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jacques tourneur, of Cat People fame, might seem an unlikely candidate to helm an above average B+ western. But that was the case in 1955 with Wichita, about the early days of Wyatt Earp. Some liberties with the facts are taken, including the notion that Earp had never worn a badge before he arrived in the Texas cowtown. In fact, Earp was the marshal of Ellsworth, Kansas in 1875 and was wooed away by the larger Wichita - even as Dodge City would then talk him into moving there. Many incidents in this film actually took place in Ellsworth, as the two towns are 'collapsed' into one another. That aside, the film is fine - whether individual things we see happened in one town or the other, the point is that the savvy screenplay conveys a strong understanding of the politics in such a city, and with no simple good guys in white hats or badguys in black ones, we realize that Earp had more problem with greedy townspeople than with outlaws. Bat Masterson (whom he actually knew from buffalo hunting days) becomes a deputy though he really wants to be a newspaperman, and while that had not yet occurred to him, Bat would, after leaving the rest, become a famous sportwriter in New York. One terrific sequence involves the attempt of a corrupt businessman to hire a pair of gunmen to kill Wyatt, though they turn out to be two of his brothers, and this incident really did take place. Joel McCrea makes a sturdy Earp (he later played Bat in gunfight at dodge city), and Keith Larson is fine as the young Bat. Great title song, by the way, by Tex Ritter. As to the upper level of B westerns in the fifties, they really don't get much better than this.

The film was well developed in Wichita where appeared Wyatt Earp (Joel McCrea) as one of the many lawman hired to keep the peace . Wyatt Earp was a gunman and sometime peace officer whose legendary reputation as a paragon of law and order was largely manufactured by himself and his biographer Stuart Lake . Undoubtedly he was also a man of great courage and gunfighting skill . After working as a freighter and buffalo hunter Earp served as a policeman in Wichita (during 1875-76 years) and then as an assistant town marshal of Dodge city . Wichita was a major cattle town that started life as a trading post for the Indians who had a village nearby and later a white settlement developed around . The town was incorporated as a third class city in 1871, and the following year , when the railroad reached the location , it becomes a booming railhead of the cattle drives from Texas up the Chisholm trail . Like other cattle towns (Abilene) the rowdy , free-spending cowboys attracted saloon keepers , gambling houses , brothels , dance houses and all types of frontier riff-raff , the city became notorious for its lawlessness and vice , serving the needs of Texas cowboys . Wichita was the leading cattle shipping center , with 200.000 cattle and 2.000 cowboys flooding into the area at the height of the station . At the movie the cowboys (such as Robert J.Wilke and Jack Elam) amuse themselves shooting the air and is when Wyatt Earp intervenes to keep the order . He is helped by his brothers James (John Smith) and Morgan (Peter Graves) who was badly wounded in the explosive showdown known as the Gunfight at the O.K .Corral (26 October 1881) . At the film appears Bat Masterson (Keith Larsen) working as a journalist . Bat was also a peace officer and gunfighter of legendary reputation as Earp and spent the last twenty years of his life as a popular sports writer on a New York newspaper , moving on to Dodge City , he served as a police officer and became a comrade of Wyatt . The motion picture develops pretty well the events around Wichita . The casting is frankly magnificent as the main characters (Joel McCrea , Vera Miles) as well as the excellent supporting actors (Edgar Buchanan , Lloyd Bridges , Wallace Ford and Sam Peckinpah plays a bit part as a bank teller). The picture was well directed by Jacques Tourneur . Rating : Good Western , well worth watching .

Wichita is a western that again focuses on a life and deeds of legendary Wyatt Earp, only this time without gunfight at the OK Corral. The action doesn't take place at Tombstone, but in a small cattle town of Wichita where our hero (this time played by Joel McCrea) arrives and very soon is offered a post of a Marshall due to his strong persona and skills in using the gun.

In a very short time he manages to change completely the life of the town from a very dangerous place where one could be killed or robbed at any moment to the most peaceful town in the wild west.

An interesting western directed by Jacques Tourneur, that revisits some of the used western's cliches, but also contains some spectacular action sequences and some personal Tourneur touches in directing which rise the film little above the average and turn it into a pleasurable viewing experience. 7/10

The same year that Wichita came out, 1955, the TV series about Wyatt Earp debuted with that famous theme song, "Wyatt Earp, Wyatt Earp, brave courageous and bold." And certainly Hugh O'Brian was all these things in that series.

But the western hero that fit all those virtues was certainly Joel McCrea. After portraying Buffalo Bill Cody in the way Cody would have liked to have been remembered it was only natural that Wyatt Earp be done the same way.

