La última orden

This is a version of the Alamo story often overlooked mainly because it focuses on Jim Bowie as opposed to Davy Crockett as the central character. Sterling Hayden in one of the many roles he truly hated before escaping to the seas is a stalwart and heroic Bowie.

As I said though in another review of a film with Bowie as the central character, Jim Bowie was anything but heroic. He was a land swindler, slave dealer, no good con man who very few people had anything nice to say about. He was a tough guy though, no question about that and the famous Bowie knife was made to his specifications.

Bowie was married into the Mexican aristocracy and did suffer the horrible tragedy of having his wife and children taken in an epidemic of the plague. We never see them here or in the John Wayne film or in the new Disney epic.

Possibly the best acting honors do go to Arthur Hunnicutt who was more the backwoods character that Davy Crockett was then John Wayne. Billy Bob Thornton in the 2004 Alamo was probably the best Davy Crockett ever put on film and the most accurate.

Probably too much is now known for the general public to appreciate a film like The Last Command. The principals at the Alamo were three dimensional characters and not the cardboard cutouts they are here.

In the habitual group of various characters we find the starring Jim Bowie of ¨Bowie knife¨ fame (Sterling Hayden) who held command until stricken with typhoid-pneumonia , Colonel William Barret Travis (Richard Carlson) , commander of the small garrison of some 180 men and Davy Crockett of Tenesse (Arthut Hunnicutt) who had arrived with a dozen volunteers . They're guarding El Alamo against a Mexican militia commanded by General Antonio Lopez De Santa Anna , President of Mexico (J. Carroll Nash) . They're featured in more realistic roles than successive films , though here predominates the melodrama . It's a spectacular film hampered by a tiring screenplay and including Max Steiner's excellent score with a title song by Gordon McRae . The motion picture well produced by Republic's founder , Herbert J. Yates, was professionally directed by Frank Lloyd . Subsequently , five years later , John Wayne made his own retelling : ¨El Álamo¨ (1960) , utilizing a lot of the still-standing sets that were used in this movie .

The film is rightly based on historic events , these are the followings : On 23 February 1836 a army of 5000 entered San Antonio. When Santa Anna demanded the surrender, William Travis answered with a cannon shot. So began thirteen day siege that ended with the Mexicans storming the fortress, the defenders, to a man , fought on until death .With bugles sounding the ¨deguello¨(signifying no quarter to the defenders) attacked the adobe walls from all four sides and broke through. Travis was shot dead over his cannon . Crockett using his rifle as a club, fell under a swarm of the enemy . Bowie fought to the last from his sickbead. The Mexicans had won a Pyrrhic victory suffering more than 1500 casualties. Forty six days after the fall ,less than 800 Texans and American volunteers led by General San Houston defeated Santa Anna and his army of 1300 at San Jacinto. Shouting ¨Remember the Alamo¨ Houston's men completely routed the Mexicans in a matter of minutes, killing 630 while losing only 8. Santa Anna was captured, and the Republic of Texas was born.

Made in spite by Yates, well shot and mounted, replete with an excellent cast, 'The Last Command' still remains good value even if it rather pales besides Wayne's grandiose epic of just a few years later. The much underrated Hayden is superb as "big Jim Bowie" and Hunnicutt equally as good as Davy Crockett. Hayden has the ability to appear gentle, naive, rugged and brusque all at once - something few other actors, with perhaps the exception of Spencer Tracy, managed. Unfortunately Crockett and his 29 men don't appear until some way in. With only Hayden's latent dynamism really keeping things afloat, the first half an hour of the film is rather talkative in exposition, and it drags somewhat. Consuela de Quesada (Anna Marie Alberghetti) is a limp romantic foil to Bowie - I for one would be happy to have seen her written out and the structure tightened through her absence. Ernest Borgnine plays his small role with gusto - his confrontation with Bowie a standout scene in a film full of fighting, although his later genial acceptance of Bowie's superiority as a man is perhaps emphasised by the script too much for comfort.

Steiner's music (and especially the superb title song) goes a long way in making events move smoothly towards the climax. For it's the Alamo Battle the bums on seats will have come to see, and here it is done well (although again not *as* well as Wayne would manage with considerable more time and resources later (although any comparison isn't too much to the present film's detriment).

In short this is well worth seeing, and it provides a contemporarily staged contrast to the better-known epic which was to follow. I'd still like to see an historically accurate account of the events at the mission, though...

I always liked this Alamo epic better than Wayne's because it moved faster and Sterling Hayden and Arthur Hunnicutt looked like Jim Bowie and Davy Crockett might have been. Hunnicutt's death scene influenced Wayne's in his epic but I'll rate Hunnicutt's an A+ for less "operatic" posing and a more real "I'll take you to hell with me realism. The teeny bopper love angle could've of been dropped though.

Studio politics prevented John Wayne from getting the role he coveted.Wayne would have to wait nearly a decade before he would put his own vision of the Alamo on the silver screen. The film is magnificent and told remarkable for its era (a) with a recognition that Mr Bowie having married into the Mexican elite had become an assimilato, a naturalized Mexicano, (b) with sympathy for the Mexican viewpoint and (c) with respect for General Santa Ana.

The Travis of this version is not nearly the superbly arrogant martinet of the Wayne film nor the dummy who matures in combat of the more recent edition.

Regrettably unlike the Wayne film, this version omits the heroine of the story who knitted the Alamo flag-- the Mexican tricolor with the legend 1824 for the liberal constitution for which the Texans fought. Cut off by the Mexicans, the Alamo defenders would never have known of the declaration of independence or the adoption of the Lone Star flag.

Yet as the story of heroism against the odds, Last Command is first rate.