El hombre indestructible

MORD39 RATING: **1/2 out of ****

I'm partial to this guilty favorite since I saw it hundreds of times as a youngster on television. Even so, it's just plain fun as Lon Chaney knocks off the traitors who sent him to death with their treachery. The L.A. locations are terrific, and the Dragnet-style narration adds spice to the proceedings. It's speedy and nostalgic, very much a "fifties" film.

As for the Roan DVD, I'm sorry to say that it has not been restored and is a disappointment. I have had much trouble acquiring the "perfect" version of this film, even though I've had it on VHS from FOUR(!) different companies, as well as on TNT. Some day I hope this personal fave of mine will get a clean and proper transfer on disc.

I viewed this film recently for the first time in many years, then went to the IMDb to see what other viewers had to say about it. I was pleased to learn that many feel the same way as I do about this film; that it is entertaining and holds up well within the limits of it's time and 1950's B film genre. In case you are unfamiliar with the storyline: A small time hoodlum known as `The Butcher' (Lon Chaney, Jr.) is executed for a crime his underworld companions set him up for. A bizarre scientific experiment brings him back to life via a massive dose of electricity, which destroys his vocal cords but makes his skin impenetrable, thus becoming the `Indestructible Man.' The story revolves around the Butcher seeking revenge on those who double-crossed him and a zealous police lieutenant chasing he and a missing $600,000 down, with said policeman, (the versatile Casey Adams), falling in love with the Butcher's would-be love interest, (Marion Carr). The Indestructible Man reminds sci-fi fans of Them!, as much of the action takes place in Los Angeles' massive sewer system. This is not the best film to come out of it's era, but it was not meant to be. I would say it rates in the top half of it's class. The editing is a little weak, but there are some good 1950's era location shots of downtown LA which should be of interest to historians, plus it contained some interesting players. Casey Adams, AKA Max Showalter, is not generally known to the viewing public but appeared in hundreds of film and television programs throughout his lengthy career. Joe Flynn had an interesting bit part as the lab assistant, this coming several years before McHale's Navy fame. Female lead Marion Carr should have had a more successful career, as she was very attractive with a pleasing screen personality.

Of course, Lon Chaney, Jr. was the lead. In 1956, he still looked fit and menacing. It would not be long until his well documented personal troubles would diminish him physically and professionally. All in all, a solid effort by director Jack Pollexfen. View this one when you have a chance. It is interesting and will be time well spent.

I am not really sure why the film has an overall score of 3.2 at this time--it's really NOT a bad film. And, for the budget behind it, the people responsible for INDESTRUCTIBLE MAN should be proud of the final product.

Oddly enough, this is a film that doesn't easily fit in one genre. The best way to categorize it is a "sci-fi/horror film with strong Film Noir overtones". Why sci-fi/horror? Well, the plot involves a scientist accidentally reviving a man who was executed. Upon being revived, the man finds he is practically indestructible and goes on a killing spree--to kill those who framed him as well as any other person who just happens to get in his way. Now as to the Noir aspects, the film is shown in a semi-documentary style like many Film Noir movies and features the usual narration--this time by the detective working on the case. In this sense, it's reminiscent of Noir films such as HE WALKED BY NIGHT and T-MEN.

Despite the merging of these genres, I think the film worked because the acting was decent and the writing showed imagination and a slight Noir edge to it. Considering two of my favorite genres are Noir and 50s horror/sci-fi, it's not at all surprising I liked it. About the only negative was the stupid and needless inter-cutting of closeups of Lon Chaney's rheumy-looking eyes (i.e., watery and perhaps looking like he was drunk--a distinct possibility in Chaney's case). This just looked cheap and seeing the same pointless closeup shot again and again was sloppy.

This is another one of these "not bad" sci-fi/horror/crime/drama/whatever you want to label it 1950s B-films.

The cast actually has some fine actors, men like Casey Adams who starred in "Niagara" with some no-name dames called Marilyn Monroe and Jean Peters, and Lon Chaney, a familiar name among fans of this genre.

The is the tried-and-true revenge story. In this case, a man who is executed is taken from a mortuary to a scientist's lab where the doctor is experiment on cancer research. That doctor, by the way, is another familiar face - that of Inspector Henderson of Superman television fame (Robert Shayne). Oh, the assistant is Joe Flynn, also of TV fame (McHale's Navy.) I'm telling you, this had a pretty good cast.

Well, Charles "The Butcher" Benton (Chaney) is brought back to life, much to the surprise of the doctor and his assistant. "The Butcher" then shows his gratitude by killing those two guys and then grabbing a car and hightailing it from San Francisco down to Los Angeles. He's searching for his shyster lawyer and two other gang members who turned stoolie on him. His mission: kill those three guys.

I won't give away the rest but it's enjoyable to watch to see the "B" floozies in here and the generally schlocky-like story. It's a low-budget fun movie. Yet, despite all that, when it was all over - frankly - I thought this film could have been better, even on a small budget. I wonder if anyone else feels that way.

I have to say it, I love this movie. Not just for Lon Chaney but for the whole realistic approach to making the movie adopted by director Jack Pollexfen. Shooting in the real grimy, mean streets of downtown L.A. not only saved money but added a neo-film noir realism to everything. Lon picks up some quick pocket money playing Charles "Butcher" Benton (we are never told how he got the nickname and maybe are better off for not knowing) a career criminal railroaded to the gas chamber by his ex-partners. He is quickly brought back to life by a well meaning scientist (Robert Shayne) who needs a body to test his cancer cure theory. He zaps Chaney with 278,000 volts (how is THAT supposed to cure cancer?) and restores him to life as "a vicious, brutal animal with an almost inconceivable amount of strength". His partners (who have names like "Squeamy" Ellis) are suddenly in big trouble! Editing seems to be all over the map in one instance and it seems scenes were shot but then dropped. For example near the end of the film Lt. Chasen (Casey Adams) talks about Eva Martin (Marion Carr) getting out of the hospital. Why was she there? Stills exist showing Chaney rampaging through a police station and trying to carry Ms. Carr away. Jack Pollexfen also recalled directing a scene where Chaney destroyed a precinct and tore open jail cells looking for one of the men who betrayed him. Why were these scenes missing? Do they still exist? Let's start checking those film vaults! The cast is great, apart from Lon Chaney and Robert Shayne (NEANDERTHAL MAN, INVADERS FROM MARS, etc) there is also Ken Terrell (ATTACK OF THE 50 FOOT WOMAN), Casey Adams (THE MONSTER THAT CHALLENGED THE WORLD) and don't go for popcorn or you'll miss an unbilled Joe Flynn as a lab assistant. Scriptwriters Vy Russell and Sue Bradford later teamed up again to do the Grade-Z classic THE ATOMIC BRAIN.