Shotgun

Well directed by Lesley Selander ( unknown as a director to me ) it has two major merits; one, the casting of Sterling Hayden and Yvonne de Carlo, and two the use of the outdoors, and only marginally using interior shots. The editing is excellent and not one minute of the film is wasted. Hayden plays an outlaw turned good and Yvonne de Carlo plays an ex-saloon entertainer. Their pairing here is of a rough romance but the ending is inevitable. No spoilers on the plot except to say that Hayden is hunting down a batch of killers and finds de Carlo on the way. The film shows the Apache people in a slightly less offensive way than usual. There is a scene where de Carlo bathes in a stream hidden by foliage and there is no come on scene as depicted on the sensationalist original poster. It is true that Zachary Scott who has joined them takes a peek and gets very badly beaten up for it, but it is certainly no open season for Abby. De Carlo's character. On the contrary she is dressed in men's clothes all through the film, and there is never a female garment in sight. The BBFC shows the poster and it just shows how far Hollywood would draw in an audience, and to put it lightly exaggerate the subject matter. To sum up Hayden and de Carlo are perfect together and they both had the rare art of acting while being simply themselves. On screen that is, and it is not as easy as it seems.

One need only check out the poster to see why Yvonne was in this film. The acting was acceptable, but basically it was everyone playing their stereotype. Zachary Scott again plays a weasel, which made me wonder at the loss to our film heritage by the failure to develop the talent he showed in The Southerner and Mildred Pierce. In the film I saw, there were major and multiple continuity problems, and the lighting of several scenes went from daylight to night, to twilight. And I wonder at whether Apaches would set up an inherently ludicrous "duel" in which more than one horse would likely be injured or killed.

There are very few westerns that aren't built up mainly on a theme of revenge, the western avengers on films must be innumerable, and they are always bold cold-blooded heroes, and there is always some beautiful girl waiting for them. Yvonne de Carlo here though has plenty of skin on her nose, and although Sterling Hayden doesn't exactly treat her as a gentleman, she is after all a good match for him, after all the obligatory fights, fisticuffs and gunfights, including a formidable bunch of Apaches. Any western fan will buy all this and enjoy it even with relish, because of the splendid photo and equally splendid music by Carl Brandt, but it is still a rather conventional piece of routine very far from the more hardcore rough settlements of for example Sam Peckinpah. This is all right, you will enjoy the three great leading actors and their issues, you will even more enjoy the landscapes and the music, but it is hardly a film you would need to watch another time.

A Deputy Marshal in Arizona (Sterling Hayden) goes after a ruthless killer (Guy Prescott) in the sunny wasteland, where he meets a spitfire (Yvonne De Carlo) and a suave bounty hunter (Zachary Scott).

"Shotgun" (1955) is an obscure 50's Western so my expectations weren't exactly great, but it's actually pretty unique and commendable. At first, I thought it was going to be a town-bound Western, but the movie was shot primarily in the spectacular desert wilderness of the heart of Arizona. Hayden is laconic and determined while De Carlo is spirited and beautiful; meanwhile Scott is smooth and Prescott shady.

I like the psychological examination of the characters. Although the villain is wholly corrupt, most of the others function somewhere in the grey area, which makes for interesting social dynamics. The depiction of the Apaches is thankfully believable with many of them being of Amer-Indian stock. Lastly, the showdown in the last act is well done and inventive.

The film runs 1 hour, 20 minutes, and was shot at Vasquez Rocks in the high country north of Los Angeles (the opening) but mostly in the Sedona, Arizona, area (Red Rock Crossing & Oil Creek) with town scenes done at Universal City, California.

GRADE: B.

Even if you consider only his second part of career, this western is above the average stuff from this specialist in the gender. Of course Sterling Hayden contributes more than a part in the quality of this movie. The topic. In this film, Sterling Hayden's character has his first name CLAY and this is Hayden's last name in THE KILLING. That amused me. So, back to this western, yes we have the proof that Lesley Selander could make good films when he had the budget, especially after several decades of films and hundreds of them. He had plenty of time to learn how to direct westerns. The peculiarity here is the raw brutality of several scenes, very rude, rare for this period. But Ray Enright, another western specialist from the forties, gave us this kind of feeling too with some of his films. I almost forgot to speak of Yvonne De Carlo, the underrated great actress from Hollywood whose beauty was far far beyond the roles she had in her career.