Bajo el signo de Ishtar

"The Mole People" is not top-tier in terms of the Universal-International product of the 1950s, but it's not terrible as some reviews might have one believe. It has an entertaining story, good atmosphere, and decent creatures, although it also has a rather sedate pace. Of course, it's hard to knock any movie of this kind that starred John Agar. He's likable as always, and the rest of the cast does effective work. Some of them have some pretty priceless dialogue to recite (you could play a drinking game for every time the name "Ishtar" is uttered).

As many genre movies of this period did, this one begins with exposition, as a scientist named Frank Baxter educates us on various theories as to what exists below the surface of the Earth. Then we begin the story proper, as archaeologists including Dr. Roger Bentley (Agar) are on an expedition in the Asian mountains. They venture inside a mountain, and eventually climb down so deep as to discover an ancient Sumerian race that thrives in relative darkness. They also discover the "mole men" beasts that these people treat as slave labour.

Agar is well supported by actors such as beautiful Cynthia Patrick, playing the "marked one" Adad, Hugh Beaumont as Dr. Jud Bellamin, Alan Napier as the evil priest Elinu, and the always engaging Nestor Paiva as Professor Lafarge. The stock compositions are used to good effect, the special effects are generally decent, and the masks for the mole men are pretty cool. The conclusion is a little rushed, but that could be said of a number of other movies of this kind during this era. The resolution is actually a little surprising.

As directed by Virgil W. Vogel ("The Land Unknown"), who mostly worked in TV, "The Mole People" is nothing special but it *is* reasonably diverting.

Six out of 10.

I can't help feeling that everyone is jumping on the bandwagon saying this is the worst film ever made etc.

I viewed this film for the first time on laserdisc on a video projector in a darkened room with some mates and we found it to be entertaining different atmospheric in parts. John Agar for once has some good lines and does well. The script is a fairly complex one far more than other film of its vintage and budget. We thought the writers should be commended for using such plot devices as intolerance to light and the sub-culture within a sub-culture. Even the ending is unexpected and different. It even has an opening prologue which is a lot of fun. While this film does not hit its target on everything it tries to do, we thought the creators had a pretty good go at it.

I do not honestly understand why so many people think this film is so bad. Maybe seeing it projected on a big screen in a darkened room made a difference, I don't know, but if you have never seen the film before try it with an open mind you may well enjoy it as much as we did.

"The Mole People" is another underrated black-and-white B-movie from the 50´s. The story of archaeologists that discover an ancient underground society in Asia is entertaining but unfortunately the rushed conclusion is lame and gives the sensation that the budget ended and the film had to be interrupted. The beauty of Cynthia Patrick is still impressive in the present days. My vote is five.

Title (Brazil): "O Templo do Pavor" ("The Temple of the Dread")

I've seen this movie several times over the years. It's a real semi classic, great example of 50s sci-fi monster movies. You do get a good look at the actual mole monsters and see quite a bit of them. As good as the mole monsters are, they are only a small part of this film. It's also an adventure movie about exploring for a lost civilization. Most of the plot involves this civilization which also happens to include the Mole People. This is good stuff. The stuff that used to scare and entertain in the 50s. The thing is, if you've seen a decent amount of horror/sci-fi films from the 50s and early 60s and haven't found much that you liked, "The Mole People" is not for you. If you're a fan of 50s B movies, you'll love this one. It's a real must see.

Now this movie gave me nightmares when I was about eight years old. But when I saw it again in my thirties, it still kinda creep-ed me out, but it also gave me a laugh attack. Though no doubt innovative for it's time, it has lost some...OK a lot...of that now. Still, I recommend this movie because it does evoke an atmosphere of delicious creepiness, laced with just the right amount of claustrophobia (it takes place down under...everything), and afraid-of-the-dark-jitters. Strictly low budget fare, but interesting ideas, cool camera work, along with effective lighting make it work. I don't remember the music, but I am sure it is pretty standard for such a flick of the mid 50's. When the Mole Men come up out of the...well I don't want to spoil it for you, but it really scared me as a child for weeks on end. Nearly drove my parents crazy with that one. It has a pretty decent ending unlike most B-flicks of that era. Check it out if you can find it, and have plenty of snacks on hand. You may want to throw some popcorn at the screen to try and distract Wally and The Beav's dad, Hugh Beaumont, so the Mole Men will thankfully get him, and relieve you from his, now this is where I clear my throat, acting.

James Van Pelt from Tulsa, Oklahoma