Tormenta en el Desierto

Dakota Incident is a curiosity for several reasons. It will be obvious from the start that it was made long before anyone ever thought of political correctness. Although, the Ward Bond character softens the edge with "maybe we can communicate with them, after all they're humans, too" type of dialogue. His part stands side-by-side with the preacher attemtping to communicate with the Martians in War of the Worlds. In fact, it's uncanny. The title is curious too. Use of the word "Incident" contributes an importance and sophistication to the film that probably didn't hurt boxoffice. The contrived assortment of characters and Linda Darnell's fancy dress and hat are wonderful dated touches that make Dakota Incident a cool western artifact from the mid-fifties.

As an American actor/ screenwriter who loves Westerns, I find "The Dakota Incident" a hidden classic, with it's deft dialogue and uniquely clever romance between the lovely, talented Linda Darnell and the surprisingly skillful Dale Robertson. The scene where they are trapped in the dry wash in the desert and playfully fence with each other, is priceless. When Darnell says, "You throw all the rules right out the window, don't you?" And Robertson replies, "That's just the way you like it, barroom style", is one of the best moments in Western films. A very, underrated Western.... Beau Dare.

Once again Republic films portrays the growing of the USA as we know it in the usual dreary palette of primitive colours. A dour film that starts off with a bit of forced glamour from Linda Darnell and a ( would be ) funny scene with Dale Robertson half naked in a bath, and Darnell giving him a cursory glance and Robertson defends his not showing his ' manhood ' by apologising to not stand up for a lady. Fortunately Darnell is in the film, as I like her acting ability very much. As for Dale Robertson he tries as usual to act, but fails. Which fits in with this drab drama about desolate small towns, tumbleweed and a need for a group of people to get out of this hell almost as existential in its despair as Sartre ( if he was able to write such trash, ) and then the stagecoach arrives. What happens on it is pathetically inevitable and of course the ' demon ' Native Americans are vilified as they usually are in such films and turn ' nasty. ' Darnell was second choice after the great Anne Baxter ( for ' All About Eve ' anyway ) and I am glad she was. It is for her I give her a 4, and I watched this hack directed piece after a serious illness. She helped me recover.

A story like this would perhaps normally be told from the point of view of John Lund's bank teller, an honest man who is wanted for the robbery committed by fellow stagecoach passenger Dale Robertson. But it's mostly told from Robertson's perspective, a decision that helps prolong the audience's uncertainty about how things will end up. Despite making a few interesting choices like this Dakota Incident only occasionally manages to raise above its Poverty Row roots.

Republic's Waning Years Brings Us this Colorful, Film Filled with Lamenting.

A Good Cast Sparked by Linda Darnell's Fiery-Red Dress and Equally Flammable Female Hubris, Full of Spunk and Preen.

Dale Robertson is the Laconic Anti-Hero with Help from Ward Bond, John Lund, Regis Toomey, Whit Bissell, and Skip Homier.

A Stagecoach Full of Talky Characters with Ward Bond Playing Against Type as a Pacifist Senator and a Host of Others who Readily Jabber.

The "Tru-Color '' Template Allows for a Surreal Look at Things that is Always Interesting and Skewed.

The Action is Moderate and Pedestrian with the Thirsty Bunch Pin-Downed in a Gully Without Water, and that Supplies Most of the Suspense.

It's Darnell's Show All the Way with the Passengers Bouncing Off Her Charming Attractions.

The Indians are Painted as War-Mongers (except by the Senator) Until a Twist Ending.

Slightly Above Average.

Worth a Watch.