Proa al sol

AWAY ALL BOATS differs from a lot of war movies at the time . It's shot in colour ( Don't forget that many prestigious war movies from the mid 1950s were still being done in monochrome )and doesn't suffer from the seriously deadpan pseudo intellectualism of many other war films of that period

The setting for the story is on the USS Belinda , a navy transport ( Assualt ? ) ship in the Pacific campaign . It should be pointed out that AWAY ALL BOATS is also a film that doesn't concentrate on action , so don't go into this film expecting massive explosions all the way through because it's a much more thoughtful film than that . We see why discipline is needed , why it's a bad idea to wax a floor on a ship and why aircraft identification is very important , it was very rare in those days for Hollywood to show a friendly fire scene and after seeing this movie you'll feel as though you've just served alongside Captain Hawks

A war film that's possibly more informative than it is exciting but one that has merit

Away All Boats is a nice war picture about the captain and crew of a Navy transport ship in World War II. Jeff Chandler is all navy and the total professional as he takes command of the USS Belinda and whips the crew and the ship into professional fighting trim.

But command is a lonely business and the captain is slowly broken down both physically and mentally. In a way, Chandler's Jebediah Hawks is the antithesis of the Captain in Mister Roberts. Chandler is also in one of the less glamorous parts of the Navy, but even as a disciplinarian, he commands respect in a way that James Cagney in Mister Roberts never could and never will.

Chandler gets good support in this film from the rest of the cast which includes such professionals as Richard Boone, George Nader, Lex Barker, and Charles McGraw.

Good war picture, I highly recommend it.

Away All Boats is directed by Joseph Pevney and adapted to screenplay by Ted Sherdeman from the novel written by Kenneth M. Dodson. It stars Jeff Chandler, George Nader, Lex Barker, Julie Adams, Richard Boone and Charles McGraw. A Technicolor/Vista/Vision production, music is by Frank Skinner and Heinz Roemheld and cinematography by William H. Daniels.

Captain Jebediah Hawks (Chandler) is determined to whip his newly acquired crew into shape aboard The Belinda, a transport ship serving the waters of the South Pacific as the Japanese hone in for the kill.

Standard rank and file war movie of the era here, it looks nice, action is decently put together and is dotted along the narrative at regular intervals. The cast are watchable thesps as well, but it lacks heart in the characterisations as written on the page. The core meat of the story is the emotional hodge-podge aboard the Belinda, as Captain Jebediah rules with an iron fist and his charges respond to varying degrees of annoyance, we await the inevitable bond of men and flag waving histrionics. It just takes too long to develop and when the finale comes, what should be a moment of emotional wallop, comes rather as a merciful release that finally the near two hour movie is over. 6/10

Jeff Chandler's portrayal of Captain Jeb Hawks was an example of just how aloof a captain must be during a time of war. A captain's decision must not be made from friendship but what is best for the ship. Captain Hawks only real companion was a monkey. The men on the ship were almost all rookies that had never fought in a war. Hawks had to prepare them for "life and death" but made many enemies out of the crew because of his harsh techniques. The actual war scenes were very realistic. Overall a fine film to watch.

Though frequently melodramatic, this film gives a viewer a good feel for the business of running one of the less glamorous but vital warships of the period. Much of the Navy footage is vivid and convincing. The opening dialogue between the old shipbuilder and the young officer is a memorable dramatic device.