Wichita was the first town that Earp had a job in law enforcement and he was there one year, 1875-1876. Wichita is purportedly the story of that year and how he cleaned up the town and made law and order function in Wichita. It's certainly all been done before, but the story is in the hands of a capable cast.

Particularly to watch is the double dealing role that Edgar Buchanan has and how a bad case of mistaken identity costs him dearly.

Tex Ritter sings a nice title song over the credits and while it didn't exactly have the impact that his same efforts had in High Noon, it certainly sets the tone for this film as well. After all back in the day Tex made a western or three.

Superior McCrea western thanks to an intelligent script that also plays up the actor's penchant for steely resolve. How much law and order is too much. That's the question the town council of Wichita must decide. Too much will drive away the fun-starved cowboys coming to town after a long trail drive. Too little and the town gets shot up. Newly installed Sheriff Earp (McCrea) is on the side of strict law and order, forbidding the cowboys from bringing their guns to town. This upsets powerful businessmen and saloon owners. So Earp must contend not only with rowdy cowboys but with town politics as well.

McCrea is perfect for the quietly resolute sheriff. As expected there's no swagger or bravado in his grim determination to keep other townspeople from being accidentally killed by busting-loose cowhands. When he stands alone, you believe it. It's also a well-stocked production from lowly Allied Artists, with enough extras to make the crowded town scenes credible. Of course, there's a romantic angle with a lovely but heavily made-up Vera Miles (soon to come under the wing of Hitchcock in such thrillers as The Wrong Man {1956} and Psycho {1960}). But the romance is pretty well integrated into the plot, without dangling like a distractive add-on.

All in all, it's a good western drama woven around the quietly powerful Joel McCrea.

The now-familiar and evergreen story of Wyatt Earp's maverick attempts (& succeeding) at ridding all guns from the Western frontier town of Wichita, is again shown here, directed with some style by Jacques Tourneur, from 1955.

Joel Mc Crea - not quite a superstar of Westerns, is suitably refrained but still somehow imposing as the law enforcement officer Earp. There's good action at the start, as bands of outlaws ride in, guns blazing, fights in Saloon bars and general terrorising of the residents.

Mc Crea is good, Vera Miles lovely and a turn from Lloyd Bridges is always welcome. The colour and clarity are also good, though the Technicolor less vibrant and saturated than is often the case, making the film look more natural.

Though I'm no expert on the Western, I do enjoy a good one and whilst this was entertaining enough, it didn't strike me as one to particularly remember. It didn't drag, wasn't boring and is probably better than average, but not quite enough for 7/10.

Wichita is directed by Jacques Tourneur and written by Daniel B. Ullman. It stars Joel McCrea, Vera Miles, Wallace Ford, Edgar Buchannan, Lloyd Bridges and Keith Larsen. It's filmed in Cinemascope/Technicolor with cinematography by Harold Lipstein and music by Hans J. Salter.

Wichita is an origin story, that of one Wyatt Earp (McCrea), the story is set before he gets to Dodge City, where apparently some famous gunfight occurred. From a narrative stand point it's a town tamer story, Earp arrives in a newly thriving Wichita, at this point he's a hunter of buffalo only. But as the cowboys converge on the town, and things turn very dark, Earp - a bastion of good and just righteousness - finds it impossible to continue in turning down the town superior's offers of becoming the town Marshal.

It's one of those Western movies that made Western movie fans become Western movie fans. A film you would have watched as a youngster and just bought totally into the good guy against the baddies central core. Of course as youngsters we wouldn't have cared a jot about thematics such as capitalism ruling over common sense, or metaphysical leanings ticking away, all while a genius director is composing shots and frames of great distinction. Hell! Even the intelligence and maturity in the writing would have escaped us, the dark passages merely incidents of no great concern...

Wichita is damn fine film making. OK! It isn't wall to wall action. Sure there is a good round of knuckles, a bit of trench warfare and the standard shoot-outs, but these are just conduits to smart and compelling human drama, richly performed by McCrea (brilliantly cast) and company. Tourneur, Ullman and Lipstein make sure there is no waste on the page or via location framing, the costuming authentic and pleasing, and of course the story itself, the set up of the iconic man himself, is as compelling as it is splendidly entertaining.

It be a traditional Western for the traditional Western fan. Nice! 8/10

Up front I must tell you that I usually HATE westerns featuring folks like Jesse James, Billy the Kid and other real life folk. This is because very rarely do the filmmakers get it right--and completely fictionalize these lives to make minor characters seem far, far more important and interesting than they really were. So, when I saw that Joel McCrea stars as Wyatt Earp, I was NOT pleased. And, to make it worse, Bat Masterson apparently is in the film as well. The only reason I forced myself to watch it is because even a bad McCrea western is still usually worth seeing. Plus, it did help that folks like Lloyd Bridges, Peter Graves, Edgar Buchanan, Wallace Ford, Vera Miles and Jack Elam also were in the film.

