Tarántula

As someone who'll kill a common house spider on sight, and as a resident of one of the the cooler regions of the United States, I try to watch the fifties sci-fi movie Tarantula whenever it's on. Maybe I do it as therapy. I dunno. Or maybe I'm trying to convince myself that it really is better living in a city that has been known to have blizzards in April. Whatever. But enough about me. This Jack Arnold-directed movie was made for Universal-International at a time that studio wasn't nearly the behemoth it is today. But U-I, or rather its management, wanted to be big, and were aiming to grow. Kind of like the eight-legged creature in this film.

The movie is set in an Arizona desert town whose handsome young Dr. John Agar is trying to solve the mysterious death of a man from a condition known as acromegaly (or acromegalia, as it's called in the film). His quest takes him to the laboratory of research scientist Leo G. Carroll, who, though outwardly polite, clearly doesn't want to be bothered. He doesn't want his beautiful young assistant, Mara Corday, to be bothered, either, least of all by the romantic Dr. Agar.

As luck would have it, Carroll and his former associate and friend,--let's call him the acromegaly man, and leave it at that--were working on a nutrient, a growth formula, that they hoped would cure world hunger. To make a long story short, one of the creatures they were experimenting on, a tarantula already the size of a Volkswagon, escaped from the lab when a former assistant, also suffering from acromegaly, set it on fire, as he had gone mad. He also injected Dr. Carroll with the growth formula that would in time give him acromegaly, too.

In a brief period of time the spider has grown to the size of a house, then an office building. He's either very shrewd or very lucky to avoid being spotted, feasting mostly on ranchers and men in remote areas where he won't be seen by others. Guns are useless against the big guy. Dynamite can't kill him, either. He just ambles on right through it. The Air Force has to be called in. I won't tell you any more because I don't want to spoil the ending for you.

As big bug movies go, this one's near the top of my list. It's very well photographed, and the life of the small town is presented with just enough credibility so that even when the story gets a tad weird, the people seem real. I especially liked Nestor Paiva's extremely (to put it mildly) aggressive performance as the sheriff. Forceful as he is, he's never obnoxious, just assertive. Mara Corday doesn't have much to do but look pretty, which she does superbly. The late John Agar is quite good as the town doctor. No, this isn't George C. Scott we're talking about, but Agar is competent. Also, there's something about his looks, the eyes and cheekbones especially, that give him an alien, almost unreal aspect. It's a perfect face for a fifties sci-fi hero. Slightly android.

Leo G. Carroll is his usual diffident self, and he does make a convincing scientist. There's something about Carroll's manner and delivery of dialog that makes you want to hear more. I wish he'd have more to say and more to do, and not just in this movie, in all the movies he appeared in. This isn't exactly a star vehicle for him, but his role is substantial, and in a way it's his low-key underacting that keeps the movie anchored in something that resembles reality. Put a more flamboyant type in the part, a Rathbone or a Lugosi, and the film would be over the top.

I watched this movie a hundred times while growing up and I've seen it at least a hundred more times as an adult! Great story. To me it's the greatest big bug movie ever made. Interesting side story of the effects of the nutrient on humans, also. I fell in love with Mara Corday after the first time I saw this as a young child and I still think she was one of the great beauties of the screen. I think the main reason the film holds up today is the special effects are still quite impressive and there is nothing that todays audience would find hokey or cheesy. The only thing that "Bugs" me is the sound effect of the tarantula growling as it attacks. But thats just nit-picking. Its also fun spotting a young Clint Eastwood. Great sci-fi and great entertainment! A film viewing must!

In Desert Rock, Arizona, a disfigured man is found dead and identified by Professor Gerald Deemer (Leo G. Carroll) as his assistant and friend Dr. Eric Jacobs, who would suffer from acromegalia. The country doctor Matt Hastings (John Agar) is puzzled with the mysterious disease and decides to investigate further about acromegalia. Professor Deemer omits that Dr. Eric Jacobs and Dr. Paul Lund were researching with him a nutrient to increase the food supply in the world and they have been affected by the experiment. Soon Paul Lund, who has also been affected and is mad, breaks and sets the laboratory on fire and a huge tarantula escapes.

Meanwhile, the gorgeous Stephanie "Steve" Clayton (Mara Corday) arrives in town to work with Dr. Jacobs, and Dr. Hastings drives her to Professor Deemer's house in the desert. She is hired by Deemer and she finds that he is sick. When cattle bones are found in a farm, Hastings collects material and flies to a laboratory, where he learns that the sample is of tarantula's venom. But the scientist does not believe that one tarantula could ever produce such quantity of venom. The doctor returns to Desert Rock sure that the species is part of Prof. Deemer's experiment and the locals are threatened by the dangerous tarantula.

"Tarantula" is a typical sci-fi of the 50's and a surprisingly good film. The screenplay is very well written and the movie is supported by good direction, performances, cinematography and special effects. My vote is seven.

Title (Brazil): "Tarântula!" ("Tarantula!")

Note: On 16 Sep 2018 I saw this film again.

This is the story of a giant spider, told with the craft so often seen in older movies.

We have the "mad" scientist, who is quite a three dimensional character, who causes gigantic mutations in animals. A fire destroys all but one, a tarantula that grows to immense size.

People are prey to this arachnid. There are many scary scenes. Two men camping out are assailed, and there is the famous scene with the jeep. When the military fail to stop the spider, the commander leaves two men behind in a jeep which won't start. Apparently, it was serviced by a Louisville mechanic.

Clint Eastwood makes an appearance at the end, as a pilot.

But Agar, Carroll, and a stunningly beautiful Corday are the stars of this show.

There are thrills, logical sequences of events, and identifiable characters which makes this greatly entertaining. It is action packed, mixed in with good drama.

This is a top-of-the-line Sci-Fi thriller from the studio that did 'em best in the 1950s - Universal-International. Produced by William Alland (who also produced "Creature From the Black Lagoon" and "It Came From Outer Space", and directed by Jack Arnold (who directed those films) it has an intelligent script and good acting all the way around. Arnold does a great job of building suspense as he cleverly keeps the titular monster mostly off-screen for the first 2/3 of the film until it's simply too big to hide. And then --- watch out, folks! As in many another sci-fi story, the road to hell is paved with good intentions, and if there's a villain of the piece, it's the Nuclear Age - the spider of the title is merely doing it's natural thing: searching for food. Except that, thanks to Leo G. Carroll's well-meaning experiments (to increase the world's supply of food), this is one BIG spider with an equally BIG appetite! Universal's special effects department just about out-did themselves here - the matte work is almost flawless (check out Leo G. Carroll's house after the spider's visit), and the make-up department did excellent work as well. This is one of the best of it's kind, and great fun on a rainy Saturday afternoon.