Agrega una trama en tu idiomaRussian Captain defects to England, not for politics but due to gender discrimination. English Captain ordered to sell capitalism. Defector argues communism better. They fall in love despite... Leer todoRussian Captain defects to England, not for politics but due to gender discrimination. English Captain ordered to sell capitalism. Defector argues communism better. They fall in love despite KGB attempts to retrieve her.Russian Captain defects to England, not for politics but due to gender discrimination. English Captain ordered to sell capitalism. Defector argues communism better. They fall in love despite KGB attempts to retrieve her.
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Opiniones destacadas
Ben Hecht got on Bob Hope's case for allowing his gag writers to intrude in on his screenplay and story. Personally I can't believe they could have loused it up as bad as what his idea originally was. Katharine Hepburn is a female Russian jet ace who defects from the Soviet Union, not because of any disagreement with Communism, but because she was passed over for promotion in the Russian Air Force.
But the Americans still think they can convert her for propaganda purposes and who do they assign to the task? Not real life American air war hero James Stewart, but Bob Hope who plays the jet pilot who forced Kate's jet down. Who here really believes Bob Hope as a war hero pilot?
It's obvious Hope did interfere and it probably cost Hepburn some of her scenes, but the premise was so ridiculous I can understand why he thought the film needed help. As for Hepburn she throws on an accent that might be described as Maria Ouspenskaya on crystal meth.
Even such fine players as James Robertson Justice as the KGB man assigned to kidnap Hepburn back are wasted here.
The Iron Petticoat was a terrible idea made even worse in the execution. No wonder it's never shown in revivals of either Hope or Hepburn.
Despite being rather over the top at the start, Hepburn is very good sporadically (the Russian accents and characters in general are stereotypical caricatures). Her androgynous persona is well cast, although used rather crudely at times - the film has a nervously defencive and jokey treatment of burgeoning feminist ideas, probably typical of the era.
Unfortunately, Hepburn's character is often relegated to be the foil for Hope's one liners. These are sometimes funny, but tend to predominate over characterisation, narrative, and the film in general, giving the whole piece an oddly disjointed, flat feel.
With a more pacey and intelligent script, the likable charm of Hope and the feisty emotion of Hepburn could have made a quirky, witty film. Instead, this rather dated film remains an interesting, although sometimes uncomfortable watch, as a snapshot of attitudes in the 1950s, and the unusual pairing of these two stars.
A product of much backstage enmity. Hope and Hepburn disdained each other and Hope and the film's writer Ben Hecht fought to the point they took the battle public in printed ads denouncing each other, the resulting picture hardly seems worth it. A flat, inert misfire necessary only to completist of the starring duos work.
BOMB (out of 4)
Every once in a while I'll watch a film with a bad reputation and find it not nearly as bad as you'd have believed. When I heard that the Bob Hope Estate pretty much removed this film from circulation I figured it was just a movie not up to his standards but that's nowhere near the truth. I don't often say this but I think everyone would have been better served had this turkey remained in a vault and not seen by the public. The story centers around a Russian refugee (Katharine Hepburn) who learns her country and gets involved with an American (Bob Hope) ordered to watch after her. This is a minor re-working of NINOTCHKA but who knows what the original story was since there were so many production problems including Hope bringing along his own writers to change everything up. I rarely use a BOMB rating for any older movie but man was this thing here horrible. It was really very painful to watch because it's just so unfunny, so bad and it's just hard to believe that two legends would be involved in something this bad. As soon as we see and hear Hepburn with that Russian accent you're brain pretty much shuts off. Hepburn was one of our greatest actresses but I think it's safe to say this here is one of her worst performances. Hope is equally bad and his one-liners, written by his own writing team, are horrendous. The lack of chemistry between the two stars is incredibly bad as well. THE IRON PETTICOAT is about as bad as any movie can get and sadly for the viewer it never reaches a level of camp or a "so bad it's good" level. When I said this film was painful to get through that's the absolute truth and no one should sit through this unless they want to see how bad it actually is.
¿Sabías que…?
- TriviaBob Hope and Katharine Hepburn had a difficult and wary relationship during production as Hepburn became aware that the film was being changed to a typical Hope comedy, leaving nearly fifty percent of her work on the film on the cutting room floor. As a result, writer Ben Hecht unsuccessfully tried to have his name removed from the film.
- ErroresThe enlisted men in the radar room at the beginning are wearing Army insignia of rank, not Air Force.
- Citas
Vinka Kovelenko: I lost my temper!
Colonel Tarbell: At the communists?
Vinka Kovelenko: No, at the male sex!
- Créditos curiososOpening credits prologue: U.S. AIR FORCE HEADQUARTERS GERMANY
Once upon a time. . . .
- ConexionesReferenced in Yo amo a Lucy: Lucy and Bob Hope (1956)
Selecciones populares
- How long is The Iron Petticoat?Con tecnología de Alexa
Detalles
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- También se conoce como
- Der eiserne Unterrock
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- Tiempo de ejecución1 hora 27 minutos
- Relación de aspecto
- 1.85 : 1