Un arquitecto capturado diseña un ingenioso plan para garantizar la inexpugnabilidad de la tumba de un faraón ensimismado, obsesionado con la seguridad de su próxima vida.Un arquitecto capturado diseña un ingenioso plan para garantizar la inexpugnabilidad de la tumba de un faraón ensimismado, obsesionado con la seguridad de su próxima vida.Un arquitecto capturado diseña un ingenioso plan para garantizar la inexpugnabilidad de la tumba de un faraón ensimismado, obsesionado con la seguridad de su próxima vida.
- Dirección
- Guionistas
- Elenco
- Kyra
- (as Luisa Boni)
- Egyptian Architect
- (sin créditos)
- Captain of the Guard
- (sin créditos)
- Dancer at the Party
- (sin créditos)
- Priest
- (sin créditos)
- Nabuna, Nellifer's Bodyguard
- (sin créditos)
- Bit Part
- (sin créditos)
- Mea
- (sin créditos)
- Dancer at the Party
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Land of the Pharaohs" (1955) is a sword & sandal epic that doesn't overstay its welcome at well under 2 hours. It was director Howard Hawk's first box office failure and so he took four years off from filmmaking to tour Europe before returning with the hit Western "Rio Bravo" (1959). It has since become a cult film and Martin Scorsese admitted that it is one of his favorites.
The subject is fascinating. The Pyramid of Khufu is the oldest of the Seven Wonders of the Ancient World and the only one to remain relatively intact. It is estimated to have taken almost three decades to build. There are several theories of its planning & construction and the movie brings this to life for the viewer. The Egyptian government supplied 3000-10,000 extras for the 50-plus day shoot, half of them soldiers. While Jack Hawkins and the actor who plays Vashtar look decidedly European as opposed to anyone from the ancient Egypt region, producers wisely darkened Joan's skin and her potential lover looks serviceably Egyptian.
Although critics decry the subplot in the second half concerning an assassination conspiracy, there's plenty to enjoy in this lush spectacle: cowards thrown to crocodiles, the curious beliefs behind building such a unique colossal structure, the obsession & perseverance it took to see it through, thousands of extras, real vessels in the river, authentic locations, recreations of hauling the 2.5 ton stones, the Pharaoh taking on a bull, death traps, athletic dancing, Joan's youthful beauty, a quality sword fight to the death, the tragic close and Dimitri Tiomkin's great score.
Lastly, the flick inspires one to look up the actual pyramid, its history and videos of its exterior and innards. It might even inspire you to see it firsthand.
The film runs 1 hour, 46 minutes, and was shot in Egypt with studio stuff done in Rome.
GRADE: B.
As a grand epic from the era where they made them big and were not afraid to spend money where it would show up on screen, "Land of the Pharaohs" surpasses many other epics of its period and even many recent films dealing with a similar subject (1999's "The Mummy" comes to mind). "Pharaohs" has an impressive and very satisfying climax that makes perfect sense historically and dramatically.
Also, no one seems to have mentioned the marvelous handling of crowds, particularly in the lengthy building of the pyramid sequence. I'll even go so far as to say the way Hawks composes his crowds for the cinemascope screen - arranging his Egyptian workers and pharaoh worshipers in intricate patterns with complex movements - rivals even Fritz Lang's similar work in "Metropolis" (1926), famous for its handling of crowds.
I think one of the reasons the film keeps getting bashed is because people haven't seen it in its original widescreen format in many years. Until recently, no Region 1 DVD has been available, so in its cropped, pan and scan VHS incarnation, the film comes across as wimpy and ridiculous. As can be seen in the widescreen DVD release, the grandeur is stunning, its art direction, costumes, sets and locations all holding up marvelously.
It must be said that composer Dimitri Tiomkin probably never wrote a score as majestically spirited as this one, a vast canvas of antiquity and drama. The cast is very much of its time, and some of the dialog is stilted and dated, but with the passing of time, most films suffer from this. Time passes and acting styles change. But a good plot holds up, and "Pharaohs" has plenty of the devious vs altruistic characters that drove many of Hawks plots effectively.
