Crashing Las Vegas

The boys have collected money for their beloved landlady Mrs. Kelly's down payment. Sach is working in the kitchen when he gets an electrical shock. Suddenly, he can predict all the numbers. The boys have tickets to television contest "To Live like a King". Slip wins a trip to Vegas. He has an idea for him and the boys. As Sach goes on a winning streak, he gains some unsavory attention.

The story is a bit convoluted, more than usual. They could have done so much more with a Vegas premise. I'm not looking for the real thing, but that would have been amazing. Sach has always been an idiot, but his idiocy here is not fun. It is much more annoying than anything else. One would also think that the casino wouldn't allow Sach to keep winning. It's a whole different side of the story that is ignored. This one is a little frustrating.

I felt Gorcey s performance was very hard to watch. Usually his wise cracking and boisterous remarks are more playful and amusing whereas in this film "Crashing Las Vegas" Gorcey delivered his lines with anger and hostility. Even his facial expressions seemed to be lacking in emotion. They were a bit "over the top". This film was made after the death of Gorceys father, Bernard (Sweet Louie Dumbrowsky) and marked his last film of the franchise. It was a disappointing performance in my opinion. I felt he could have delivered a better quality of demonstrating his craft, despite the unfortunate circumstances that were surrounding his personal life. Danielle V.

Crashing Las Vegas (1956)

** (out of 4)

The forty-first and final Bowery Boys film to feature Leo Gorcey as he's walk from the series after this entry due to a dispute with the studio as well as fighting his own personal demons after the death of his father Bernard who played Louis in the series. In the film Sach (Huntz Hall) gets electrocuted and begins to see numbers in his head. After winning a trip to Las Vegas Slip (Gorcey) decides to use his dumb friend to make a killing but a couple small-time hoods find out about his talents and kidnap him. CRASHING LAS VEGAS is far from the disaster that its reputation would have you believe but at the same time there's no question that the series was running out of gas. It seems this movie is best remembered for the antics of Leo Gorcey, which apparently had him constantly drunk throughout the making of the flick and apparently he destroyed several props and sets. I'm not sure how much of this leaked over into people judging his performance here but many reviews state that it's obvious he's drunk and I really wouldn't say that. There's a sequence towards the end where his foot is up on a bed while he's questioning Hall and he's shaking during this period but outside of this he really didn't act any different from previous films (where he was drinking as well). At times his eyes are obviously bloating but again, you can see this in previous films. In his final appearance he certainly doesn't have enough energy to carry the picture but he is a step up from the previous film. Hall is also apparently bored and he doesn't add any life to the picture either. None of the supporting players are all that memorable and this includes Doris Kemper who is obviously filling in for Bernard Gorcey. CRASHING LAS VEGAS really doesn't feel like a Bowery Boys picture for several reason. One, of course, is the fact that Bernard and his sweet shop aren't here. Another is that director Yarbrough is obviously not too interested in anything going on and the constant long shots really make you feel apart from the film. There's a game show sequence early in the film that isn't too badly done but at the same time it feels as if it belongs in a different film. There's a prison sequence that contains a couple laughs but that's pretty much it. CRASHING LAS VEGAS said goodbye to Gorcey and while it's not a good film to go out on you can at least respect that he did make it to forty-one films, which isn't something very many actors could do.

Crashing Las Vegas marked the end of the line for Leo Gorcey and really the end of the line for the Bowery Boys. When Stanley Clements came on to replace Gorcey he was not really a good foil for Huntz Hall to play off. With the death of Bernard Gorcey the year before who played lovable little Louis Dumbrowsky, a whole lot was taken out of the series as well as out of Gorcey who can't quite get animated enough in this film. The rehashed plot line didn't help either, Allied Artists was plain running out of ideas for the Bowery Boys.

An electric shock gives Huntz Hall psychic powers he can pick numbers out of anywhere. Where else to put this power to good use but in Las Vegas. So it's off to Vegas where Frank Sinatra and the rest of the developing Rat Pack were getting started.

The film could have used the Rat Pack. Not much to say about Leaving Las Vegas. Slinky Mary Castle becomes the latest in a long line of women to vamp a secret out of Satch. The old badger game is tried on him as well. Only Huntz Hall could be fooled into thinking the first floor is the 21st floor, that was a gag more silly than funny.

Sad to say The Bowery Boys were running out of gas.

Coming WAAAY at the end of the Bowery Boys films, this was old territory for Leo Gorcey, Huntz Hall and the gang. Not that anyone knows what "the bowery" is anymore. In this one, Miss Kelly is getting tossed out of her home for not being able to keep up with the rent. The boys win a trip for a week in Las Vegas, and the adventure begins. When they are loud and rowdy in the casino, Slip and Sach attract the attention of some rough characters. this chapter has the usual intentional, goofy word play, but also a whole lot of lowbrow, slapstick humor. A 25 year old bombshell (Mary Castle) distracts Sach. It's all pretty straight-forward. not bad. Directed by Jean Yarbrough; had directed a bunch of the Bowery Boy films. PS. Bowery comes from the dutch word for Farm, as there were many farms there at one time. later, a pretty rough area, also known as skid row. then the edge of Greenwich Village. this one only has about 260 votes so far, so must not be shown on Turner Classics very often.