La vuelta al mundo en 80 días

I really enjoyed this film, and was shocked to see all the negative comments about it on IMDB. Yes it's long, yes it's a fantasy rather than true-to-life, yes it's spectacular rather than deep drama. But what the hell, it's also (like the book) a hilarious send-up of Englishness as seen by a Frenchman. The millions of cameo roles (actually I'm HOPELESS at recognising faces, so identified none of them) camp it all up splendidly. This film is one of those, like the Ealing comedies or the Carry-On films, that define the British Myth.

OK, so it won't work on TV, unless you have a widescreen TV and can shut yourself away from all distractions for several hours. But I just dare anyone to be bored by the film in a cinema. They don't make them like that any more, because these days films are "made for TV" . . .

Except for the horrible miscasting of Shirley MacLaine as a Hindu princess, Around the World in 80 Days comes close to being a perfect film. The rest of the cast paints to perfection the portrait of Jules Verne's odyssey about a very anal retentive man driven by a wager to complete a global circumnavigation in 80 days in the mid nineteenth century.

Jules Verne unlike in a lot of his other stories makes one of his main characters here a Frenchman. Normally the international minded Mr. Verne never had any of his protagonists come from his native France. In this case the valet Passepartout accompanies English gentleman Phileas Fogg on the journey and comes close to wrecking it a couple of times.

Michael Todd had to settle for second choices for both of his leads. The part was originally offered to Cary Grant who turned it down and Todd settled happily for David Niven. And even though Fernandel offered to learn English to play Passepartout, the process would have taken too long so the Mexican comic star Cantinfas got the part. Fernandel did have a small role as a Parisian hansom cab driver.

It's still a mystery to me as to why Cantinflas on the strength of this and Pepe did not break out of the Latin American market where he was nothing short of a demi-god of the cinema. Certainly his presence in this film opened up a huge market of viewers in the Spanish speaking parts of the world.

Also consider that the probably no other performer in the history of the cinema ever got as good supporting casts as Cantinflas did in both Around the World in 80 Days and Pepe. Maybe he didn't break into the English speaking cinema fan world, but it was no accident that all the stars who appeared in both wanted to be associated with him.

Shirley MacLaine would have to wait until Some Came Running for a real break out role. She's just not the type to play a Hindu princess. Someone like Jean Simmons who played one in Black Narcissus would have been far better.

David Niven however got on the crest of a big career wave that wouldn't reach maximum until his Oscar two years later in Separate Tables. This was one of his best career roles and nice that for once he would not have to carry a mediocre picture on the strength of his considerable charm.

Mr. Niven sadly recalls in his memoirs that Robert Newton was already dying when he made Around the World in 80 Days. The doctors had told the screen's most celebrated alcoholic that he had only a short time left when he did this film, his liver was failing. Newton does a grand job as the unctuous conniving detective Fix who gets it into his head that Niven robbed the Bank of England.

Around the World in 80 Days won for Best Picture in 1956 and four other Oscars including best musical score. Oddly enough the song Around the World was not nominated in that category even though it was a big hit that year. Bing Crosby for Decca and Eddie Fisher for RCA Victor had the big hit records of it, Frank Sinatra also did it for Capitol. It was a great tribute to its composer Victor Young and lyricist Harold Adamson. Young died in 1956 and the Oscar for Best Scoring was given to him posthumously.

Producer Michael Todd and Director Michael Anderson did a first rate job in casting all the small bit roles with major players. A lot of these names are unfamiliar to today's generation, but if they see the film it's a chance to see a lot of great cinema names at one time doing real characters instead of just walking on as themselves.

The film holds up well today and can still be enjoyed. Maybe someone will actually try to make it in the transportation mode of the Victorian era. Can it be done in 80 Days?

