Cita en Hong Kong

Susan Hayward arrives in Hong Kong because her rather irresponsible reporter husband has disappeared--most likely across the border in Communist China. A wide variety of low-lifes offer to help but most seem intent with either bedding her or getting her money. One of these disreputable characters is played by Clark Gable--a man who seems to be heavily involved in the black market and smuggling. Of course Gable falls for Hayward, but the fact that she's loyal to her husband keeps getting in his way.

This is an awfully familiar plot considering Clark Gable played in many movies with similar plot threads from the 1930s until the end of his career. In so many of his films, he played a rogue who was often on the wrong side of the law and who claimed to have no loyalty to anything but himself. However, again and again, by the end of the film, his character turned out to be decent after all--and usually get the girl. Despite all this being present in SOLDIER OF FORTUNE, I enjoyed the movie for two reasons. First, Gable always played those parts so well that it's hard to dislike these films. Second, setting the movie in Hong Kong was a welcome relief and breathed life into the old theme. In particular, the spectacular scenery really enhanced the film and made it sparkle.

The 50s was Hollywood's probably worst-ever decade, the highlights of that period very ironically being mostly low-budget, so-bad-they're-good sci-fi and monster movies. Even though SOF isn't by any means a brilliant exception to the rule, it does offer something that a number of 50s big-studio movies did have: beautiful women (in this case one woman) and great Technicolor visuals. Susan Hayward has never looked better: she is quite simply stunning. The coastal night scenes are visually impeccable. The story isn't too cheesy for that period and refreshingly presents communists as the bad guys. (The movie was made post-McCarthy-clean-up so there was a pleasant hiatus that lasted several years regarding left-wing propaganda films that glorified communists or at least tried to soften the brutality of such regimes.) Clark Gable, if a little old, in the lead role can't hurt either.

Compare 40s/50s beauties like Liz Taylor, Olivia de Havilland, and Susan Hayward to modern-day wrecks like Julia Roberts, Jennifer Aniston and Cameron Diaz. Sad...

Gable and Hayward are great to watch and Hong Kong is the uncredited star of this flick. Admittedly, Gable was not in his prime but he had the charm and sex appeal to keep viewers, especially females, interested. There is one scene between Gable and Hayward showing the harbor entrance of a typhoon that is sexier than any current movie showing actual sex. My only complaint with Susan Hayward was her hair. Her stylist really goofed on this one. Her hair was parted in such a way that she looked like she had a "comb-over" from the back. Her clothes were perfect for her neat, compact figure. She really was an adorable woman and I'm glad that she had a happy second marriage. Richard Loo was marvelous as the anti-communist, expatriate general. His comments are as relevant today as they were in 1955. Michael Rennie was as usual the superb Brit that we all loved to watch and listen to in the '50s. But the music has always been the real hook for me. I watch this movie again and again to enjoy the wonderful music. I think David Raksin of "Laura" fame wrote the score.

Even toward the end of his marvelous career, Clark Gable's screen persona of the charming, irresistible bounder was untarnished. Unhappy with the roles MGM was giving him, he did not renew his contract. "Soldier of Fortune," which Gable subsequently did for 20th Century Fox, is a big budget, good-looking movie with big stars, none of which can hide the fact that it's a routine story that John Hodiak could have done in black and white in 1950 and probably did.

Susan Hayward plays a woman who arrives in Hong Kong to look for her photographer husband (Gene Barry) who has slipped into China illegally. She runs into of a bunch of sleazy characters and finally meets Henry Lee (Gable), a soldier of fortune with money and contacts. He's an older version of Rhett Butler - out for himself but capable of goodness as well. He falls hard for Hayward and becomes more determined than ever to find her husband so he doesn't have to compete with a ghost. With two such attractive stars, it's obvious what's going to happen.

The stars and the supporting cast - Michael Rennie, Tom Tully, Anna Sten et al - are all very good. It's a beautifully photographed film that undoubtedly looked great on the big screen with its Technicolor panoramas of Hong Kong, but alas, it's not very exciting. Gable looks fantastic and immaculate in his white suit, his smile as dimpled and his voice as gruff as ever, and Hayward, not the warmest actress who ever lived, is excellent as a concerned and confused woman. They work very well together.

It's hard to say the movie is not worth seeing because as excellent as some of our actors are today, there are no Gables. There was only one - and checking him out is always worthwhile.

In search of her missing photographer husband, Jane Hoyt (Susan Hayward) arrives in Hong Kong and learns at the U.S. Consulate that her mission is futile, that neither the United States nor the British government can help her...

She turns in despair to Hank Lee (Clark Gable), an American soldier of fortune who runs a profitable smuggling business on each side of the bamboo curtain...

Hank is attracted to Jane's sultry red-haired beauty... He develops a personal interest in the lady, but when she repulses his advances, he realizes that the only way to win her over is to rescue her husband... Aided by an incorruptible English harbor policeman, Inspector Merryweather (Michael Rennie), he discovers that her husband is being held prisoner near Canton, where he is being brainwashed...

Hank prepares to rescue Hoyt in his powered junk, Chicago, and is annoyed to find Inspector Merryweather aboard... Since the inspector knows the nature of Hank's merchandise, he was held prisoner aboard the sailing vessel... Later, however, when Hank's crewmen desert rather than enter Red China, Merryweather, realizing that this is a rescue mission, offers his help...

Clark Gable was getting a little too old for these kinds of actions, but the film holds attention with its good yarn and its interesting locations...

Hayward looks different without her famous long tresses... This was her second movie with the tall, gaunt Michael Rennie... She had one scene with him in 'Demetrius and the Gladiators.'

Ironically, this anticommunist adventure film was directed by Edward Dmytryk, one of the 'Hollywood Ten.'