Pasión indómita

Farmers throughout Europe, unsuccessful with their returns, journey to South Africa to take advantage of the free and fertile land, but must pass through hostile Zulu territory first. The wagon train sequence will be familiar to any western fan: it's the Settlers versus the Indians all over again, with the Zulu tribe on the attack and out for blood (we don't even know why they are so hungry for war). Susan Hayward plays a farmer's wife from Ireland who ends up widowed and caught between two men who desire her, Tyrone Power's leader of the Boer Fighter Commandos and Richard Egan's hot-blooded homesteader. Four screenwriters adapted Helga Moray's novel, but none were able to lift this one out its vat of musty clichés. The picture does look good in widescreen and vivid color, yet the characters are neither likable, sympathetic, nor interesting. ** from ****

Everyone works hard to make this grand-scaled hokum as enjoyable as possible. As a redheaded Irish spitfire, Susan Hayward finally gets her chance to play Scarlett O'Hara, but packs all her chiffons and crinolines [with matching shoes and stockings] in a covered wagon and sets off to cross the veldt with wise Agnes Moorehead and a cast of thousands [well, hundreds]. She's chasing Tyrone Power across South Africa, although he's something of a stiff, but she also loves hearty Richard Egan. The script stuffs in everything from a fancy dress ball to an emergency amputation. Henry King directs it all with some intensity, especially a harrowing and spectacular Zulu attack, and uses the wide screen well to capture the spaciousness of the land. Should be seen on the big screen [or at least in letterbox].

I have no idea what anyone was thinking when this film was done. I am a huge fan of Tyrone Power but I can't say he was very good in this. I honestly don't think it was his fault. The script was rotten.

First of all, the beginning scenes, showing the romance between Katie and Paul, seemed totally like they were from another film and just slapped on at the beginning. Incredibly disjointed. I could never figure Katie out, nor did I want to. People compare the role to Scarlett O'Hara, and I guess there were similarities.

I think one of the problems is that we didn't see enough of their characters before they hit South Africa so the love story could really develop for the audience. He kissed her on the staircase. Okay, so what then? "Was I just some girl you kiss and leave?" she asks. Is that all he did? Or did he have sex with her and leave? Hello, it makes a big difference.

It seemed to me that all she did was throw herself at him, and I never got the impression that he loved her. Good case in point was the scene where her neck and shoulders were sore and she was stretching, etc. It took him about an hour to take the hint.

Her abuse of the Richard Egan character was ridiculous. One ends up losing respect for both of them.

Henry King usually does a great job, and of course, the action scenes are very stirring, but the characters all seemed remote.

It's possible Fox did this movie to use blocked funds in Africa. I can't think of any other reason. I read on this board that Victor Mature was supposed to play Kurt. Well, Robert Mitchum was supposed to play Paul, but he wisely never showed up and the studio got Power, who was in a hurry to finish up his contract with that place. Filming had already started.

Mitchum would have seemed even less interested in Katie, and Victor Mature would have come off as even more of a fool, so it probably worked out for the best. Well, it did for those actors, anyway.

For some unknown reason, Susan Hayward falls in love with Tyrone Power, but he's in love with South Africa. He has the beautiful, incredible Susan Hayward in his arms and he wants to leave for South Africa? In any case, he feels his calling, and he plans to travel there from Ireland. She declares her love and says she'll marry him and go with him. The next day, he leaves without her. How mean and hurtful! How are we supposed to root for him?

Years later, Susan is seen sailing into South Africa, married and with a child. This was her great plan: to marry someone else, bear his child, and then reunite with Tyrone to prove how much she's loved him all these years? How are we supposed to root for her? Neither of the leads are nice people, and their motivations are really tough to get behind. It's clear someone wanted this movie to be a lush, love triangle epic, but the end result hardly succeeded. Try Elephant Walk if you want a similar setting with better characters.

I love "Untamed," but not in the same way as previous commentators. It is arguably the dumb-funniest piece of Hollywood formulaic crap every produced. Basically, Henry King remade "Gone With The Wind," set it in South Africa using standard Western gimmicks. Christ, they must have raided "Gunfight at OK Corral's" wardrobe, and cocked every cowboy hat on one side. But the joke's on them because it is such overwrought camp that I can't stop laughing. It's great! I especially love the way Susan Hayward keeps dumping, picking up, and re-dumping every sap who comes along. Plus, this chick's got to be the luckiest woman on the face of the earth. Nevermind the nasty image of her swindling starving natives by trading her worthless junk for their precious metals. Who else but a "Wild Irish Rose" stumbles upon a diamond the size of a goose-egg? And when the money runs out (no one knows why), she intrepidly sets off with her brood to mine for more gems, murderous claim-jumpers notwithstanding. Tyrone Power used this film as a practice session for "The Sun Also Rises." He's limp throughout. Richard Egan, however, is hilarious as Hayward's ubiquitous dumpee. He defends her against attacking Zulus. She dumps him. He offers to marry her. She dumps him. He plows her fields, plants her crops and builds her house. She not only dumps him again, but amputates his leg! In the end, Egan turns outlaw, still carrying a torch for Hayward. It is here that Rita Morena, the long-suffering half-breed wench, delivers the coup de grace: "...WHAT'S LEFT OF HIM IS MINE!"