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IMDbPro

Full of Life

  • 1956
  • Approved
  • 1h 31min
CALIFICACIÓN DE IMDb
6.4/10
661
TU CALIFICACIÓN
Richard Conte and Judy Holliday in Full of Life (1956)
ComediaDrama

Agrega una trama en tu idiomaWriter Nick Rocco and wife Emily face financial strain after buying a house. Needing repairs, they must ask Nick's traditional Italian father for help, leading to tensions over lifestyle cho... Leer todoWriter Nick Rocco and wife Emily face financial strain after buying a house. Needing repairs, they must ask Nick's traditional Italian father for help, leading to tensions over lifestyle choices and values as they expect their first child.Writer Nick Rocco and wife Emily face financial strain after buying a house. Needing repairs, they must ask Nick's traditional Italian father for help, leading to tensions over lifestyle choices and values as they expect their first child.

  • Dirección
    • Richard Quine
  • Guionista
    • John Fante
  • Elenco
    • Judy Holliday
    • Richard Conte
    • Salvatore Baccaloni
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    661
    TU CALIFICACIÓN
    • Dirección
      • Richard Quine
    • Guionista
      • John Fante
    • Elenco
      • Judy Holliday
      • Richard Conte
      • Salvatore Baccaloni
    • 17Opiniones de los usuarios
    • 9Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos17

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    Elenco principal31

    Editar
    Judy Holliday
    Judy Holliday
    • Emily Rocco
    Richard Conte
    Richard Conte
    • Nick Rocco
    Salvatore Baccaloni
    • Papa Vittorio Rocco
    Esther Minciotti
    Esther Minciotti
    • Mama Colletta Rocco
    Joe De Santis
    Joe De Santis
    • Father Gondolfo
    Silvio Minciotti
    • Joe Muto
    Eleanor Audley
    Eleanor Audley
    • Mrs. Jameson
    • (sin créditos)
    Steve Benton
    • Truck Driver
    • (sin créditos)
    Richard Bull
    Richard Bull
    • Doctor
    • (sin créditos)
    Barbara Collentine
    Barbara Collentine
    • Nurse
    • (sin créditos)
    Walter Conrad
    • John Gregory
    • (sin créditos)
    Dick Crockett
    Dick Crockett
    • Train Conductor
    • (sin créditos)
    Sam Gilman
    Sam Gilman
    • Dr. Atchison
    • (sin créditos)
    Jester Hairston
    Jester Hairston
    • Train Porter
    • (sin créditos)
    Theo Haran
    • Minor Role
    • (sin créditos)
    Betsy Jones-Moreland
    • Bit Role
    • (sin créditos)
    Arthur Lovejoy
    • Mr. Jameson
    • (sin créditos)
    Maggie Magennis
    Maggie Magennis
    • Nurse
    • (sin créditos)
    • Dirección
      • Richard Quine
    • Guionista
      • John Fante
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios17

    6.4661
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    Opiniones destacadas

    artzau

    Great little flick

    This movie is a sleeper. Coming at a time when "homey" [not in the modern gangbanger sense of the term] was in vogue. A pregnant woman wants an addition to her house for the new baby and gets her father-in-law, the great opera singer, Salvatore Baccaloni, a carpenter with old fashioned Italian family values, to do the work, over her husband's (Richard Conte)reservations. Holliday was at her peak after her brush with the McCarthy witch hunters and gives a great performance in this display of cross-cultural and cross-ethnic clashes of values. A fun, entertaining movie. See it. Enjoy. Feel good for a change.
    10aromatic-2

    Marvelous slice-of-life comedy

    Those expecting a screwball comedy will be disappointed, as this is a tender, touching slice-of-life comedy. The incomparable Baccaloni is afforded some screwball moments having sympathy pains along with Judy's pregnancy, and he is marvelous. It works all-the-better, I think, that Judy contrasts him by playing this one straight-up. This is one of the few movies I've ever seen that depicts the fact that when a woman ishaving her first child, we are far from experts at why we feel the way we feel or how it needs to be handled. Richard Conte is winningly tender as the insecure husband with money worries but unconditional love. And the supporting cast is marvelous. I love this movie.
    9smitheeallen

    Sweet little film

    I was sick with the stomach flu one night and I turned on AMC around 3 in the morning not knowing what was on and I discovered this film. I had never heard of it before and I am a big film buff. I was pleasantly surprised. It is a nice sweet little gem of a film about family. It has some real tender moments and some quietly funny moments. It deals with a man, his wife, and his father. His father is originally from Italy and does not like his son's American ways. Which of course drives the son crazy. His wife is pregnant and he is concerned about that. His father wants to help him prepare to be a father, which has its good points and bad points. It shows, quite well, I think, the bonds and the love of family. If it is ever on I highly recommend it. It also has the best title for the story.
    10toddsolley63

    Quietly moving, tender film for thoughtful viewers

    I discovered "Full of Life" when I was in High School in the early 1980's. I had never even heard of the film (a comment shared by several contributors to this site) when it came on late night television. It's funny to think a teenager could have been so moved by a film about experiences he has not yet had; but, I was. And as I have returned to this film throughout the years I find it becomes all the more perceptive and, yes, beautiful. "Full of Life" is about life, about the human comedy and it contains three extraordinary performances: one from the ever-amazing Judy Holliday, one from the underrated Richard Conte and one from opera star Salvatore Baccaloni, magnificent as the father-in-law. The screenplay earned a nomination from the Screen Writers Guild, but that is the only contemporary recognition it received. However, it remains--to those willing to discover it's sublime charm--a quietly moving, tender film for thoughtful viewers.
    Kirpianuscus

    lovely

    At the first sigh, one of the comedies of the period. Not so easy but inspired crafted. Virtues - Salvatore Baccaloni performance, axis of the nuances of the classic flick and the Catholic faith presence. And, sure, no doubts, Judy Holliday beautiful work. Only problem , for me, Richard Conte seems too little old to be a credible Nick. But, maybe, this is just an insignificant detail.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Metropolitan Opera basso Salvatore Baccaloni's American feature-film debut, playing Papa. As such, he receives an "Introducing" credit in the opening.
    • Errores
      When the audience last saw the kitchen floor, there was a gaping hole, as Papa was repairing the termite damage. Later as Nick was preparing to take Emily to the hospital he raced across the kitchen floor as if there was no gaping hole. Nick and Emily subsequently remarked that the kitchen floor had not yet been repaired.
    • Citas

      Nick Rocco: Whatever happened to Dianetics and all that other nonsense?

      Emily Rocco: It's not nonsense. It's why you need semantics. It helps you learn about the true meanings of things.

    • Conexiones
      Referenced in Broadway by Light (1958)

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    Preguntas Frecuentes14

    • How long is Full of Life?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de abril de 1957 (Francia)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Italiano
    • También se conoce como
      • The Family Way
    • Locaciones de filmación
      • Saint John's Health Center - 1328 22nd Street, Santa Mónica, California, Estados Unidos(Emily is rushed to this hospital - since demolished/rennovated beyond recognition)
    • Productora
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 31min(91 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.85 : 1

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