The Treasure of Pancho Villa

Yes, it's true. There is a 1950's Coca-Cola sign atop a building in this Western movie. About 5 minutes into the movie, Rory Calhoun and some Mexicans rob a bank and there, behind them atop one of the buildings, is a 1950's time period Coca-Cola sign visible for all to see. I checked the history of Coca-Cola signs and find this one was not a style until the late 1940's and, since the movie was made in 1955, it is obviously not an original 1914-1915 time period sign (which is when the movie was supposed to take place). So one wonders who was in charge of the scenery for this Western.

Otherwise, the Western is good. Calhoun plays a mercenary who is fighting for Pauncho Villa and helping the cause to raise money for guns and ammunition. Roland is one of Villa's main men who is responsible for delivery of the gold they steal to Villa. Winters, as lovely as ever, is a school teacher who wants to fight for the cause because she believes in it.

The gold gets stolen off the train and is taken by mule train to where it is to be delivered to Villa. But Villa is not there when they arrive and Calhoun wants the gold for himself. Then it becomes a struggle between him and Roland.

There's plenty of action and definitely a very good plot. The acting by the stars is good and believable. It's a Western certainly worth watching--despite the Coca-Cola sign.

It's 1915 Mexico. Tom Bryan (Rory Calhoun) is a mercenary with plenty of gold but encircled by soldiers. He recounts his story. After doing a bank robbery, he takes a job with revolutionary leader Colonel Juan Castro (Gilbert Roland) despite getting tired of the work. Castro plans to blow up a bridge to rob a government gold train. They find local supporters like Ruth Harris (Shelley Winters) who are willing to fight for Pancho Villa.

This is an American western shot in Mexico. The production seems big. The vista is grand. There is one or two good leads. In the end, it is no more than a B-movie. The directing is inferior. It doesn't have style and neither is it that realistic. The imagination is not really there. It's a second tier western.

In this off-beat tale, Calhoun is an American mercenary that hires himself and his machine gun out to Villas band of revolutionary rebels. There's plenty of action, as the old west meets modern times. Story moves at a nice pace and the cast featurning Calhoun, Roland, and a pre-cellulite Winters make this a worthwhile view.

The Treasure of Pancho Villa is directed by George Sherman and adapted to screenplay by Niven Busch from a story written by J. Robert Bren and Gladys Atwater. It stars Rory Calhoun, Gilbert Roland and Shelley Winters. Music is by Leith Stevens and cinematography by William Snyder.

It's 1915, Mexico, and two adventurers are in the throes of revolutionary greed, loyalties and plain stubbornness...

It's all rather dull, really, a film not without a good action quotient, yet it drags itself through the slumber with weak characterisations. Winters is shoehorned into the pic as a sort of love interest, but ultimately her character achieves nothing more than under developed dressage, while Calhoun and Roland are saddled with some dire passages of chatter that come off as weak willed time filler. There's some sturdy machismo on show, especially when Calhoun lets fly with his Lewis Machine Gun, the location photography at Morelos (Technicolor/SuperScope) engages the eyes, and the last hurrah battle excites, but this is one that quickly fades from memory, sadly. By this point even the buzzards have had enough... 5/10

Shelley Winters in a typical western yarn set at the time of the uprising of the fiery Mexican Revolutionary Pancho Villa.

Gilbert Roland, as Castro, another fiery revolutionary is fascinating to watch. He has these types of parts well under his grip. Even the use of the word gringo can't be said better by anyone.

Gold is taken from a train to aid the revolution. Western star, Rory Calhoun, comes along for the ride as a American soldier of fortune, and Miss Winters portrays a woman of virtuous ideals, and full of love as well.

This is a story of betrayal and redemption.

The love triangle is there but is certainly not dominant in this film. Yes, there is lust and greed but it's revolution time!