To set the record straight, I used to teach US History and much of what's in this film is crap. While it is true that Wyatt Earp and Bat Masterson did work together for a bit, it was in Texas, not Kansas. Also, Earp WAS a deputy in Wichita--never the marshall or sheriff. And, although Bat Masterson DID become a newspaper man, that was later--after he was a lawman. I sure wish they'd kept the script and just changed the names--it would have improved it immensely. That's because it really is a very, very good film apart from all the historical confabulations!

In this story, Wyatt is a peace-loving and patient man. He's headed into Wichita to open a business and live a normal life. Unfortunately, the town is pretty lawless--especially when the cattlemen and their hands arrive in town. During one of these times, the guys shoot up the town--and kill a little kid. So, Wyatt is quickly sworn in as sheriff and he takes on these drunken rowdies with only the assistance of young Bat Masterson. You'd think the town would be thrilled, right? Well, this is NOT the case of the rich guys in town who own the saloons and stockyards! They want the sheriff to turn a blind eye to the outrages of the cattlemen because their fortunes depend on cattle. However, Wyatt will only do it his way--the RIGHT way! What's to happen next? See the film for yourself.

Excellent acting, lots of action and a terrific take on the myth of the old west. Yes, I do mean myth as gunfights and much of what we think of as common stuff in the west rarely ever occurred--and more often than not, it was just some guy shooting another guy in the back!

Joel McCrea delivers the goods once again in "Wichita". McCrea gives a solid performance in this movie. The rest of the cast is also strong. The movie looks great too. The story is well told and quite exciting at times. "Wichita" is a rock solid 1950s western. I can't wait until I see it again. Honorable mention: a never dreamier Vera Miles.

Oh, where to beign? FIrstly: I'm born/raised in Wichita KS so I know the old girl pretty well. Even still visit "Old Cowtown" on the banks of the "Little Ar-Kansas River"... which is amazingly framed by a nonexistant mountain range! Note that phonetic pronunciation because it's just one of the many inaccuracies this old Technicolor chestnut promulgates. Typically, a character in the film calls it the "Ar-kan-saw" River. But those are the least of the offenses as this movie steadfastly portrays that thug-with-a-badge Wyatt Earp as a reticent, conquering hero. Truth is he was nothing of the kind, let alone Marshall of my hometown! Earp was just a patrolman in the seedy worehouse district of Delano, which was just on the other side of the river from "respectable" Wichita. Today Delano is filled with botiques, but in 1888 it was filthy and crawling with rats an stray dogs.. in fact, young Wyatt honed his pistol skills by shooting mongrels for the palty bounty the city offered... money he would later gamble away playing Faro at a local table. He was also himself once arrested for disorderly conduct. Earp was a piece of work, all right! In constrast, his buddy Bat Masterson was a decent lawman and one of the few who would live to tell about his wild days on the Kansas prairies - he retired writing a sports column for a NY newspaper. But Wyatt Earp still had an infamous career ahead, including the disgrace that was the OK Corral and his subsequent vigilantism as he and his merrry band roamed the countryside to murder those who were already exonerated in court of law. Earp finished his days as a respected advisor to Hollywood silent films where he perpetuated the myth of white-hatted good guys. Appropriartely -in real life- Wyatt Earp always wore a black one. But the mythical legacy he left behind was still a strong one as this turgid potboiler demonstrates.

Wyatt Earp cleans up the title town after it's overrun by rowdy cattlemen. Made nine years after "My Darling Clementine," the definitive film about Earp, this standard oater focuses on the legendary gunman's early career. McCrea would have been well suited to the role except that he was 50 when this film was made and was much too old to be playing Earp as a young man starting his career as a frontier lawman. It also looks a bit creepy when he is romancing the lovely Miles, who was young enough to have played his daughter. Earp is assisted here by Bat Masterson, a role McCrea himself played a few years later in "The Gunfight at Dodge City."

The strong personality of Wyatt Earp has inspired many western so far. This one is quite old, 45 years old, but is quite decent and concrete.It focuses in the time when Wyatt Earp was a sheriff in Wichita, Kansas, before his trip to Dodge City.Starring Joel McCrea, who was a big star of western movies during the 1950s.

