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Julie

  • 1956
  • Approved
  • 1h 39min
CALIFICACIÓN DE IMDb
6.2/10
2.3 k
TU CALIFICACIÓN
Doris Day and Louis Jourdan in Julie (1956)
Official Trailer
Reproducir trailer3:09
1 video
71 fotos
CrimenDramaFilm NoirThriller

Agrega una trama en tu idiomaA terrified wife tries to escape from her insanely jealous husband who is bent on killing her.A terrified wife tries to escape from her insanely jealous husband who is bent on killing her.A terrified wife tries to escape from her insanely jealous husband who is bent on killing her.

  • Dirección
    • Andrew L. Stone
  • Guionista
    • Andrew L. Stone
  • Elenco
    • Doris Day
    • Louis Jourdan
    • Barry Sullivan
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.2/10
    2.3 k
    TU CALIFICACIÓN
    • Dirección
      • Andrew L. Stone
    • Guionista
      • Andrew L. Stone
    • Elenco
      • Doris Day
      • Louis Jourdan
      • Barry Sullivan
    • 66Opiniones de los usuarios
    • 14Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 2 nominaciones en total

    Videos1

    Julie
    Trailer 3:09
    Julie

    Fotos71

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    Elenco principal23

    Editar
    Doris Day
    Doris Day
    • Julie Benton
    Louis Jourdan
    Louis Jourdan
    • Lyle Benton
    Barry Sullivan
    Barry Sullivan
    • Cliff Henderson
    Frank Lovejoy
    Frank Lovejoy
    • Det. Lt. Pringle
    Jack Kelly
    Jack Kelly
    • Jack - Co-Pilot
    Ann Robinson
    Ann Robinson
    • Valerie
    Barney Phillips
    Barney Phillips
    • Doctor on Flight 36
    Jack Kruschen
    Jack Kruschen
    • Det. Mace
    John Gallaudet
    John Gallaudet
    • Det. Sgt. Cole
    Carleton Young
    Carleton Young
    • Airport Control Tower Official
    Hank Patterson
    Hank Patterson
    • Ellis
    Ed Hinton
    • Captain of Flight 36
    Harlan Warde
    Harlan Warde
    • Det. Pope
    Aline Towne
    Aline Towne
    • Denise Martin
    Eddie Marr
    Eddie Marr
    • Airline Official
    Joel Marston
    Joel Marston
    • Garage Mechanic
    Mae Marsh
    Mae Marsh
    • Hysterical Passenger
    Pamela Duncan
    Pamela Duncan
    • Peggy Davis
    • (sin créditos)
    • Dirección
      • Andrew L. Stone
    • Guionista
      • Andrew L. Stone
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios66

    6.22.3K
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    Opiniones destacadas

    5bkoganbing

    Overwrought Melodramatics

    In 1956 Doris Day was cast in Julie between two of her best pieces of work, the highly dramatic Alfred Hitchcock thriller The Man Who Knew Too Much and her best musical The Pajama Game. Usually those two films are either or both listed on Doris Day's top ten. Julie never is.

    There was nothing new by 1956 in leading ladies marrying psychopaths, Ingrid Bergman had done it twice already in Rage In Heaven and in Gaslight. But both of those films were intelligently done while Julie goes into the hysterically melodramatic.

    Doris is cast in the title role in Julie as a woman with an obsessively jealous second husband in Louis Jourdan. Louis married Doris after her first husband committed suicide and about all there is to recommend him is that he's a great concert pianist. But after another pathological outbreak Day seeks some solace with an old friend in Barry Sullivan. And she's determined to leave Jourdan and give him the slip.

    But Jourdan is one grimly determined psychotic. When she returns to her old job as an airline stewardess, Jourdan stalks her and ends up on her first airline job. After that things get real interesting over 15,000 feet.

    Julie actually won two Academy Award nominations, the first for original screenplay. Impossible for me to believe but as Casey Stengel used to say in baseball, you can look it up.

    The second Oscar nomination was for Best Original Song. That year Doris came out a winner of sorts because while the title song Julie didn't win Doris came home a winner with Que Sera Sera, a much better song from a much better film.

