Agrega una trama en tu idiomaA Cardinal, a hero of resistance, endures brutal interrogation with unshakable resolve, refusing to confess his supposed treason. As his tormentor's methods fail, the interrogator finds hims... Leer todoA Cardinal, a hero of resistance, endures brutal interrogation with unshakable resolve, refusing to confess his supposed treason. As his tormentor's methods fail, the interrogator finds himself unexpectedly moved by pity for indomitable.A Cardinal, a hero of resistance, endures brutal interrogation with unshakable resolve, refusing to confess his supposed treason. As his tormentor's methods fail, the interrogator finds himself unexpectedly moved by pity for indomitable.
- Nominada a5premios BAFTA
- 5 premios ganados y 6 nominaciones en total
- Minor Role
- (sin créditos)
- Soldier
- (sin créditos)
- Minor Role
- (sin créditos)
- Cafe Waiter
- (sin créditos)
- Minor Role
- (sin créditos)
- Plainclothesman
- (sin créditos)
Opiniones destacadas
Both men are brilliant, though Guinness is perhaps too impenetrable, not only for his inquisitors, but for the audience. Hawkins' character and Guinness's worked together in the Resistance against the Nazis; since then, Hawkins has become a high Communist official trying to eradicate the church from public life.
At first, the movie seems like a cat-and-mouse game between two fanatics, though erudite and educated fanatics, one believing in the church and the other in the ultimate power of the state. Hawkins keeps his well-practiced geniality, though, while Guinness, under mental torture (Hawkins knew Guinness had suffered physical torture under the Nazis and was inured to it) begins to show cracks.
While the movie is hardly a cliff-hanger, and doesn't discuss religion or even totalitarianism in any great depth, the performances by the leads are intense, and worth watching for the acting alone, even though one may be puzzled by what it's all about.
Based on a play by Bridget Boland (who also scripted this film version), the stage origins of the material are apparent. Director Glenville does what he can to open things up with some scenes set out in the oppressed streets, and using off-beat camera set-ups and editing to enliven the lengthy one-on-one dialogue sessions between Guinness and Hawkins. The story line is of its time (it was based on a couple of real incidents), but the subjects of mental and spiritual endurance in the face of extreme stress are universal. The performances by Guinness and Hawkins are excellent, and I also liked Wilfrid Lawson as the agreeable Jailer.
¿Sabías que…?
- TriviaDeemed suitably controversial enough to be banned from both the Venice and Cannes Film Festivals.
- ErroresWhen the teenager is writing in white chalk on the wall, the position of the words changes from one cut to the next.
- Citas
The Interrogator: Afraid I'll slip you a truth drug?
The Cardinal: Surely it's a confession you're after; not the truth.
- ConexionesVersion of The Prisoner (1963)
Selecciones populares
- How long is The Prisoner?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Zatvorenik
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 35min(95 min)
- Color