Prince of Players

Richard Burton plays Edwin Booth in "Prince of Players," also starring Raymond Massey, John Derek, Maggie McNamara, and Charles Bickford.

The story takes us through the young Edwin growing up, traveling with his famous actor father, and at times standing in for him. Eventually he himself becomes a great actor, and in fact, was known as the greatest Hamlet of his day. But personal tragedy strikes in his marriage and in his brother John's assassination of President Lincoln.

John Derek makes a dashing John Wilkes Booth, handsome and charismatic. Massey, a man who played Lincoln on film and recording as well, is the elder Booth and is excellent as the flamboyant drunkard. And it's wonderful to hear him recite Shakespeare.

"Prince of Players" was a showcase for Richard Burton. In 1955, when this film was released, he was young, handsome, and extremely romantic looking. Classically trained, he possessed, as he always did, a magnificent voice and a great talent. To hear his Shakespearean recitation in this film is a real treat, and there is a lot of it, including Hamlet, Richard III, and Romeo & Juliet. Sadly, Burton came from a poor Welsh family and never got over it. In pursuing movie money, he took roles in mediocre films and did very little stage work, though he shined in "Camelot" and "Equus." His last Broadway appearance, shortly before his death, was a disastrous "Private Lives" with his ex-wife Elizabeth Taylor. His fans, however, choose to remember this sweet and charming person as a glorious Prince Hal in Henry IV and as Hamlet. How wonderful that film audiences can hear his gifts forever in "Prince of Players."

I've seen this movie on late-night TV and taped it from satellite. Burton is one of my favorite actors and is very under rated. When Burton is doing the scenes from the Shakespeare plays it is nothing short of stunning. The only reason I didn't give the movie a "10" rating is there were not enough scenes from the plays. John Derek who plays Edwin's infamous brother John can't begin to hold a candle to Burton simply speaking with him in a simple scene. The only other actor in the movie even close to matching Burton's talent is the great Raymond Massey. I haven't seen this movie available on DVD or even VHS. It's a shame hardly anyone has seen this fine film. When I recorded the movie onto S-VHS tape from C-Band satellite, it was the best source available. Far superior to crummy cable. It looked like the film was shot in Technecolor. Big budget for 1953. Maybe IMDb could get a word to someone in Hollywood that this is worthy of at least a special edition DVD. Heck, they released a "Superbit" of Anaconda. If J.Lo can get a hi-res DVD I think Burton deserves one too.

I first saw this when I was in high school and thinking of becoming an actor. Burton's performance and the film's highly romantic vision of Booth as the brooding "natural" Hamlet hooked me. Although it has the outlines of a typical biopic, The Prince of Players offers an extraordinary display of the kind of acting that, at its best, dominated the 19th century stage. Burton was one of the few 20th century artists who knew how to balance a ringing declamatory style with honest, full bodied emotions. It is so different from the typical modern understatement that some audience won't be able to adjust to it. But for those who relish language along with fire in the blood, this is as good as it gets on film. The portrait of the actor Edwin Booth, a man overburdened with the cares of the world, as impetuous, self-indulgent, and nearly batty, is a bit overheated. But it's a typical view of the artist in the mad tradition of Poe. Very 19th Century--and well worth knowing.

I've been known to say Richard Burton is the only person who can speak Shakespeare with the ability to get me to understand what he's saying. In Prince of Players, I got a real treat as he showed Hollywood audiences for the first time his talent in the difficult Shakespearean language. Hamlet's soliloquy, the balcony scene from Romeo and Juliet, and Richard III's winter monologue are all performed by Richard as his character tours the country acting in various shows.

He plays the brother of John Wilkes Booth (portrayed by John Derek) and the son of a famed Shakespearean actor who already built up a great reputation with his fans. Ever since he was a little boy, he idolized his father's (Raymond Massey) talent and passion for Shakespeare. Raymond often drank too much and had trouble with his performances, and young Richard would help him. Sometimes he recited the lines alongside his father from backstage, so it's no wonder he would grow up and follow in his footsteps, aided by his manager Charles Bickford.

You might think this movie would be about the presidential assassination and how the Booth family was affected, but that's a very short part of the movie. The vast majority follows Richard during his acting tours across the country and his romance with a fellow actress, Maggie Magnamara. They enjoy a whirlwind courtship, but that's the only cutesy part of the movie. This is a drama with family tension, tears, fears, and a heartbreaking score from Bernard Herrmann. If you don't reach for your Kleenex during the opening credits, you must not be a classic music lover. It tells you everything you need to know about the story, and it's beautiful. And with Richard Burton and John Derek to look at, there's no end to the beauty in this movie.

Once past the dated nature of a movie like this from the days when movies had more wordy scripts, we see Richard Burton as a classical actor in his youthful prime.

There is more than one script for this relatively obscure movie. The story of the two Booth brothers, Edwin and John Wilkes, during the Civil War is interwoven frequently with full recitations of Shakespearean excerpts, centuries older. As a skilled movie actor of the mid-20th Century playing Edwin, a leading 19th Century stage actor, young Burton imbues the role with a darkness that became his hallmark in later years.

For an actor known for bringing a more natural style to the Bard's works, Burton had to feel challenged to incorporate exaggerated gestures and profound speech characteristic of an older dramatic age into Shakespeare's lines. At times a play's lines are delivered with a different meaning in the context of the movie.

Maggie McNamara's performance as Mary Devlin, the wife who tames Edwin's darker spirit, should not be overlooked. She has a delicate but assertive quality in this production very different from her role as Maria Williams in Three Coins in the Fountain from the year before.

Overall, an excellent showcase piece for Burton early in his career.