed too long to me. This film version by John Houston lasts a couple of hours and I think it works very good as a resume of Captain Ahab's revengeful chase of the white whale. Don't get me wrong: the book is a classic and a very good one too but it is movies we're talking about here.

"Moby Dick" is a real good adventure film and Houston's direction is pretty accurate. He delivers the plot slowly but constantly up to the moment we are all waiting for: the appearance of the whale ("huge as mountain of snow"). In the meantime he shows the different characters on board the "Pequod" such as the professional Mr. Starbuck, the second in command; the tough and at he same time friendly Mr. Stubb; the mysterious Queequegg with his body covered by tattoos; and Ishmael the newcomer in search for adventure.

But the center of the whole thing is Captain Ahab with his leg ripped of by the white whale and living with the only purpose of taking revenge of the beast. Nothing else matters for him. And so obsessed Ahab is that he finally passes his madness into his men too.

Gregory Peck brings a fine performance as the tortured and insane Captain and he shows perfectly he has been a dead man long before his meeting at sea with Moby Dick. Leo Genn is good too as well as Harry Andrews as Stubb (I can't recall a bad performance from Andrews in all his many appearances as a supporting actor). Richard Basehart is correct in the role of Ishmael, though perhaps his acting is a little too light here.

The final battle between the men and the white whale is outstanding or even more if you consider it was made with the special effects of the 50's. Huston shows his skill here too.

Watch this film if you missed it (don't go for that recent too long all computer TV version starring Patrick Stewart as Ahab); you'll sure enjoy it if you like high classic adventure with psychology in the characters too.

This version of the Melville classic should, without question, be regarded as the penultimate screen adaptation of a masterwork of American fiction. Everything - absolutely everything - about this film works, from John Huston's brilliant direction, to the screenplay ( co-written by Ray Bradbury ), to the powerful and believable performances. Gregory Peck IS Ahab; if anyone defined and crystallized so megalomaniacal a character, it was Peck, hands down. Not that this should be interpreted as a slight to any of the supporting cast; it isn't. The casting is so good, in fact, that now we find it difficult, if not impossible, to view the supporting cast members in any other light, especially Frederich Ledebur: his choice by the producers as Queequeg was nothing if not dead on the money, as was the small but significant part of Elizah, as portrayed by Royal Dano. Granted, some liberties were taken with the book ( so what else is new? ), such as the squid being written out completely, but this was, and continues to be, necessary in order to make a movie that doesn't take five hours to play out. Yes, okay, it's a "Cliff's Notes" "Moby Dick", but if what you're after is good direction, outstanding ( one could say tour de force ) acting, and a tight screenplay, then this is the movie for you. Believe us, this is the one, NOT the remake with Patrick Stewart. Stewart's Ahab is basically Patrick Stewart playing Patrick Stewart playing Ahab or, to put it another way, Huston's "Moby Dick" needs to be remade about as badly as the rest of us need leukemia. 'Nuff said.

In the 1960s English professors and film critics delighted in bashing this film. The professors took the line that the movie wasn't Melville, while the critics dismissed Peck's interpretation of Captain Ahab as "stiff." Neither view holds up well today.

Huston's "Moby Dick" isn't the whole book, but what film is? Though he doesn't give you the breadth or the depth, Huston does deliver much of the spirit and heart of the novel. The production values are splendid and the supporting players outstanding. No one can top Orson Welles as Father Mapple, but Leo Genn's Starbuck comes close. My only complaint is with Richard Basehart, who was a good actor but at 42 much too old for Ishmael, who I believe is in his early 20s. Stray thought - I wonder what James Dean would have done with Ishmael?

As for Peck, who else could have attempted this role in the mid-50s? John Wayne? Gary Cooper? Let's be serious. Sterling Hayden (who actually was quite a sailor) had the proper face and frame, but Hayden was never a box office draw and likely wasn't considered. More to the point, Peck was a much better actor. Though a bit young for Ahab, he certainly conveys both the man's insanity and his magnetism, which of course are inseparable. In so many films ("Twelve O'Clock High", "Pork Chop Hill", "The Guns of Navarone"), Peck was nothing if not a leader. Here he leads convincingly, which is essential, for Ahab is not Captain Quegg. In spite of everything Ahab's men do not mutiny, they follow him down, and with Peck in the role you accept it. Was he stiff? Well, try walking around with a pegleg. You'll probably feel a bit stiff yourself. Better to call Peck's Ahab rigid and unflinching, qualities that are central to the character. I have not seen Patrick Stewart's interpretation, but I doubt his Ahab achieves either Peck's demonic fury or his stone-hearted resolve.

There have been few better films of life at sea and few better interpretations of classic literature. "Moby Dick" is a treasure grown richer with age.

When John Huston was casting for Moby Dick he got to make it on condition that he get a name actor to play Ahab. He went to Gregory Peck who was surprised by the offer. Given his image and the roles he had played up to that time, Peck thought he'd be better cast as Starbuck the first mate. Nevertheless he agreed to do Ahab.

Peck got mixed reviews at the time, but over the course of 50 years his performance has gotten better with time. The film itself which was shot in Ireland and Wales has also aged well. It's a nice depiction of life on a whaling ship in the 1840s and the crew of the Pequod are nicely cast in their roles.

Orson Welles was set to do his own adaption of Moby Dick and canceled his film when he heard his friend John Huston was doing Moby Dick. Welles asked about doing Ahab, but was given the small role of Father Mapple, the minister who blesses the Pequod's voyage. In fact Huston gave Welles a free hand to do the scene as he saw fit and the results are gratifying.

Of course Herman Melville's novel is about obsession and vengeance. I've always thought the point of Moby Dick is that the evil white whale who Ahab so personalizes and demonizes is just a whale doing his whale thing trying to stay alive. It is in fact the whalers who hunt him and his kind. And Ahab losing his leg is what we would call an occupational accident. The evil is how Ahab seduces the whole crew into his own madness, even first mate Starbuck, played winningly by Leo Genn who is the voice of reason and civilization.

Other cast members to note are Harry Andrews as second mate Stub, Friedrich Ledebuhr as Queequeg the Pacific Islander harpooner, and of course Richard Basehart as Ishmael who tells the tale.