Tormenta en el Desierto

Dakota Incident is a curiosity for several reasons. It will be obvious from the start that it was made long before anyone ever thought of political correctness. Although, the Ward Bond character softens the edge with "maybe we can communicate with them, after all they're humans, too" type of dialogue. His part stands side-by-side with the preacher attemtping to communicate with the Martians in War of the Worlds. In fact, it's uncanny. The title is curious too. Use of the word "Incident" contributes an importance and sophistication to the film that probably didn't hurt boxoffice. The contrived assortment of characters and Linda Darnell's fancy dress and hat are wonderful dated touches that make Dakota Incident a cool western artifact from the mid-fifties.

An assorted group of people are waiting in Christian Flats for the stage to take them to Laramie. Once the empty stage arrives it's evident that it has been the victim of a Cheyenne attack, but out of need and bravery, the hardy souls decide to risk the journey regardless...

Very much a minor Western in the grand scheme of the 1950s offerings, Dakota Incident makes up for what it lacks in quality, by being an oddly structured film of intrigue. The actual "incident" of the film isn't until about the half way point, because prior to the inevitable Cheyenne attack, there is no shortage of character forming. In fact this might be the longest prologue in Western history! Basically crooked John Banner (Dale Robertson) is shot and apparently left for dead out in the hills by his two so called allies. Getting to the town he proceeds to annoy everyone with his oafishness and of course catch up with the two who wronged him. In amongst all this we are also following the interests of the few who will eventually make up the stage passengers. With sultry Amy Clarke (Linda Darnell), John Carter (John Lund), Regis Toomey's Minstrel and Senator Blakely (Ward Bond) being the main principals. All of whom have back stories as to why they are making this decidedly perilous trip.

It's very good stuff for its first half, in fact I tip my hat off to the makers for really giving the characters some substance. Yes we may not like them really, but at least our attention is held and as they board the stage, we are intrigued as to how things will pan out for them. The second half tho is a mixed bag, the action sequences are poorly put together but are off set a touch by the nice locale work at Red Rock Canyon State Park. While using the "Trucolor" technique really adds a vivid look to the action. None more so than the sight of the vivacious and curvy Darnell, resplendent in bright red dress, firing away at the Cheyenne with her newly acquired rifle. Dale Robertson and John Lund are average at best, but again it's not hurting the film too much because Darnell, Bond and Toomey are holding their ends up. The ending is perhaps a bit twee for some tastes, but it does work and closes the picture on a competent note.

Republic Pictures have done far better films than this, and this one is a tough picture to recommend to even the hardiest of Western fans. But it's got a beguiling factor, and an oddity that means it's definitely one to at least try to see if the chance should arise.

A cautious 6/10 from me.

A story like this would perhaps normally be told from the point of view of John Lund's bank teller, an honest man who is wanted for the robbery committed by fellow stagecoach passenger Dale Robertson. But it's mostly told from Robertson's perspective, a decision that helps prolong the audience's uncertainty about how things will end up. Despite making a few interesting choices like this Dakota Incident only occasionally manages to raise above its Poverty Row roots.

"Dakota Incident" is a film made with TruColor film stock. Surprisingly, unlike the first generation of TruColor stock, it really does have true color, as it uses three colors to create the whole spectrum of colors. The original was a two-color process....one that made a kind of color palate...one that is much more orange-green than true color. Sadly, despite this, the print on YouTube is also very fuzzy....and you can't truly enjoy the film stock.

The story spends much of its time in a small town. John (Dale Robertson) arrives there, angry, because his two partners shot him and left him for dead....and now he wants revenge. But John isn't quite as bloodthirsty as you'd expect and after shooting only one of them in self-defense, he and a group of folks board the stage coach for Laramie.

On the way, their stage coach is attacked by some of the natives. This really challenges the beliefs of one of the members of the group, the Senator (Ward Bond), who is for trying to make peace with the Indians. And, the rest of the film consists of the small group slowly getting picked off as they're out of water and trapped in a ravine.

This is a very tense film...and well made. I was also surprised because it seemed to have a message that Indians are horrible murderers...though by the end, that is fortunately not the case. Well made, well acted and well worth seeing.

At least, from Republic pictures, we don't deal with a cabaret western, a music hall western, as were BELLE LE GRAND or JUBILEE TRAIL or one of those numerous semi - false - westerns that Republic pictures gave us in the forties and fifties. Westerns taking mostly place in burlesque atmosphere, with choregraphy, dancing, intrigue plots, more than Indians, outlaws, posse , sheriff. So, this one, directed by Lewis Foster, is taut, action packed, despite bland Dale Robertson's performance, as usual, about which poor Linda Darnell tries her best to do her best. It was hard for her to co star such a lousy actor; she deserved better. So, if you are a western buff, don't miss this one.