Girls in Prison

Edward L. Cahn was a master of some campy films in the 50s and early 60s, and this is one of them.

It's all about a large stash of stolen bank loot squared away somewhere, and the good gal versus the bad to get it all. But first, there's a classic prison escape, due to mother nature --EARTHQUAKE! Rare for 50s films, but a real treat with lots of shakin' and screamin' and cardboard sets rockin'.

Adele Jergens, popular blonde in lots of B films, plays the toughest cookie, and she's fantastic in this type of role. Many other familiar actresses on board, including veteran Jane Darwell and tv's first Lois Lane, Phyllis Coates. Richard Denning plays the good guy slash minister, following the trail which leads to the broken down house of an old man, related to one of the gals. The old bird is tough enough in his own way, and is the cash hidden with him?

There's lots of scrambling and gunplay, and somehow it all jives in classic black and white. Watch Adele Jergens right to the bitter end.

Cahn did an excellent job directing. His next classic would be THE SHE CREATURE.

The finale is memorable, in that sort of campy 50s style we all love. A special thank you to MOVIES Net for rerunning this classic on its late show lineup lately.

Always on dvd for collectors. A Must.

Less-than-thrilling, the film drags but the ending is goofy enough to make it possibly worthwhile. Features earthquakes that come from nowhere, a boxing preacher, and girls in prison who seem not to have been quite locked up. Trouble ensues.

Who played the blonde dance partner of Paul Anderson (Lance Fuller) in the opening nightclub scene?

I bought a VHS copy of this odd little women-in-prison film on eBay because it featured the sublime Phyllis Coates (the first "Lois Lane" on television and, arguably, the best ever) in a supporting role as 'Dorothy', a disturbed inmate. A small but memorable role for Phyllis here: oddly enough her character assumes every new female inmate is a woman named 'Lois' who broke up her family and led her to murder someone.

Lots of great-looking women inmates throughout the film. Prison life is pretty rough, with lots of meaningless busywork for the inmates.

The opening scene is pretty avant garde; the director deserves credit for his experimental approach to introducing the characters.

I don't get it. Many of these grade D- movies are often well written. The acting is sometimes very good and they move - no boredom. This one is good and has a couple surprises along the way. The earthquake is a ball. Gotta admire writers who were hired for schlock and gave it something. Compare something like this to 1956's Oscar winner "Around the World in Eighty Days." Do you really think that was as entertaining as "Girls in Prison."