Tarántula

As someone who'll kill a common house spider on sight, and as a resident of one of the the cooler regions of the United States, I try to watch the fifties sci-fi movie Tarantula whenever it's on. Maybe I do it as therapy. I dunno. Or maybe I'm trying to convince myself that it really is better living in a city that has been known to have blizzards in April. Whatever. But enough about me. This Jack Arnold-directed movie was made for Universal-International at a time that studio wasn't nearly the behemoth it is today. But U-I, or rather its management, wanted to be big, and were aiming to grow. Kind of like the eight-legged creature in this film.

The movie is set in an Arizona desert town whose handsome young Dr. John Agar is trying to solve the mysterious death of a man from a condition known as acromegaly (or acromegalia, as it's called in the film). His quest takes him to the laboratory of research scientist Leo G. Carroll, who, though outwardly polite, clearly doesn't want to be bothered. He doesn't want his beautiful young assistant, Mara Corday, to be bothered, either, least of all by the romantic Dr. Agar.

As luck would have it, Carroll and his former associate and friend,--let's call him the acromegaly man, and leave it at that--were working on a nutrient, a growth formula, that they hoped would cure world hunger. To make a long story short, one of the creatures they were experimenting on, a tarantula already the size of a Volkswagon, escaped from the lab when a former assistant, also suffering from acromegaly, set it on fire, as he had gone mad. He also injected Dr. Carroll with the growth formula that would in time give him acromegaly, too.

In a brief period of time the spider has grown to the size of a house, then an office building. He's either very shrewd or very lucky to avoid being spotted, feasting mostly on ranchers and men in remote areas where he won't be seen by others. Guns are useless against the big guy. Dynamite can't kill him, either. He just ambles on right through it. The Air Force has to be called in. I won't tell you any more because I don't want to spoil the ending for you.

As big bug movies go, this one's near the top of my list. It's very well photographed, and the life of the small town is presented with just enough credibility so that even when the story gets a tad weird, the people seem real. I especially liked Nestor Paiva's extremely (to put it mildly) aggressive performance as the sheriff. Forceful as he is, he's never obnoxious, just assertive. Mara Corday doesn't have much to do but look pretty, which she does superbly. The late John Agar is quite good as the town doctor. No, this isn't George C. Scott we're talking about, but Agar is competent. Also, there's something about his looks, the eyes and cheekbones especially, that give him an alien, almost unreal aspect. It's a perfect face for a fifties sci-fi hero. Slightly android.

Leo G. Carroll is his usual diffident self, and he does make a convincing scientist. There's something about Carroll's manner and delivery of dialog that makes you want to hear more. I wish he'd have more to say and more to do, and not just in this movie, in all the movies he appeared in. This isn't exactly a star vehicle for him, but his role is substantial, and in a way it's his low-key underacting that keeps the movie anchored in something that resembles reality. Put a more flamboyant type in the part, a Rathbone or a Lugosi, and the film would be over the top.

I enjoyed this film, which was one of the best of the "giant, mutated one-thing-or-another" movies. Two of my favorites of the 1950 B-movies, John Agar and Nestor Paiva starred with Mara Corday(who is very beautiful). Hank Patterson was great as Josh the hotel clerk, who provided comic relief. Clint Eastwood has a small part at the end of the film as the fighter squadron leader. The effects by Clifford Stine are classic and Jack Arnold again proves his worth as director(before moving on to the "Brady Bunch" in the 1960s). Leo Carroll is superb as Professor Deemer, who develops a formula for a growth serum. It is this serum(with uses an atomic isotope)that produces rapid growth in all the lab animals,including the Tarantula. The acting is very good, the movie has a nice pace and the effects for their time are top-notch. This is one 1950s sci-fi film to see!

This is the story of a giant spider, told with the craft so often seen in older movies.

We have the "mad" scientist, who is quite a three dimensional character, who causes gigantic mutations in animals. A fire destroys all but one, a tarantula that grows to immense size.

People are prey to this arachnid. There are many scary scenes. Two men camping out are assailed, and there is the famous scene with the jeep. When the military fail to stop the spider, the commander leaves two men behind in a jeep which won't start. Apparently, it was serviced by a Louisville mechanic.

Clint Eastwood makes an appearance at the end, as a pilot.

But Agar, Carroll, and a stunningly beautiful Corday are the stars of this show.

There are thrills, logical sequences of events, and identifiable characters which makes this greatly entertaining. It is action packed, mixed in with good drama.

This is one of those films which starts off with a bang, slows down with a big lull in the middle section, and then finishes strong.

Kudos to the special-effects people to make the giant tarantula scenes look pretty good, even by today's standards some 50 years after this was made. Many times, the huge spider looks real while it's crawling down the road. I would like to have seen one or two more scenes of it in that middle section which would have kept viewers on edge throughout the film. Instead, it got a bit talky in spots.

Anyway, it still entertained and it was fun for me to see Leo G. Carroll, a guy I saw each week growing up watching "Topper" on television. Carroll played, by far, the most interesting character in this movie.

The acting was good in here, too, once again above '50s sci-fi standards. It was one of the better entries in the recently-released Sci-Fi Ultimate DVD set, offered at Best Buy. A pretty good transfer, too.

Only slightly less classic than "Them!" "Tarantula" still manages to stand on its own as a strong entry in the Giant Bug movies of the 50s. Technically, its not a bug movie as tarantulas are arachnids and not insects, but movie-going audiences of the 50s didn't care. They just wanted to see big ugly bugs crushing everything in their path, and this film certainly delivers in that respect.

Taciturn scientist Leo G. Carroll is a man bent on finding a cure for world hunger. He invents a serum which enlarges whatever animal or insect (or arachnid) it is injected into. Unfortunately, when injected into a human, it causes acromegalia, a disorder marked by progressive enlargement of the head, face, hands, feet, and thorax, due to the excessive secretion of growth hormone. When one of Leo's human guinea pigs comes looking for revenge, he not only destroys the lab and injects the doctor with his own serum, but he shatters the glass cage of a puppy-sized tarantula, which quickly scurries out into the night.

Enter Mara Corday and John Agar. Mara Corday is the new lab assistant for Leo, and John Agar is the country doctor who takes an interest in the dark haired beauty. But there's not much time for romance as the tarantula, now roughly the size of the Goodyear blimp, begins terrorizing the desert. Farm animals are munched upon, and so too are human victims who are found in pools of venom, their bodies literally filled with enough poison to kill ten more men besides. Leo G. Carroll slowly turns into the Elephant Man, the giant spider peeks through the window at Mara in her nightie and Clint Eastwood shows up at films end to fire napalm at the eight legged menace.

Forget about "Earth vs. The Spider" and whatever you do, avoid "The Giant Spider Invasion" at all costs. This is the definitive Giant Spider film. It's smart and fast and well acted, and the spider itself is pretty cool looking, considering the fact that no furry robotic arachnids were constructed for this film, but instead film footage of a real tarantula was blown up and rear projected. It looks pretty good, considering the time. If you liked "Them!" you'll definitely want to check this one out as well.