    The over the top melodramatics throughout the film made what could have been a spine tingling climax into something quite camp and quite laughable. I won't reveal what the midair climax is, but just to say that it could have worked under different circumstances.
    kgodfrey-81434

    Genuinely suspenseful

    I thought Day was great in this movie and should have done a lot more in this vein instead of the fluffy sex comedies. Her performance was really moving and that's my own litmus test for drana. Few actors can really move you emotionally, putting you in their corner and making you more than just a disinterested spectator.
    DFoufos

    Too bad it wasn't a double header for Doris Day & Hitchcock.

    Having just finished "The Man Who Knew Too Much" for Alfred Hitchcock,

    Doris Day repeats the genre and does a wonderful job in a suspence drama. The story flowed well, and Miss Day's performance was outstanding. ( She even smokes !! ) Too bad She never got to do a second film with The Master of Suspence. That is the only thing that could have improved this movie. It has a lot of the feel of Suspision, and the edgeness of Midnight Lace. Both fine films of Hitchcock and Day respectivly. Highly recommended for a good rainy afternoon.
    7ProgShred

    As a Doris Day fan, I enjoyed it.

    I was disappointed that Doris Day only sang one song for this movie and it was played and over by the end of the opening credits. The road rage scene was exciting, but if you've ever driven on a winding road like that one in Monterey/Carmel, you know there would be no way to avoid going off the road in that situation.

    The story was pretty good though. The wife who fears her husband will kill her and the police cannot help her without any evidence. She tries to get away, but he figures out every move she makes and it all comes down to a climatic ending.

    I think the plane landing was done well. Doris Day was very convincing in her role. I really enjoyed her as an actress for this movie, when I normally think of her as a wonderful singer.
    MISSMARCH

    Provides realism as well as suspense.

    The writer-director (and producer of many other films, although not this one) Andrew L. Stone was only nominated once for an Academy Award for Best Screenplay, and he was very proud of this one. I worked for Stone in the mid-1970's, and he looked back at "JULIE" as a piece of his finest work.

    The maniacal husband-as-stalker was a new kind of character for films in 1956. The honest discussion of how law enforcement often failed 'women in jeopardy' brought up issues which only became widely discussed in the 1970's.

    Doris Day plays the role of a terrorized wife trying to escape from the husband who is trying to kill her, and this is such a well-done treatment of the subject that even jaded audiences today respond to it.

    The climactic scene in which Doris Day lands the passenger plane with help from the control tower is riveting, because it is based on fact. Andrew L. Stone was an exhaustive researcher, and you can be sure every detail of that scene was checked and re-checked. It would have happened in real life just as you see it on the screen.

    Stone kept a collection of 'true crime' magazines dating from the 1930's in his office library, and he had dozens of plot ideas for thrillers like this one. However, he had always been his own boss and not a 'studio man'. Hollywood didn't give him big budgets, and he never had the opportunity to continue his career as Hitchcock did. Mentally sharp through his 80's, Stone spent the last decade of his life trying to put deals together to make movies that never got off the ground. Our loss.

    Argumento

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    ¿Sabías que…?

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    • Trivia
      Doris Day has written that her close friendship with co-star Louis Jourdan angered her jealous producer husband Martin Melcher, mirroring the character relationships in the film.
    • Errores
      In the opening scene, Julie is constantly turning the steering wheel, even when the rear projection shows the car to be moving in a straight line.
    • Citas

      Julie Benton: Sergeant, I want to report a murder!

    • Conexiones
      Edited into The Green Fog (2017)
    • Bandas sonoras
      Midnight On The Cliff
      Composed and Performed by Leonard Pennario

      Orchestrated by Lucien Cailliet (uncredited)

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    Preguntas Frecuentes

    • How long is Julie?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de octubre de 1956 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • If I Can't Have You
    • Locaciones de filmación
      • Monterey, California, Estados Unidos
    • Productora
      • Arwin Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 785,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 39 minutos
    • Color
      • Black and White

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