El tercer tiro

Amusing and lighthearted suspense story about the apparition a corpse on the countryside and there being many suspicious , causing all sorts of troubles for peaceful neighbors in a rural community . Problems take place in a quiet New England little town when a man's bothersome body is found in the forests . The trouble is that almost everyone in town thinks that they had something to do with his death . As Sam Marlowe (John Forsythe) , Mrs. Rogers (film debut of Shirley MacLaine , and she is marvelous as usual) , Captain Wiles (Edmund Gwenn's fourth and last film with Alfred Hitch) and Miss Gravel (Mildred Natwick , John Ford's usual actress) , all of them are suspicious people and carry out several tricks and antics to disappear the evidences , in fact , Harry gets dug up three times throughout the film . Meanwhile , Deputy Sheriff Calvin Wiggs (Royal Dano), the closest thing to law enforcement in their town attempts to finds out about Harry (Alfred Hitchcock insisted on using a real actor for the body of Harry).

Enjoyable mystery movie involves a motley group of characters who hold numerous tricks in order to disappear a corpse as well as find alibis . Entertaining suspense movie packs humor , intrigue and ordinary Hitch touches . This agreeable and often hilarious picture has some 'Black comedy nature' and results to be an unexpected change of pace from master of suspense . Alfred Hitchcock's films have become famous for a number of elements and iconography : vertiginous height , innocent men wrongfully accused, blonde bombshells dressed in white, voyeurism, long non-dialogue sequences, etc. However in this film there aren't these particularities but contains a fun intrigue and amusing situations . Hitch was famous for making his actors follow the script to the word, and in this movie the characters use their dialogue taken from an interesting as well as fun screenplay by Jon Michael Hayes based on the novel by Jack Trevor Story . Alfred Hitchcock's movies were known for featuring famous landmarks such as Mount Rushmore in North by Northwest and the Statue of Liberty in Sabotage ; however here only appears a quiet small town and some colorful outdoors . Hitch apparently decided to leave this movie location unspecific and without recognizable landmarks and filmed in Vermont , though it was hampered by heavy rainfall , as many exterior scenes were actually filmed on sets constructed in a local high school gymnasium . Alfred Hitchcock once said of this film and of ¨Family plot¨ : ¨they are treated with a bit of levity and sophistication , I wanted the feeling of the famous director Ernst Lubitsch making mystery thrillers ." The film was unavailable for decades because its rights -together with four other pictures of the same period- were bought back by Alfred Hitchcock and left as part of his legacy to his daughter. They've been known for years as the infamous "5 lost Hitchcocks" among film buffs, and were re-released in theaters around 1984 after a 30-year absence. The others are ¨The Man Who Knew Too Much¨ (1956), ¨The rear window¨ (1954), ¨The rope¨ (1948) and ¨Vertigo¨(1958). When Music Composer Lyn Murray was working on the music score for ¨Catch a thief' (1955), Alfred Hitchcock was already looking for a composer for this film, which was to be his next. So Murray suggested Bernard Herrmann. Bernard arranged his whimsical themes from this film into a concert suite he called "A Portrait of Hitch". This was the beginning of the long professional relationship between Hitchcock and Herrmann. Colorful and glimmer cinematography in Vistavision by Robert Burks , Alfred's ordinary cameraman , showing nice autumn outdoors .

The motion picture was well directed by Alfred Hitchcock . Originally designed by Hitchcock as an experiment in seeing how audiences would react to a non-star-driven film and was one of Alfred's favorites of all his films . Although this was a failure in the US, it played for a year in England and Italy, and for a year and a half in France. Rating : Better than average . Well worth watching .

When I read the box at the video store, I thought it sounded a little silly, but since it was directed buy Hitchcock, I decided to give it a try. I was glad I did!

This film does a good job at showing what life is like (in a twisted way) in a small American town. Of course the whole thing is a black comedy about a corpse, but it's great fun, and suspenseful too, especially when Calvin is in the room, questioning everybody. I didn't understand why the door kept opening, but maybe it was just a joke - normally the door would signal a killer entering or something like that - but the door is never any cause for alarm.

All the actors are good, especially Gwenn, and Mrs. Gravely was so endearing. Don't ignore this lesser known Hitchcock movie. It's a treat to watch and is genuinely funny.