The powers that be in Hollywood finally released the film on DVD, promoting it as a camp classic, adorning the cover with a cheesy shot of Joan Collins, the one thing they apparently consider notable and sell-able about the film. Too bad. Yes, "Land of the Pharaohs" does have an element of campiness, but there is true grandeur in the vastness of the production and the fact that its cast of thousands was indeed a cast of thousands, not CGI. Perhaps one day the wonders of this film will be given the appreciation it deserves. As time passes these epics seem to be acquiring as much antiquity as the genuine historical period itself.
Jack Hawkins plays an Egyptian pharaoh named Khufu, who wants to be extremely prepared for his "second" life. He desires the perfect pyramid to be built to house his body and his plethora of treasures obtained from war. He learns that one of his current prisoners, Vashtar (James Robertson Justice), is an experienced architect, and indeed Vashtar comes up with some ingenious ideas for crafting an impregnable fortress. Meanwhile, Khufu obtains himself wife # 2, a young princess named Nellifer (Joan Collins). And she's a greedy and conniving person who stops at nothing to get what she wants.
"Land of the Pharaohs" may be a challenge for some people to take seriously, but technically it really is well made, and it's consistently entertaining. Also in the cast are Dewey Martin as Vashtars' son Senta, Alexis Minotis as Khufu's loyal high priest Hamar, Sydney Chaplin as the traitorous Treneh, and James Hayter as Vashtars' friend Mikka. These people all do the very best that they can, but it's the ravishing young Collins who tends to steal the show - and whom the audience is likely to remember the most.
Among the heaviest assets that this can boast are Dimitri Tiomkins' rousing music score, the cinematography by Lee Garmes & Russell Harlan, the art direction by Alexandre Trauner. and the various costumes (especially those worn by Collins). Viewers may also get a big kick out of the fairly grim twist ending.
Seven out of 10.
It falls into the filmic splinter of historical epics that thrived greatly in the 50s and 60s, where a cast of thousands are costumed up to the nines, the sets sparkle and location photography smooths the eyes. Land of the Pharaohs has all these things, what it does lack is a high end action quotient, the makers choosing to craft a picture about intrigue in Pharaoh Khufu's (Hawkins) court as the great pyramid is constructed. This is not to say it's a dull picture, it maintains interest throughout, with shifty shenanigans afoot, femme fatale connivings and plenty of slaves standing proud for their cause. While the big finale is devilishly potent.
However, one has to really close off the ears at times to avoid the dreadfully wooden dialogue, and some scenes are painfully misplaced, such as the sight of a miscast 45 year old Hawkins wrestling with a bull, I kid you not. Also miscast is Collins, undeniably sexy, but never once does she convince as an Egyptian princess, and her make-up is awful. There are stars in the film, but it does in fact lack star power. The real stars are Tiomkin, Garmes and Harlan, who each bring the spectacle of the production to vivid life. It was a minor flop at the box office and Hawks pretty much disowned it, but it's not without intelligence and in spite of its flaws it's a good watch for historical epic loving adults. 6.5/10
¿Sabías que…?
- TriviaThe movie was Producer and Director Howard Hawks' first commercial failure. It caused him to take a break from directing and travel through Europe for a few years. His next movie, Río Bravo (1959), was the longest break between two movies in his career.
- ErroresDomesticated camels feature throughout the film, which is set in the early Old Kingdom. But the camel was not domesticated around Egypt until the end of the New Kingdom, some two thousand years later.
- Citas
Hamar: You must give the order, your Majesty.
Princess Nellifer: The order is given.
[a priest walks around the pharaoh's sarcophagus breaking the clay pots which will release the sand and set the sealing of the pyramid in motion]
Hamar: It is done, your Majesty.
Princess Nellifer: Then I Nellifer am now Queen of Egypt and I now order...
[she pauses listening to a distant sound]
Princess Nellifer: What is this?
Hamar: The tomb is being sealed, your Majesty.
Princess Nellifer: NO! Show me the way out! I command you; show me the way out!
Hamar: There's no way out. This is what you lied and schemed and murdered to achieve! THIS is your kingdom!
Princess Nellifer: No, no, no.
[she sobs uncontrollably]
Princess Nellifer: I don't want to die. I don't want to die. I don't want to die; Please help me!
[she collapses on the floor of the burial chamber]
- ConexionesEdited into The Story of Mankind (1957)
Selecciones populares
- How long is Land of the Pharaohs?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 2,900,000 (estimado)
- Tiempo de ejecución
- 1h 46min(106 min)
- Relación de aspecto
- 2.55 : 1