Now and Forever

' Now and Forever ' is in the same vein as ' For Better, For worse, ' ' Touch and Go ' and the escapades of a certain car in ' Genevieve '. The UK was good at making these kind of films, and although in the history of cinema they hold a small, but precious place they should be treasured. ' Now and Forever ' is filmed in such an innocent way that a teenage schoolgirl with a slightly older garage attendant seems the most normal romance to bring to the screen. The chemistry between Vernon Gray and Janette Scott is perfect and their running away to Gretna Green the most plausible thing to to. The tender eroticism is moving and touching, and willing to defy all those who want to oppose them. Using technicolour adds to it and so does the supporting cast including Jack Warner, Pamela Brown and Kay Walsh. Kay Walsh is excellent in a sympathetic role as one of Janette Scott's teachers, and I am glad that the two leads are still with us. Janette Scott is charming, but I feel sad that a good actor like Vernon Gray did not get better parts or have a richer cinematic career. I would have rather watched him in many films rather than someone like John Gregson. There is a lot of injustice in the destiny of actors, but in this film and in ' A Day to Remember ' and ' To Paris with Love ' with the wonderful Odile Versois he will I hope be always remembered. Mario Zami directs well with a sophistication often lost in British films, and I have enjoyed seeing it many times for its refreshing charm

This is one of the most underrated films I've ever seen. The bulk of it is charming and romantic, with two very good leads (Janette Scott, of course, went on to be one of Britain's top female film stars for the next decade; very oddly, Vernon Grey never made it as a star). The story is engagingly told, and the viewer is really rooting for the young couple.

Very effectively, however, the film changes into a kind of black comedy thriller in the latter stages, as the couple flee to try to elope to Scotland. Various mishaps hinder both the couple and the pursuing police. Among other witty moments, policeman Brian Wilde is exasperatedly telling an impatient colleague over the radio that 'It is not as if they are going to drive past me right now!' - just as the couple's car zooms by in the background; and Wilde again, stopping a car which is identical to the couple's one, only to find a very angry woman (Hattie Jacques) in the driver's seat with a very large dog next to her in the passenger seat. 'How dare you accuse us of being an eloping couple!' thunders Jacques.

It is also moving how a series of people the couple encounter help them on their way rather than shop them, including a waiter (Ronald Squire), a lorry driver (Harold Goodwin) and a farmer (Charles Victor). Throw in very good cinematography, excellent location shots, and a really well done ending, and what's not to like? In fact, if it was not for one very stupid hole in the plot, I would have given it a 10.

Janette Scott kept me watching this very dated 1956 drama/comedy. I was pleasantly surprised to see it start in colour and full screen to fill my 65 " TV which was a plus, also that it was adapted from a story by R F Delderfield who I remembered wrote that wonderful TV serial To Serve Them All My Days. Unfortunately the comparison ends there. This slight story revolves around boy meets girl, Janette Scott was still just 17, they fall in love and due to her overbearing mother, well played by Pamela Brown, who you really want to hate, try to elope to Gretna Green. Mother hates soppy boy friend, very badly played by boring Vernon Gray, so decides to send 17 year old daughter to Canada. Just try doing that in 2020. Off the young couple go, actually Gray was 10 years older than Scott in reality, encountering various well known character actors, mostly comic, like David Lodge and Hattie Jacques, although if you blink you might miss them, which I obviously did as I saw Irene Handl's name at the end credits. There's a lovely performance from Ronald Squire as a waiter which I enjoyed the most about the film. Jack Warner, Kay Walsh, Marjorie Rhodes and Wilfred Lawson shine in their small parts. Wilfred Lawson had a reputation for filming drunk on set and I could certainly believe it here, but quite comical. If it hadn't been for the ridiculously outdated storyline of a couple making the national headlines and being persued by the rozzers just for eloping, I would have given more than 5 stars out of 10.

Is this really how young adults behaved in the 1950s and were all mothers like Pamela Brown.I didn't think so.Not once in the film was sex mentioned.When the young couple are alone n a bedroom would they not have had sex instead of behaving like Gable and Colbert in It happened One Night?It just seems so dated and pationless.They are more like good friends.

Set initially in a small fictitious market town called Mellingham, this starts off as a frightfully innocent tale of puppy love given clout by the usual good-natured acerbity of producer-director Mario Zampi's regular scriptwriter Michael Pertwee (who has a brief bit as a cynical reporter), since Janette Scott's self-centred mother Pamela Brown is plainly carrying on with Guy Middleton while hypocritically determined to break up her daughter's own burgeoning romance with Vernon Grey.

Under Zampi's benign tutelage they then set off for Gretna Green on a sort of rural remake of 'It Happened One Night' enhanced by rich Technicolor photography by Erwin Hillier and the usual assortment of familiar faces in fleeting cameos.