Lovely colourful photography of Vermont. A fantastic adorable debut from Shirley Maclaine that earned her a Golden Globe. Amusing, endearing performances by all characters. And a large dose of Hitchcockian humour that begins with the credits. However the doctor who reads while walking and stumbling was a bit over the top.

So it begins, the famous collaboration between suspense maestro Hitchcock and composer legend Herrmann to bring the world . . . a comedy? I went into the film not really knowing what to expect, though with Hitchcock's name I assumed thriller. Within minutes, though, Hitch and Benny helped me shift gears and accept Trouble with Harry for what it is: a tongue-in-cheek ride with a side of murder and a wicked sense of humor and dead on timing.

Within the opening five minutes, my jaw dropped at the sheer ludicrousy of the movie's premise – the offbeat reactions of all the characters to the troubled Harry – and how I laughed at the audacity the film had to throw so many off the wall characters into a situation that grew more and more outrageous with every passing frame and keep running with a straight face.

We get a retired ship captain, an old woman looking for love, a troubled widow, an artist with a taste for the weird, a dead guy, and it only gets more and more strange, folks. The plot? It goes in circles over and over and over again, and not much really happens as this group tries to figure out Harry and what to do with him. Needless to say, The Trouble with Harry walks dangerously close to disaster, but Hitchcock does something remarkable: he lets his style seduce the audience into suspending their disbelief, sitting back, and trusting the master of black comedy.

That is what I love about Hitchcock and about Trouble with Harry – he is so confident in his films and his audience that he knowingly presents the absurd where other filmmakers wouldn't dare go in fear of losing the audience. He knows precisely which ties to reality he can afford to cut free, and he so gracefully and fearlessly lets go of "realism" in favor of his own flavor of the surreal. The Trouble with Harry presents some of the goofiest characters to ever appear on screen with some of the strangest logic-defying ideas, and I love them for it.

How does it work? The film simply resonates with the charms Hitchcock fans have grown to adore – how the grassy hill looked like a set, the witty dialogue between the characters (the captain and Sam cracked me up every time), the mastery of frame composition (loved the first few shots of Harry), and Bernard Herrmann's delightful score that perfectly reflects the tone and feel of the film. Murder never felt so whacky and wonderful. It's that same world of Hitchcock that made us, the audience, forget about logic and realism when we viewed North by Northwest, Psycho, and Rear Window.

Realism is boring. As Sir Alfred, himself, stated, "Most films are slices of life. Mine are slices of cake." And indeed, his world is so much more fun. Screw reality.

This movie is a gem that's easily overlooked since it is a comedy by the "master of suspense." Fans already know he had also mastered the art of black comedy, and the only phrase I need in describing the film to fellow Hitch fans is "pure cinema." The Trouble with Harry is Hitchcock at his best, and it's no trouble at all to sit through.

This movie is in my top five favorite Hitchcock films. Maybe I committed 'blasphemy' for putting it ahead of films like North by Northwest, Shadow of a Doubt, and Notorious, but I think it was worth it. Sadly, this is a film that's overlooked when you think of his other films, like the ones I mentioned above. For fans of the film, we can only wonder why it's swept under the rug. Sure it's no 'Vertigo', but the thing is it's not meant to be.

The Trouble with Harry has the unique distinction of being only one of two comedies that Hitch made, in the U.S. anyway. The other being Mr. & Mrs. Smith. Of course Hitch is famous for little touches of black humor, but on this film he went all out. A plain, simple, black comedy that probably ends up flying under the radar of people used to watching Marx Bros. films, who I also like.

While not exactly, laugh-out-loud comedy I enjoy watching it. I think it's a relaxing film, especially when you see the great photography that captures the beauty of autumn in New England. Then again, I don't think you can ever get a bad shot of that. It's an amusing tale with good acting from John Forsythe, Shirley MacLaine, Edmund Gwenn, and Mildred Natwick occupying the main and almost only roles in the film. It also marks the first collaboration between Hitchcock and Herrmann who brings a light, airy, and playful score that helps make the concern of the story less of 'how' Harry died, but what exactly to do with him.

Basically, if you like Hitchcock, black comedy and don't mind an uncomplicated story, then I highly recommend it.