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Mozart

  • 1955
  • Not Rated
  • 1h 40min
CALIFICACIÓN DE IMDb
6.2/10
127
TU CALIFICACIÓN
Mozart (1955)
BiografíaDramaMúsica

Agrega una trama en tu idiomaExplores the mental state of Mozart during production of his final opera "Die Zauberflöte".Explores the mental state of Mozart during production of his final opera "Die Zauberflöte".Explores the mental state of Mozart during production of his final opera "Die Zauberflöte".

  • Dirección
    • Karl Hartl
  • Guionistas
    • Karl Hartl
    • Egon Komorzynski
    • Franz Tassié
  • Elenco
    • Oskar Werner
    • Johanna Matz
    • Gertrud Kückelmann
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.2/10
    127
    TU CALIFICACIÓN
    • Dirección
      • Karl Hartl
    • Guionistas
      • Karl Hartl
      • Egon Komorzynski
      • Franz Tassié
    • Elenco
      • Oskar Werner
      • Johanna Matz
      • Gertrud Kückelmann
    • 3Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos4

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    Elenco principal36

    Editar
    Oskar Werner
    Oskar Werner
    • Wolfgang Amadeus Mozart
    Johanna Matz
    Johanna Matz
    • Annie Gottlieb
    Gertrud Kückelmann
    Gertrud Kückelmann
    • Constanze Mozart geb. Weber
    Nadja Tiller
    Nadja Tiller
    • Aloysia Weber
    Erich Kunz
    • Emanuel Schikaneder
    Angelika Hauff
    Angelika Hauff
    • Suzi Gerl
    Annie Rosar
    Annie Rosar
    • Mutter Weber
    Hugo Gottschlich
    • Don Primus, Hausmeister
    Chariklia Baxevanos
    Chariklia Baxevanos
    • Sophie Weber
    Albin Skoda
    • Antonio Salieri, Hofkompositeur
    • (as Skoda)
    Raoul Aslan
    • Rosenberg, Hofkämmerer
    • (as Raul Aslan)
    Walter Regelsberger
    • Süßmayer, Mazarts Famulus
    Elfie Weissenböck
    • Josefa Hofer - Königin der Nacht (in 'Die Zauberflöte')
    Alma Seidler
    • Muter Gottlieb
    Ulrich Bettac
    Ulrich Bettac
    • Vater Gottlieb
    Leopold Rudolf
    • Ein Unbekannter, Besteller des Requiems
    Helli Servi
    • Lina, Dienstmächen bei Mozart
    Raoul Retzer
    • Gerl, Darsteller des Sarasto
    • Dirección
      • Karl Hartl
    • Guionistas
      • Karl Hartl
      • Egon Komorzynski
      • Franz Tassié
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios3

    6.2127
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    Opiniones destacadas

    7AndreaValery

    Endearing and heartfelt, but over-romanticized

    If you agonized through "Amadeus", cringing at the depiction of a giggling buffoon and his featherbrained Constanze, shuddering at the underlying premise that God gave the gift to the wrong man for reasons we just can't understand, then this film may provide you with a pleasant antidote. Filmed in 1955, probably in anticipation of the bicentenary of his birth, it gives a totally different view of the composer, and recreates the last year of his life on a more intimate anti-blockbuster scale. But though it is an engaging effort with many fine points, it doesn't succeed in redeeming Mozart from the fictions of Milos Forman's travesty, because it is itself a fictionalization that distorts in its own way the character of the composer.

    The last year of Mozart's life was a living hell since he was physically very ill and financially in difficulty. The necessity to keep composing was all the more tortuous because of his suffering. The symptoms he had - pain, vomiting, fever, chills, swollen hands and feet, seem to point to kidney disease. He was taking large quantities of various drugs and medicines, no doubt compounding the ailment. He knew death was inevitable and his wife was terrified.