This has got to be one of the most delight comedies ever made. I totally agree with one comment that says "Around the World in 80 Days like a fine wine, it gets better with age". Featuring fine performances from David Nivven, Cantinflas, and the rest of the cast in this wonderful movie about a man and his servant who try and travel around the world in just eighty days. This movie oddly enough was 175 minutes long and in all honestly I didn't believe that for second when I first heard because it really only seemed like 88 minutes. One of the most fun, wittiest, and delightful films of all time and that's coming from a person who adores film and has seen plenty in his (my) day. I do not recall the last time I had so much fun while watching a movie, it's basically just one big fun fest! The cinematography and photography are unarguably some of the best ever in any film. How anyone could call this film boring is beyond me. It is fun, witty, delightfully written, directed, and as I already mentioned acted. The score is also a work of genius. See this film, then see it again. If you hate it, well, then you need to lighten up a bit (no offense intended).

Final Grade: ***** (out of 5)

Well before ditching in this movie I had a glimpse of the book and I feel very delighted about the extraordinary vision of Jules Verne. He had predicted many inventions and innovations before the time, but I felt more delighted after seeing this movie. The true essence of Jules Verne's literal work is flawlessly captured by director Michael Anderson. This movie is true extravaganza with some special acting by veteran actor David Niven. His portrayal of arrogant, time-table stricken rich innovator was immaculate. This movie also has handful of cameos played by great actors like Frank Sinatra and others. Only one thing that can bother viewers is its immense length where some scenes are monotonous and make you feel loitered. Over all it's a great movie and best motional version of Jules Verne's finest work. The movie won five Oscars including best picture of 1956.

Michael Todd's screen adaptation of Jules Verne's classic novel is a masterpiece.

Beautifully shot in over 100 different locations around the world, it is one of the few novels which actually benefits from big screen treatment. No longer do we have to imagine these fine exotic places in our minds, they are presented here in full cinematic and Technicolour brilliance.

The great David Niven plays the quintessential English gentleman to the hilt as Philias Fogg, the well to do bachelor who after calmly announcing that it was possible, accepts a £20,000 wager from his fellow Reform Club members to travel round the world in 80 days.

In tow on this mammoth voyage are newly appointed man servant Passepartout played by Mexican entertainer Cantinflas, a rather miscast Shirley MacLaine as Aouda a recently rescued Indian Princess and the lovable and ever watchable Robert Newton as Mr. Fix the detective who is convinced Fogg is a master criminal who left Britain having just robbed the Bank of England.

Yet what adds flavour to an already wonderful story and fascinating movie, is that no matter what corner of the globe our intrepid Fogg appears, he is helped, hindered, slowed down, befriended and attacked by a myriad of world renowned movie stars. Never before or since has a film boasted so many top named stars in cameo appearances.

Robert Morley, Ronald Squire, Finlay Currie, Basil Sydney, Noel Coward, John Gielgud, Trevor Howard, Harcourt Williams, Martine Carol, Fernandel, Charles Boyer, Evelyn Keyes, Gilbert Roland, Cesar Romero, Alan Mowbray, Cedric Hardwicke, Melville Cooper, Reginald Denny, Ronald Colman, Charles Coburn, Peter Lorre, George Raft, Red Skelton, Marlene Dietrich, John Carradine, Frank Sinatra, Buster Keaton, Tim McCoy, Joe E. Brown, Andy Devine, Edmund Lowe, Victor McLaglen, Jack Oakie, Beatrice Lillie, John Mills, Glynis Johns and Hermione Gingold all come along for this bizarre journey.

Now thats what I call a cast list.

Niven is as always a joy to watch as the seemingly unstoppable and resourceful Fogg, so much so that the film can be forgiven its epic length.

However, I do feel as though a good half an hour could have been trimmed had Todd decided to tone down some of Cantinflas' over long routines. We know what a fantastic and talented performer he was, there was no real need to hammer the point home with a nigh on 15 minute bull fight sequence, Japanese circus tricks and stunt horse riding.

However despite this one criticism, the film is legend, the story is legend and was fully deserving of the five Oscar's it was awarded, including Best Picture of 1956.

In fact I feel certain that if Philias Fogg had a film like this on DVD, he would have much preferred to stay at home and watch it. I know I certainly would.