Buffalo hunter Wyatt Earp (Joel McCrea) comes upon a group of cowboys bringing their cattle to Wichita, Kansas. Gyp Clements (Lloyd Bridges) and another cowboy try to rob him while he slept. It doesn't go well for Gyp. Wyatt finds the booming Wichita, a violent lawless place, where the slogan is "Everything Goes in Wichita". The quick-draw shoots some bank robbers and falls for Laurie McCoy (Vera Miles). Drunken cowboys rampage through the town and Wyatt is appointed the new Marshal.

It's an old school western with Joel McCrea. It's great to have Lloyd Bridges as the foil. It's good. I would like more of a gunfight in the climax. Two villains are not enough. They have a whole crew. They should climax with a bigger gun battle.

Wyatt Earp was another example of a fascinating person with a fascinating story, so any film about him is always welcome. It is a shame that Jacques Tourneur is as underrated as he is, as he had great talent as a director. One of the best film noirs ever 'Out of the Past' and the very influential 'Cat People' are proof of that. Joel McCrea, Vera Miles and Lloyd Bridges were always worth seeing, and all three have good performances in other films.

Anybody that loves the Western genre, or at least appreciates it, are likely to find a lot to like about 'Wichita'. To me, it is not quite a classic and is a film to be taken on its own and to be dismissed on biographical terms. 'Wichita' still struck me as very good, with a lot of things being excellent. With this film, it is easy to see why those who have heard of Tourneur and like some of his films have found appeal in him and also why the cast are as regarded as they are.

Sure 'Wichita' is cliched, with a lot of elements that people who know the genre will recognise from elsewhere. Those that know intimately about Earp and his life will despair at how the film plays fast and loose with the facts, which were even more interesting than what was presented here.

Perhaps the pace could have been tighter at times.

However, 'Wichita' is very handsomely shot, making the most of the settings that are full of unforgiving grit and atmosphere, and there are no signs of time and budget constraints visually. Tourneur's direction is exemplary, taut, elegant and frames and stages the action with accomplishment and ease. It is a very different kettle of fish to his direction for 'Out of the Past' and 'Cat People', but he didn't seem out of his depth here and it shows that he did have versatility. The music fits very well and the theme song from Tex Ritter is memorable. The script was clearly written with a lot of intelligence and is literate without being too talk heavy.

The story also compels on the most part, it excites, it doesn't hold back in the more tense scenes and it's moving in spots. As well as nostalgic. The action is spectacular, thrillingly staged and beautifully filmed. The romantic angle doesn't feel like padding or tacked on, a mistake that quite a number of similar films make. It may not be completely accurate, but it is a very well told and engaging story in its own way. Earp is a character of real authority here while being characterised in a way that makes one find it easy to empathise with his conflicts. McCrea does superbly at showing all those things in his performance too. Miles is luminous and charming and Keith Larson and Edgar Buchanan are effective in their parts.

Overall, very good and deserving of more credit. 8/10

First off the head star Joel McCrea does a great job in portraying a man of the west. He is tall, has a good build, great demeanor and comes across mellow until he has to come across another way. This one has it all: Bad and good guys, love interest, lots of horses, cattle, cowboys, shooting, drinking, saloon activities, painted ladies, piano playing with a touch of what it was like back then at the start of the cattle boom along with the railroad teaming up. Good supporting staff plus direction makes it come alive and make sense. We all have heard about the shoot-out at the OK corral in Tombstone but this takes place prior to that in Wichita where he had done some good work. They even mention in this movie that he was known for some other heroic deed prior to that. So we get to be in a part of his history courtesy of this movie. Pay special attention to his sidearm. Its a cannon and supports the premise of one shot one kill and don't make me pull-it which btw Earp utters a couple of times which helps to build tension and suspense. Very easy in this movie to root for the good guys and boo the bad guys. Nice closure at the end and I highly recommend singing along with the end credit song to just end it all on a whooping good note. Those old Western songs do the trick! I ate some home roasted pine nuts and had a tasty drink during this movie plus a meat dish with Quinoa all delicious. Plan your watching now and enjoy. Let's ride all you pards!