    This script by Karl Hartl depicts a fun-loving girl-chaser who dashes through the fields in pursuit of his mistress, climbs trees with her, cheating on Constanze with the certainty that she will forgive him. The girl in question is Nannina (Annie) Gottlieb who created the role of Pamina. In this version it is she, not Constanze, who becomes distraught over Mozart's illness. In the two biographies I consulted no mention is made of this exuberant love affair. It may be true, it may have happened earlier in his life or it may be Hartl's attempt to provide Mozart with a soul-sister, since the name Gottlieb is the German equivalent of Amadeus meaning "loved by God". The effect is to diminish the tragic end of his life and to shunt Constanze to the sidelines.

    Salieri is a minor figure; there are just hints of animosity between the two men when Mozart's face darkens at the mention of his name. No mention either of "La Clemenza di Tito" the opera that had just failed in Prague, thus placing even more pressure on Mozart to succeed the next (and last) time, with "The Magic Flute". Freemasonry is not alluded to except through excerpts from the opera, nor is there any analysis of the symbolic shift from heresy to the deepest ritual of the Catholic Church - the Requiem Mass. But the mysterious stranger who commissions the Requiem cannot be avoided since he is the messenger of doom.

    If what emerges is a buoyant, appealing tale of young man whose precociousness was rooted in a deep creative matrix, it is thanks to the radiant performance of Oskar Werner. His elegant, sensitive portrayal disarms and charms us to the point where we forget the distortions. We see in his portrayal the hunger for life, the need for love and approval, the disgust at compromise, the rebelliousness, the playfulness, the terror and acceptance of death. And all within the severe limitations of this so-called "historical" scenario.

    The other players are excellent, in particular Erich Kunz as Emmanuel Shikaneder/Papageno. His clever, humorous, impatient pragmatism is a perfect complement to the unpredictable ways of creativity. The women are intelligently portrayed. The music is heavenly.

    Unfortunately, this video is dubbed. I was not able to find a sub-titled version. I cannot say with certainty that Oskar Werner dubbed himself.

    We are on the eve of the 250th anniversary of Mozart's birth. Vienna, I believe, is already celebrating. Let's hope that any books, films or dramatizations that emerge from the festivities reflect the man in all his complexity. Truth is not only stranger than fiction, it's a lot more interesting. It might be best to just read his letters and listen to his music.
    6didi-5

    engaging film, but still feels fictionalised

    Picked up in Salzburg, the German version of this film, with English subtitles, is extremely watchable but zips along at a fair pace - it feels as if it was edited extremely tightly and in fact jumps abruptly to cuts at times.

    Mozart is played here by Oskar Werner, who eventually achieved some success in Hollywood. The other cast members aren't well known to me, but there's a decent Constanze here, plus her sister Lusia, and Mozart's muse from 'The Magic Flute', Anna.

    Even in an old and damaged print, the colours are lovely, the music is sumptuous, and the centre of Vienna is easily recognisable (not sure if it was filmed here or reconstructed, but it certainly looks authentic, especially in and around the cathedral).

    The Mozart presented here isn't the crude and vulgar child-man of 'Amadeus', but instead a slightly silly-ass who likes to flirt and gets easily enthralled by things which lift his music. It's fairly effective - but the story presented here doesn't feel particularly close to the truth.

    Not an essential viewing, but not bad for fans of the composer and/or Austria.

    Argumento

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    • Trivia
      The alternative German release title "Reich mir die Hand, mein Leben" is the common German adaption of the lyrics "La ci darem la mano" from Mozart's "Don Giovanni". The film itself doesn't contain a single note from this opera.
    • Conexiones
      Featured in Falco - Verdammt, wir leben noch! (2008)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de diciembre de 1955 (Austria)
    • País de origen
      • Austria
    • Idioma
      • Alemán
    • También se conoce como
      • The Life and Loves of Mozart
    • Productora
      • Cosmopol-Film
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 40 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.33 : 1

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