La ronda del destino

Randolph Scott starred in many fine westerns in his decades-long career. His strong, gentlemanly demeanor gave way to steely determination when confronting the villains who were unfortunate enough to face him . This film again finds Scott out for vengeance in what turned out to be a pretty decent shoot-em-up film.

Although Scott & John Dehner give their usual strong performances, the script ultimately lets them both down. It is full of clichéd western characters that hold few surprises for the seasoned viewer.

All of Randolph Scott's films are worth seeing, but this film from late in his career was not his best. An average film from a great actor.

Look fast for an appearance by character actor Dub Taylor !

The "Tall Man Riding" of the title is Randolph Scott in another of his series of "B" Plus (or "A" Minus, if you will) 80 minute westerns made during the 1950s.

In this entry Larry Madden (Scott) is riding to the town of Little River when he happens upon a man being attacked by three others. He takes the part of the pursued and kills one of the attackers. The man he has helped turns out to be Rex Willard (William Ching) the son in law of Tuck Ordway (Robert Barrat) a powerful rancher with whom Madden has some issues. It also seems that Madden had been romantically involved with Ordway's daughter Lorraine (Dorothy Malone) who is now married to Willard.

Riding into town Madden meets an old nemesis Seabo Pearlo (John Baragrey) the owner of a local saloon, and his "singer" Reva (Peggie Castle). Lawyer Luddington (John Dehner) is also there and we learn that Madden has hired him to find out if Ordway truly owns his ranch, Warbonnet. It turns out that he doesn't and the property falls into the public domain.

Meanwhile Pearlo frames Willard for the murder of the gunman and Lorraine comes to Madden for help. He reluctantly agrees to attend the inquest but is ambushed by Pearlo's gunman, The Peso Kid (Paul Richards). Reva nurses him back to health and he returns to town in search of the Kid. However he learns that the Kid is planning to kill Willard on his way to trial with Deputy Barclay (Mickey Simpson). Madden is unable to prevent the murder and returns to town to learn that Pearlo has designs on Ordway's ranch.

Not being interested in the ranch Madden decides that it's time to confront Ordway. The two agree to meet in a showdown in a darkened room where Madden learns that Ordway is almost blind. Madden returns to town to confront the Kid. Then there's the land rush for Ordway's property. Madden decides to join in and................................

The romance between the Scott and Malone characters is a little hard to be taken seriously as he was twice her age at the time. But there's plenty of action in the picture to compensate. Director Leslay Selander gives us a slam bang land rush, plenty of gun play and a knock down drag out fight between Scott and Simpson (and their stunt doubles).

All in all a very entertaining western.

After five years' absence, Randolph Scott returns to a town to get his revenge. It seems that the powerful Tucker Ordway (Robert Barrat) had whipped him within and inch of his life because Scott had the nerve to ask to marry Ordway's daughter. But before he can retaliate, he stumbles into the middle of a fight between one bully, Ordway, and another of the town's bullies, Cibo Pearlo (John Baragrey). So now Scott isn't sure which one to take on first or just let the other two kill each other! In this film, Scott plays a harder man than usual. In most of his westerns, he plays a good guy--one that is exceptionally nice and good. Here, though, he isn't quite so kind but a bit more menacing than usual. He wants revenge and all else seems unimportant...until he learns Ordway's dark secret.

In many ways, this is a rather typical western for Randolph Scott, even if he is hell-bent on revenge. There are the usual bosses vying for power and in the end you just know that Scott will do the right thing. A tad predictable in spots, but overall still a very good movie.

By the way, doesn't the Peso Kid look a lot like his head was dipped in plastic? Normally I wouldn't say anything, but wow did he look weird!! Plus, did you also notice that his accent kept changing throughout the film? Also, didn't they make Dorothy Malone's character a bit,...nasty?! This ISN'T the word I wanted to use, but IMDb has rules against using certain words.

In Tall Man Riding, an uncharacteristically belligerent Randolph Scott returns to his home to ruin and possibly kill the wealthy rancher who bull-whipped him and run him out of town years earlier, only to get in the middle of a deadly feud.

The first half of the film lacks action but it's saved by an interesting second half. Highlights include a rowdy fistfight in the Sheriff's office, another fight inside a stagecoach, and a blind gun battle inside a pitch black room.

Like all studio B-pictures, Tall Man Riding is fun, looks great and has good action sequences but doesn't have a very memorable script. However, Randolph Scott is much more macho and blustery than usual, making this a bit more unusual.

Tall Man Riding is directed by Lesley Selander and adapted to screenplay by Joseph Hoffman from the novel written by Norman A. Fox. It stars Randolph Scott, Dorothy Malone, Peggie Castle, William Ching, John Baragrey, Robert Barrat and John Dehner. Music is by Paul Sawtell and cinematography by Wilfred M. Cline.

Petty routine Oater that retains watchable factors due to Randolph Scott, location photography (in Warnercolor) and some straight backed action. Larry Madden (Scott) returns to the town of Little River seeking revenge on the land baron (Barratt) who publicly humiliated him with a whipping. Madden's crime was to date the man's daughter (Malone). Soon enough Madden is dealing with all sorts of problems, liars and cheats, murder, hired assassin, an ambush, prison escape, betrayal, corrupt law and of course affairs of the heart. All wrapped up in under 85 minutes.

There's some interesting characterisations about the place, but the screenplay doesn't have time to capitalise on the potential (eg: one key character is going blind but barely anything is made to add dramatic worth to this issue). Selander does a competent job of directing, but the over all feeling is that the makers were happy to settle for a "B" Western and just chock the play with formula staples guaranteed to please all the family looking for an unassuming afternoon at the theatre. Which on the face of it is enough for Western fans who know what they are getting with these 50s "B" level Oaters.

When you got Randy Scott in square jawed antagonist mode, Dottie Malone batting her eyelids, Peggie Castle showcasing beautiful thighs that could crush walnuts, and Wilfred Cline photographing the Calif Ranch locales, well it's impossible for genre fans to hate really. 6/10