Hombre sin rumbo

Solid western directed in magisterial way, in the best genre tradition, by prestigious King Vidor. You can said the topic of the experienced cowboy teaching to a newcomer results very common at movies western. But Man Without Star is some more. This excellent movie picture tell us about the rivalry between two land´s possession different conceptions and about men´s maladjustment to new society rules. Everything is good at Man Without Star: the story (Borden Chase), the casting (Douglas, Trevor, Boone...), the song (Frankie Laine), and, of course, the production. Many director told us stories in western, but a few ones so efficaciously and with so easy manner like King Vidor at this picture. Because things results easier when you are expert. The same story was years later (also starring by Douglas) the Lonely Are The Brave starting point.

This is probably my favorite Kirk Douglas western. Although it has plenty of action this is not just another action western. Rather it deals with the implacable transition of the west from open range available to all to individually-controlled patches of range that are fenced off with barbed wire. Dempsey Rae (Douglas' character) loves open range and keeps drifting north to avoid the barbed wire which destroys it. Finally, however, he realizes that the small ranchers must fence off the range to protect themselves from the massive herds of a greedy rancher and her ruthless foreman and helps string and protect the wire that he hates so thoroughly. I love this under-rated western.

Man Without A Star is directed by King Vidor and adapted by Borden Chase & D. D. Beauchamp from the Dee Linford novel. It stars Kirk Douglas, Jeanne Crain, Claire Trevor, William Campbell & Richard Boone. Photographed by Russell Metty in Technicolor around the Thousand Oaks area in California, with the title song warbled by Frankie Laine.

Dempsey Rae (Douglas) is easy going and a lover of life, so much so he has no qualms about befriending young hot head Jeff Jimson (Campbell). The pair, after a scare with the law, amble into town and find work at a ranch owned by the mysterious Reed Bowman. Who after finally showing up turns out to be a lady (Crain), with very ambitious plans. As sexual tensions start to run high, so do tempers, as the boys find themselves in the middle of a range war.

It's all very conventional stuff in the grand scheme of range war Western things, but none the less it manages to stay well above average in spite of a tricky first quarter. For the fist part Vidor and Douglas seem to be playing the film for laughs, with the actor mugging for all he is worth. Add in the wet behind the ears performance of Campbell and one wonders if this is going to be a spoof. But once the lads land in town and the girls show up (Trevor classy, Crain smouldering), the film shifts in gear and starts to get edgy with Vidor proving to have paced it wisely. The thematics of era and lifestyle changes, here signified by barbed wire, are well written into the plot. While interesting camera angles and biting photography keep the mood sexually skew whiff. Boone lifts proceedings with another fine villain performance, and Jay C. Flippen in support is as solid as he almost always was. 7/10

A cowboy is hired as a foreman for a powerful landowner , but he then helps ranchers to stop the egoistic cattle owner from taking over their lands . As he , subsequently , changes sides and will fight against her , as he helps mistreated settlers who put barbwire to protect their herd . The cowboy fighting for justice will tame his vital code he lives by and supporting other neighboring cattlemen who are harassed by her .

This is a moving western dealing with the ordinary conflict between freedom and the need for order and settlements . The picture regards interesting issues such as the economical abuses by powerful owners including violence , and the sexual resources that the beautiful land lady , gorgeous Jeanne Crain , uses to get her purports . Nice and feisty acting by the great Kirk Douglas as the sympathetic as well as impulsive gunfighter . Being one of the first movies that Kirk Douglas made through his own production company , Bryna Productions . Support cast is pretty good , such as : Claire Trevor , Richard Boone , Jay C. Flippen , Jack Elam , Paul Birch , George Wallace , Mara Corday , Roy Barcroft and special mention for William Campbell as a stubborn young gunfighter . Colorful and brilliant cinematography in Technicolor by Russell Metty , being filmed on location in Conejo Valley , Thousand Oaks , Janss Conejo Ranch , California , and Grand Canyon , Arizona . Besides , a moving , stirring musical score by two uncredited composers , Hans J. Salter and Herman Stein .

The motion picture , based on a screenplay by the Western expert Borden Chase , was compellingly directed by King Vidor and lavishly produced by Aaron Rosenberg who financed a lot of westerns for Anthony Man/James Stewart . Although he and Kirk had strong problems , as Douglas and Vidor had arguments , and the latter left the shooting and was fired . However , King shows some his peculiar visual style . In addition , the picture went on to become a box office hit . Vidor directed other good westerns as ¨Duel in the sun¨ , ¨Northwest passage¨, ¨Billy the Kid¨ , and ¨Texas Rangers¨ . And made several classic movies as ¨War and peace¨ , ¨Comrade X¨ , ¨Stella Dallas¨ , ¨Fountainhead¨ , ¨Our daily bread¨ , ¨The citadel¨ , ¨The crowd¨ , ¨Big parade¨ , among others .

Man Without a Star is not ranked as one of Kirk Douglas's great films, but it's a personal favorite of mine and a tour de force for this player.

I don't think any actor in screen history could ever go from zero to 120 in intensity as Kirk Douglas. His character Dempsey Rae in this film is a free footloose cowpoke with charm to spare. When provoked he changes like lightning and he's a man not to be trifled with. Kirk Douglas could do this better than any other actor.

Douglas gets good support here from western regulars like Jay C. Flippen, Eddy Waller, Roy Barcroft. Claire Trevor, although she's played more heart of gold floozies than anyone else in cinema history is never bad. Jeanne Crain as the boss bad gal did well being cast against type.

William Campbell was famous for two things, a role in the original Star Trek series as a Klingon Captain named Koloff and the fact he was married once to Judith Exner who also was linked to President Kennedy and Sam Giancana. He's pretty good in this however as Douglas's sidekick/protégé who turns on him for a while. And Richard Boone never gave a bad performance in his life and doesn't do so here as the foreman Jeanne Crain hires to run roughshod over the smaller ranchers.

Western fans and Kirk Douglas fans will love this.