Ukigumo
- 1955
- 2h 3min
CALIFICACIÓN DE IMDb
7.6/10
3.4 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA tragic social drama set in post war Japan about a lonely woman trying to find purpose and stability in a devastated Tokyo.A tragic social drama set in post war Japan about a lonely woman trying to find purpose and stability in a devastated Tokyo.A tragic social drama set in post war Japan about a lonely woman trying to find purpose and stability in a devastated Tokyo.
- Dirección
- Guionistas
- Elenco
- Premios
- 9 premios ganados en total
Roy James
- American soldier
- (as Roi H. Jêmusu)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Ukigumo (1955), directed by Mikio Naruse, was shown as "Floating Clouds" at the Dryden Theatre in Rochester as part of a Naruse retrospective. This is Naruse's best-known film, and it stars his muse, the outstanding actor Hideko Takamine. The film is adapted from a novel by Fumiko Hayashi. Seven or eight of Naruse's films were based on novels by this author. Finally, many of the Toho studio supporting players appear in this movie, as they do in all of Naruse's films. In summary, "Floating Clouds" is classic Naruse.
As in many Naruse films, the theme is grim. Japan is still struggling in the aftermath of World War II. The economy is slow, and the pall of defeat still hangs over the country.
Although we think of the war as totally tragic for everyone involved--especially everyone Japanese--this isn't accurate. Hideko Takamine's character (Yukiko) had a passionate and sincere wartime romance with an engineer when they were both stationed in an area away from the combat zone. It becomes clear--ten years later--that this love affair was the high point of both their lives. Masuki Mori plays Kengo, the engineer who loves Yukiko, but who will never marry her.
The tragedy of the film is that both Yukiko and Kengo have known happiness, but realize they will never know it again. Such happiness as they can grasp is undone by the harsh realities of financial and physical problems.
This movie is not exactly a masterpiece, but it is the perfect film if you can only see one work by Naruse. It defines his themes, demonstrates his unique skills and extraordinary expertise, and showcases the best actors in his company. It's a movie worth seeking out and watching.
As in many Naruse films, the theme is grim. Japan is still struggling in the aftermath of World War II. The economy is slow, and the pall of defeat still hangs over the country.
Although we think of the war as totally tragic for everyone involved--especially everyone Japanese--this isn't accurate. Hideko Takamine's character (Yukiko) had a passionate and sincere wartime romance with an engineer when they were both stationed in an area away from the combat zone. It becomes clear--ten years later--that this love affair was the high point of both their lives. Masuki Mori plays Kengo, the engineer who loves Yukiko, but who will never marry her.
The tragedy of the film is that both Yukiko and Kengo have known happiness, but realize they will never know it again. Such happiness as they can grasp is undone by the harsh realities of financial and physical problems.
This movie is not exactly a masterpiece, but it is the perfect film if you can only see one work by Naruse. It defines his themes, demonstrates his unique skills and extraordinary expertise, and showcases the best actors in his company. It's a movie worth seeking out and watching.
This at first appears to be a riveting study of human relationships, and it is entertaining. But ultimately it never gets beyond the level of a high class soaper, and it goes on far too long. Calling it a soaper is by no means pejorative; I am a dedicated fan of Douglas Sirk. But Sirk never took himself as seriously as the makers of this film appear to, and that makes it all the more ponderous. Worth seeing, however.
This is a story about a couple who met in French Indo-China working for the Forestry Department for Japan. The story is ultimately about the time they spend once they return to Japan, which is somewhat tumultuous, as her is married. They do not spend the whole film together, at times Tomioka is with his wife and he even leaves Yukiko for another still younger woman, Osei. If this sounds like a tear-jerking soap opera, it kind of is. However, the movie is a powerful tale of love, betrayal and obsession. The beautiful Hideko Takamine (at times, I don't think she was ever more beautiful in a film) is excellent in a very challenging role, conjuring raw emotions often. At times you are torn between them even wanting to be together and I think that is what gives the film its compelling nature. If you are not fond of heavy drama, this is not your film. I feel the acting is superb (again, especially Ms. Takamine) and the story very watchable. Another great film by Mikio Naruse.
This melodrama of postwar Japan seemed to resonate with the people I watched it with; many seem to have seen it when it came out and it really spoke to them; but alas it is really a turgid melodrama that can't sustain your interest. Well directed and acted; it none the less becomes a series of redundant bad break scenes for it's heroine. Worth seeing, but not one of the greats of Japanese film.
Another Mikio Naruse film, which means it's kind of long and very slow throughout... but also features great acting, plenty of technical skill behind the camera, and some quietly affecting emotional scenes.
Part of me wonders whether his films about regret, growing old, and feeling despondent will hit harder when I'm older and am more plagued with wasting time when I was younger; time I'll never get back. Time wasted on watching movies and then spewing out words than form messy opinions on them, for example.
If this app is still a thing in 20-30 years, maybe I'll revisit this and provide an update then lol.
Part of me wonders whether his films about regret, growing old, and feeling despondent will hit harder when I'm older and am more plagued with wasting time when I was younger; time I'll never get back. Time wasted on watching movies and then spewing out words than form messy opinions on them, for example.
If this app is still a thing in 20-30 years, maybe I'll revisit this and provide an update then lol.
¿Sabías que…?
- TriviaThird in the centenary poll by Kinema-Junpo magazine about all-time best Japanese films, only Los siete samuráis (1954) and Cuentos de Tokio (1953) preceded it.
- ConexionesFeatured in Naratâju (2017)
- Bandas sonorasAuld Lang Syne
(uncredited) (Traditional Scottish Ballad)
[In the Score when Kengo boards the Ship for Yaku Island towards the end of the film]
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- How long is Floating Clouds?Con tecnología de Alexa
Detalles
- Tiempo de ejecución2 horas 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was Ukigumo (1955) officially released in India in English?
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