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Nuit et brouillard

  • 1956
  • TV-14
  • 32min
CALIFICACIÓN DE IMDb
8.6/10
23 k
TU CALIFICACIÓN
Nuit et brouillard (1956)
DocumentaryHistoryShortWar

Agrega una trama en tu idiomaThe history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.

  • Dirección
    • Alain Resnais
  • Guionista
    • Jean Cayrol
  • Elenco
    • Michel Bouquet
    • Reinhard Heydrich
    • Heinrich Himmler
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.6/10
    23 k
    TU CALIFICACIÓN
    • Dirección
      • Alain Resnais
    • Guionista
      • Jean Cayrol
    • Elenco
      • Michel Bouquet
      • Reinhard Heydrich
      • Heinrich Himmler
    • 107Opiniones de los usuarios
    • 77Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominada a1 premio BAFTA
      • 2 premios ganados y 1 nominación en total

    Fotos21

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    Elenco principal5

    Editar
    Michel Bouquet
    Michel Bouquet
    • Narrator
    • (voz)
    • (sin créditos)
    Reinhard Heydrich
    Reinhard Heydrich
    • Self
    • (material de archivo)
    • (sin créditos)
    Heinrich Himmler
    Heinrich Himmler
    • Self
    • (material de archivo)
    • (sin créditos)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (material de archivo)
    • (sin créditos)
    Julius Streicher
    Julius Streicher
    • Self
    • (material de archivo)
    • (sin créditos)
    • Dirección
      • Alain Resnais
    • Guionista
      • Jean Cayrol
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios107

    8.622.6K
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    Opiniones destacadas

    grendelkhan

    Words cannot express the power of this film.

    I had heard the phrase "Night and Fog", but had missed the true meaning of it until I saw this movie sitting on a shelf in a local video store. I rented it and watched.

    I don't possess a vocabulary to convey the impact the images had upon me. I sat unmmoving, sick to my stomach. Those images would not leave my head.

    As a student of history, I had seen still images and brief clips of the victims of the Holocaust. None of it compared to seeing these images moving across my screen.

    To any doubters of the Holocaust, I say, "Watch this film!" It did happen. This is the result of hatred and complacency. We like to think it couldn't happen here, until we remember the treatment of the Native Americans and the slaves brought to this country. We think it could never happen again, until Cambodia, East Timor, Bosnia, Rwanda, etc., showed it still does.
    10stuartpiles

    The Most Powerful Film Ever Made

    If you want to describe or give your audience a feeling for the holocaust, or "Man's Inhumanity To Man", then this is the vehicle to use..Show it..be warned, it is so powerful, that you will never forget what you see, neither will any of your viewers..It is impossible to describe, intermixing l955 footage of Auchwitz Concentration Camp, with captured Nazi footage which the allies found at the end of the war, and the scenes of American and British troops liberating the camps...In French, with English subtitles.. and scenes that are unforgettable and horrific. Even the sad music of death from this film plays in my ears, and I have not seen it in 15 years. Once you hear it, you will know.

    This is the one to show if you want people to understand the truth of what happened and the reason for its reaction in today's current events....It is shocking in a special way. I showed it to my classes. Students were warned, and told what was coming, they said it would be "nothing" By the end some were crying and moaning in horror...
    10Jordan_Haelend

    More difficult to view than any other film I've ever watched.

    I consider myself to have a fairly strong stomach- I've seen the results of traffic accidents and violent crimes, and like anyone else I have seen (via the TV) the horrors of war. But I was just totally unprepared for this. It was thirty harrowing minutes of a sight-seeing tour of hell.

    It was so difficult for me to sit through that I was tempted to shut the DVD player off three times, but I told myself, "No, this is important. It has to be seen, if only as a reminder of what can happen when an inhuman world-view is fused to state-of-the-art technology." The Holocaust was far more (and worse) than simple mass-killing, awful as that is. It was a business decision, coolly and scientifically calculated, to destroy millions of innocents while reaping a profit from them- in death as well as in life.

    The sight of the starved, broken bodies, the ghastly scenes taken in the medical labs in the death camps, the sight of little children being led by the hand to their last train ride. It is all so monstrous as to be indescribable.

    I am glad I watched it. But I do not think that I'll be watching it ever again, and I give it a 10. It affected me that deeply.
    10mlwehle

    A powerful and informative film.

    Resnais intersperses then-current-day (1955) color footage of Auschwitz with archival B&W to demystify and provide context for the Holocaust in modern western society rather than in anything unique to the German experience of totalitarianism. Photos of concentration camp personnel at home with their families invite the viewer to reflect on the banality of evil. Construction of the camps is described as like that of any large project, requiring bids, architects, contracts. Heart-wrenching scenes document a prisoner's view, from the transports being loaded through selections, showers/gas chambers, existence in the barracks, and in the end, mass death.

    Included on the DVD is an excerpt from a 1994 radio interview with Resnais, wherein he mentions French censors required the film makers to obscure the hat of a policeman guarding prisoners being deported - the French government refused to permit this recognition of French complicity and assistance with the deportations.
    10AndrewWalker747

    oh my god

    I originally had no intention to see this movie and had no idea that it even existed until I saw it. I actually saw it in High School Economics class (of all places)because my teacher had just finished showing it to his world history class and instead of wanting to hear him drone on about the GDP and recessions, we smooth talked him into showing us what was in his VCR. We had no idea what we were about to see.

    This movie is probably the best holocaust documentary ever made. The images of piles of human hair, emaciated skeletons being pushed around by bulldozers, lampshades of human skin, men looking like corpses walking around, has never left me. The opera and classical music in the background helps to further add to the shock value of this film.

    After about 10 minutes, kids in my class told my teacher we didn't want to watch this movie anymore. We stopped it and there was still 30 minutes left in class. We didn't learn anything about economics that day, we talked about the holocaust instead.

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    Argumento

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    • Trivia
      In the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production.
    • Errores
      In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.
    • Citas

      Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.

    • Versiones alternativas
      Before its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."
    • Conexiones
      Edited from Nazi Concentration Camps (1945)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • enero de 1956 (Francia)
    • País de origen
      • Francia
    • Idioma
      • Francés
    • También se conoce como
      • Night and Fog
    • Locaciones de filmación
      • Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, Polonia
    • Productora
      • Argos Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      32 minutos
    • Color
      • Black and White
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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