Wichita (1955): Brief Review -

Joel McCrea's phenomena as Wyatt Earp! Every Western genre lover is familiar with the name and significance of Wyatt Earp. This film focuses on that character. Though just 80 minutes long, it is substantial and quite subjective regarding the main character. Former bison hunter and entrepreneur Wyatt Earp (played by Joel McCrea) arrives in Wichita and is disturbed by the lawless system there. During a bank robbery, he injures two robbers and is asked to become the sheriff. He declines the job. However, he takes the official oath as sheriff when a group of lawless gunslingers destroy the town and ultimately kill a 5-year-old boy. Earp stands against the entire gang, but little does he know that a few white-collar criminals reside in the town as well. Will he be able to defeat these sophisticated smugglers and ultimately the gang? Meanwhile, he falls in love with the daughter of a wealthy man, who happens to be one of those bad guys. Will Earp sacrifice his love, or will he give up his duties? As expected, he is a law-abiding and honest officer who wouldn't give up his job until he is fired. The mayor must make a decision whether to fire him or keep him as sheriff to maintain order in the town. Joel McCrea dominates the entire film with his phenomenal presence. This is what it takes to carry a film on one man's shoulders, especially in this macho-driven genre. The gorgeous Vera Miles plays his love interest and, despite her limited screen time, she makes a strong impact. The rest of the male cast performs well in their roles, and the screenplay moves quickly. A few dialogues hit the right notes, and the scene of Earp's brothers meeting him for the first time is impressive. Jacques Tourneur delivers an honest Western film that doesn't take too long and doesn't bore you either. It's short, simple, and effective. Watch it to appreciate the significance of this character.

RATING - 7/10*

By - #samthebestest.

Films tell lies, and they tell lies because they are fictions. Based on this person or that situation only accentuates the necessary lie that very few of the actions or people related to them were ever like that. I accept this because ' culture ' hold a mirror up to life and often the mirror is distorted. Wyatt Earp, the controversial man of so many books and films is portrayed very cleanly and very well by Joel McCrea. I even wanted to stop thinking he had to be Earp but just a man who believed in cleaning up the town of Wichita of too many trigger happy men who lived by the law of the gun. He arrives in town and a horde of men bringing business to Wichita go on a gun spree and a five year old child is killed by one of their bullets. A daringly awful action and a shocking scene that is not evasively filmed. An ordinary housewife later on is killed in the same way and the rotten spark in people is shown quite clearly; have a gun, use it and accidentally or not innocence is destroyed. This problem continues to this day and Earp's own use of the gun puts the town into some sort of order. I think this Jacques Tourneur film is brilliantly filmed, and despite many fictions of the time Earp was in Wichita the film is resolutely against gun ' freedom, ' and that for me sets it apart from many other Westerns which have a ' freer ' attitude, and glorify in the use of guns. The very fine actor Vera Miles plays the fiction of being Earp's focus of love and lasting marriage. She acts well, but too little is seen of her. The cast is excellent and as cinema it is first rate and my only fault was the over glamorised song that bookends the film. A certain reality is shown here and the death of the child is hauntingly memorable for its showing how that stray bullet can go brutally astray, killing the future of innocents and also maiming the lives of those close and left behind. See it and perhaps like me you will see how fictions tell uncomfortable truths.

Joel McCrea was 50 when he made this movie. The real Wyatt Earp, when he took the job in Wichita, Kansas, was 28. "He only shot to wound those fellas" is also claptrap. This movie is filled with this "made for kids" dialog and fight scenes. Wrongs are righted, the bad guys are caught, and all is right with the world. TV was a booming place for TV westerns in the mid 50's, and this was right out of that world. Sorry, but this film is just plain laughable.

It has all the usual characters-- well dressed saloon bosses, the boozy newspaper man with a secret past, the town marshal who has a yellow streak a mile wide. Cattle barons and cow punchers who feel it's their duty to tear a town apart. All the "saloon girls: are wearing fancy duds without a hair out of place and perfect makeup-- but they don't show cleavage. Yeah, right.... Pass.

here we got another pretty old guy playing a middle-aged romeo and the legendary hero. this mediocre western provided tailor made shirts and pants, cool gun belts, crazy low-life mindless childish cowboys. when they reached Wichita, the horses they rode in, lined up along the street in front of the taverns and bars just like what we did today, parking our cars one by one if we were lucky enough to find a space where the meter was running, 4 hoofs replaced by 4 wheels, the only difference is those horses didn't have to pay state and city taxes to get the license plates, pay the annual vehicle registration fee, horses riding over two years didn't need to pay another fee for smog check. guns were like adult toys in moronic childish hands to shoot aimlessly. nowadays, the guns fired from the thugs and gang-bangers to the sky in los Angeles or other big cities, the stray bullets also killed a lot of people.

all the western movies always come with loud music to glorified the scenes, when train arrived, the main character rode into town, before and after the duels, or rode into wildness, into the sunset afterward, the sound track would blast loud music to accommodate those scenes, some of the movies even never stopped playing music. this kinda format really annoyed me to the extreme and i have to turn down the volume all the time when i watched these kinda movies and i am tired of it.